Soho Rep Extends World Premiere of Shayok Misha Chowdhury's Bilingual Public Obscenities | Playbill

Off-Broadway News Soho Rep Extends World Premiere of Shayok Misha Chowdhury's Bilingual Public Obscenities

The play delves into the boundaries of language, queer intimacy, and the things we inherit.

Debashis Roy Chowdhury, Abrar Haque, Golam Sarwar Harun, Jakeem Dante Powell, and Gargi Mukherjee

Soho Rep has extended the world premiere of 2023 Mark O'Donnell Prize winner Shayok Misha Chowdhury's Public Obscenities, which it co-commissioned and co-produces with NAATCO. The bilingual Bangla and English play, which began February 15, will now run through April 9.

Queer studies PhD student Choton returns to his family home in Kolkata with his Black American boyfriend Raheem to study the slang used in the local queer community. While there, Raheem discovers a roll of undeveloped film in Choton's grandfather's old camera, unearthing family secrets. Public Obscenities explores "the things we see, the things we miss, and the things that turn us on."

Starring are Abrar Haque as Choton, Jakeem Dante Powell as Raheem, Tashnuva Anan as Shou, Debashis Roy Chowdhury as Pishe, Golam Sarwar Harun as Jitesh, Gargi Mukherjee as Pishimoni, and NaFis as Sebanti. Six of the cast members are Bengali actors from across the U.S. found via a nationwide casting search by Stephanie Yankwitt and Kim Montelibano Heil. All are making their Off-Broadway debuts.

The creative team features scenic designer dots, costume designer Enver Chakartash, lighting designer Barbara Samuels, sound designer Tei Blow, projection and video designer Johnny Moreno, dramaturg Sarah Lunnie, cultural dramaturg Sukanya Chakrabarti, props designer Patricia Marjorie, and stage manager Alyssa K. Howard.

Partially inspired by a dream his uncle related to him, Chowdhury shared in an earlier statement, “In some ways, the play is me wrestling with the fact that my uncle handed me his dream and told me to make a movie out of it. But I don't make movies—so instead of making a movie, I made a play about who gets to be an artist and what to do with all these unexpected things we inherit. My grandfather’s old Rolleicord camera was another major inspiration for the piece, and it may even show up on stage. I like to think that through the camera, my grandfather is also making his Off-Broadway debut.”

Public Obscenities is the first play co-commissioned by Soho Rep and The National Asian American Theatre Company through the NAATCO National Partnership Project.

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