HMG+
Manhattan, NY
05/12/2025
THT Repertory
Worcester, MA
05/12/2025
Chorus Girl Productions
New York , NY
05/11/2025
New York Theatre Workshop
New York, NY
05/09/2025
HMG+
Manhattan, NY
05/12/2025
Other
Event Servers and Bartenders needed in the NYC area for flexible weekday gigs! Starting rates between $21-$25/hour, work according to your schedule. AM, PM, and all day shifts available. Let us know when you’re available, and we’ll offer you shifts! Come to our Open Call at our Midtown office on Wednesday 05.14 or Monday 05.19 from 12pm-4pm to get interviewed on the spot for a position. YOU MUST RSVP THROUGH THE LINK BELOW TO RECEIVE NECESSARY DETAILS FOR THE OPEN CALL.
https://simple.formstack.com/forms/open_house_rsvp_form
THT Repertory
Worcester, MA
05/12/2025
Performer
Notice: Audition Call Type: EPA
AUDITION DATE
Friday, May 30, 2025
9:00 AM - 5:00 PM (E)
Lunch 2:00 PM - 3:00 PM
AND
Monday, June 2, 2025
12:00 PM - 8:00 PM (E)
Break 4:00 PM - 5:00 PM
APPOINTMENTS
To schedule an audition appointment, please fill out the following form: https://forms.office.com/pages... . Equity audition requests must be submitted by 5pm ET on Tuesday, May 27th, 2025.
CONTRACT
SPT
$538 weekly minimum (SPT 5)
SEEKING
Equity actors for roles in THT Repertory's 2025-26 Season (See breakdown).
Actors from out-of-town are encouraged to audition.
PREPARATION
Please prepare a 60-second Shakespearean monologue. Please bring two copies of your headshot and resume, stapled together, and please be prepared to demonstrate any special skills listed.
LOCATION
Jean McDonough Arts Center
20 Franklin Street
Worcester, MA 01608
Accessible by the MBTA Commuter Rail. Parking available at Federal Plaza Garage, 570 Main St, Worcester, MA 01608.
PERSONNEL
Alan Seiffert: President + CEO, The Hanover Theatre and Conservatory for the Performing Arts
Expected to attend:
Livy Scanlon: Artistic Director, Director - DOUBT
Dr. Kathryn Moncrief: Director - A MIDSUMMER NIGHT'S DREAM
See breakdown for production-specific personnel.
OTHER DATES
See breakdown for production-specific dates.
OTHER
https://thehanovertheatre.org/...
If you have a question or need assistance, please email [email protected] with subject line THT Rep Auditions.
All rehearsals will be held on the campus of The Hanover Theatre and Conservatory for the Performing Arts in downtown Worcester, MA.
All performances will take place in the BrickBox Theater at the Jean McDonough Arts Center.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
THT Repertory 2025-26 Season
An initiative of The Hanover Theatre and Conservatory for the Performing Arts, The Hanover Theatre Repertory (THT Rep) engages, entertains and energizes audiences with dynamic theatrical events made in and for Worcester, MA with a focus on classics, modern-classics and classics-inspired works.
DOUBT, A PARABLE
Written by John Patrick Shanley
Directed by Livy Scanlon
First Rehearsal: Aug 25, 2025
Opening: Sep 20, 2025
Closing: Oct 5, 2025
Possible extension through Oct 12, 2025
SYNOPSIS: In a 1960s Catholic school in the Bronx, Sister Aloysius questions Father Flynn’s affections for young Donald Muller, the school’s first black student. Winner of the 2005 Pulitzer Prize for Drama and Tony® Award for Best Play.
SEEKING:
SISTER ALOYSIUS. Female presenting, 60s-80s, white. An austere nun of the old guard who serves as Principal in the Catholic school in which the play is set. She holds strong to her beliefs, opinions, and convictions, come hell or high water.
FATHER FLYNN. Male presenting, 30s-40s, any ethnicity. A young, likable priest with views on the liberal side. Perhaps Sister Aloysious suspects he is gay?
SISTER JAMES. Female presenting, 20s-40s, any ethnicity. A younger, gentler foil to Sister Aloysius. Like the audience, Sister James is forced by the events of the play to grapple with complexities of faith and doubt.
MRS. MULLER. Female presenting, 20s-40s, black. Mother to Donald Muller, the first black student to enroll in the Catholic school in which the play takes place. She is protective and pragmatic.
5TH ANNUAM EDGAR ALLEN POE DOUBLE HEADER
Created and performed by Livy Scanlon
First Rehearsal: Oct 28, 2025
Opening: Oct 29, 2025
Closing: Nov 1, 2025
SYNOPSIS: At turns dark and darkly funny, this annual production is staged as a séance, conjuring two of Poe’s most notorious narrators.
SEEKING:
NARRATOR. This role is CAST. Actors will be considered for understudy/emergency replacement. Any gender, any age, any ethnicity.
William Shakespeare’s A MIDSUMMER NIGHT'S DREAM
Adapted and Directed by Dr. Kathryn Moncrief
First Rehearsal: Tue, Jan 6, 2026
Opening: Sat, Jan 21, 2026
Closing: Sat, Feb 14, 2026
SYNOPSIS: Set in a 1980s queer nightclub called The Wood, this midwinter take on Midsummer is equal parts poetry and punk rock.
SEEKING:
THESEUS. Male presenting, 40s-60s, any ethnicity. CEO-type. This role requires intimacy, including kissing.
HIPPOLYTA. Female presenting, 40s-50s, any ethnicity. Fiancé to Theseus. This role requires intimacy, including kissing.
EGEUS. Any gender, 40s-60s, any ethnicity. Parent to Hermia. Patriarchal. This role requires simple, hand-to-hand stage violence.
PHILOSTRATE/PUCK. This role is CAST. Actors will be considered for understudy/emergency replacement. Any gender, ageless, any ethnicity. As Philostrate, personal assistant to Theseus. As Puck, attendant to Oberon and Titania. This role requires athleticism including performing on heeliess and climbing, as well as singing.
HERMIA. Female presenting, 20s, any ethnicity. Daughter of Egeus. In love with Lysandra. This role requires intimacy including kissing, partial nudity, demanding physicality, and simple hand-to-hand stage violence.
HELENA. Female presenting, 20s, any ethnicity. In love Demetrius. This role requires intimacy including kissing, partial nudity, and demanding physicality.
LYSANDRA. Female presenting/non-binary, 20s, any ethnicity. In love with Hermia. This role requires intimacy including kissing, partial nudity, and demanding physicality.
DEMETRIUS. Male presenting, 20s, any ethnicity. In love (at different times) with Hermia and Helena. This role requires intimacy including kissing, partial nudity, and demanding physicality.
BOTTOM. This role is CAST. Actors will be considered for understudy/emergency replacement. Male presenting/nonbinary, any age, any ethnicity. Bouncer at The Wood. Plays Pyramus in the play-within-the-play.
PETER or PETRA QUINCE. This role is CAST. Actors will be considered for understudy/emergency replacement. Any gender, any age, any ethnicity. Club Manager of The Wood. Producer and Prologue in the play-within-the-play.
FRANCIS FLUTE. Male presenting, late teens-early 20s, any ethnicity. Busser at The Wood. Thisbe in the play-within-the-play.
TOM or TINA SNOUT. Any age, any gender, any ethnicity. Bartender at The Wood. Wall in the play-within-the-play.
SNUG. Any age, any gender, any ethnicity. Server at The Wood. Lion in the play-within-the-play.
OBERON. Male presenting/nonbinary, 40s-50s, any ethnicity. King of the Fairies. Think David Bowie, Prince, etc. This role requires intimacy, including kissing.
TITANIA. This role is CAST. Actors will be considered for understudy/emergency replacement. Female presenting, 40s-50s, any ethnicity. Queen of the Fairies. Think Cher, Stevie Nicks, etc. This role requires intimacy, including kissing.
FAIRIES (3). Any gender, any age, any ethnicity. Titania’s entourage. Think 80s club kids. These roles require movement/dancing/singing.
WHO IS EARTHA MAE?
Created and Performed by Jade Wheeler
First Rehearsal: Wed, Mar 20, 2024
Opening: Sat, 20, 2024
Closing: Sun, May 12, 2024
SYNOPSIS: Meet Eartha Kitt, icon of stage and screen, in this original one woman show with live piano accompaniment.
SEEKING:
EARTHA. This role is CAST. Actors will be considered for understudy/emergency replacement. Female, ageless, black.
Chorus Girl Productions
New York , NY
05/11/2025
Performer
Chorus Girl Productions is seeking performers for their pride cabaret, Knockin' Boots: A Night of Queer Cowgirls at the Triad Theatre.
Featuring your favorite country classics, from Dolly to Shania to beyond, all with a queer twist. We are specifically seeking performers who identify as part of the LGBTQIA+ community, and all proceeds will benefit The Campaign for Southern Equality (https://southernequality.org/).
Rehearsals will be scheduled around performer availability (1-2 total). Must be available from 5pm-8:15pm on June 19th for sound check/the show. Becuase this is a fundraiser this production is unpaid but all performers will get access to all marketing materials. Show will be professionally photopgraphed.
There will be live accompianment.
Submit your reels and information in the google form to be considered! More information about us at instagram: @chorusgirlproductions
New York Theatre Workshop
New York, NY
05/09/2025
Design
Digital Marketing Manager
About New York Theatre Workshop:
At New York Theatre Workshop, we work relentlessly to empower visionary theatre‐makers and bring their work to adventurous audiences through productions, artist workshops, and education and community engagement programs. We're proud to be a home base for many of the most significant theatre‐makers of our time, nurturing groundbreaking writers like Nathan Alan Davis and Celine Song alongside powerhouse playwrights like Amy Herzog and Ayad Akhtar. From Rachel Chavkin and Lileana Blain‐Cruz to Whitney White and Rubén Polendo, we empower inimitable auteur‐directors and give invaluable support to tremendous talents in the earliest days of their careers. We've maintained decades‐long relationships with legendary theatre‐makers like Will Power, Ivo van Hove, Dael Orlandersmith, and Caryl Churchill, who have shaped our very understanding of what theatre can be.
Since our founding in 1979, we've produced over 150 fully‐realized productions including Jonathan Larson's Rent; Tony Kushner's Homebody/Kabul; Doug Wright's Quills; Claudia Shear's Dirty Blonde; Rick Elice's Peter and the Starcatcher; Glen Hansard, Markéta Irglová, and Enda Walsh's Once; and David Bowie and Enda Walsh's Lazarus. Enabling our artists to push boundaries generates work like Nathan Alan Davis's Nat Turner in Jerusalem, Anaïs Mitchell's Hadestown, Mfoniso Udofia's Ufot Family Cycle, Heidi Schreck's What the Constitution Means to Me, Jeremy O. Harris's Slave Play, Kristina Wong's Kristina Wong, Sweatshop Overlord, and Moisés Kaufman and Amanda Gronich's Here There Are Blueberries. NYTW productions have received a Pulitzer Prize, 29 Tony Awards, 2 Grammy Awards, and numerous Obie, Drama Desk, and Lucille Lortel Awards.
But that's not what we're proudest of. We take the greatest satisfaction from the community we've built, and the perspective‐shifting experiences we've delivered along the way. Even in the middle of a global pandemic, our community has continued to deepen existing connections and expand into new ones. From calls to check in on each other to grants for our artists to brand new education programming, our staff, trustees, artists and audiences have shared in in more than 70 virtual events attended by nearly 70,000 people over the past twelve months. We all think that theatre can bring people together, change the conversation, and have a profound impact. We feel fortunate to get to support it. If that sounds like something you're interested in too, we'd love to meet you.
Our marketing team is responsible for developing and producing dynamic marketing and promotional campaigns for four productions per season, leading a robust annual membership campaign, raising institutional brand visibility and recognition, and promoting New York Theatre Workshop's wide range of community programs, including education and engagement initiatives, artist workshop activities, radical access programs, and fundraising efforts.
Digital Marketing Strategy & Management
Develop and implement digital marketing strategies that align with NYTW's objectives and expand audience engagement.
Oversee and manage digital platforms, including social media, email marketing and website.
Track and analyze performance metrics, providing data-driven recommendations to optimize strategies.
Work with the Marketing Director to manage digital marketing budgets.
Coordinate with the development team to promote fundraising campaigns across all digital platforms.
Social Media & Community Engagement
Conceive and execute social media strategies to enhance engagement and brand awareness.
Create, schedule, and publish content across social platforms including Instagram, Facebook, TikTok and YouTube.
Monitor social media conversations, respond to inquiries and engage with the online community.
Stay informed on social media trends and emerging platforms to maintain an innovative presence.
Content Creation & Digital Campaigns
Create compelling digital content, including images, videos and written copy, that aligns with NYTW's brand and goals, ensuring a cohesive visual and narrative identity across platforms.
Collaborate with designers and other team members to develop marketing materials such as brochures, digital ads and newsletters.
Assist in photography, video editing and creating short-form content for social media.
Email Marketing & Website Management
Oversee email marketing campaigns, including audience segmentation, automation and analytics.
Maintain and update website content to ensure accuracy and engagement.
Analyze email performance and website traffic, providing insights for continuous improvement.
Affiliate & Event Coordination
Support outreach and engagement initiatives by identifying potential community partners, influencers and brand ambassadors aligned with NYTW's mission and values.
Assist with planning and executing in-person and virtual events, supporting logistics, promotions and content creation.
Work closely with sponsors and partners to fulfill marketing obligations and maximize promotional reach.
Analytics & Performance Optimization
Track key performance indicators (KPIs) such as engagement, reach, traffic and conversions.
Generate monthly performance reports and provide insights for strategy adjustments.
Utilize analytics tools such as GA4 and social media insights to optimize digital efforts.
About You:
You are committed to equity, diversity and inclusion in all aspects of your work.
You have at least 3+ years of experience in digital marketing, content creation and campaign management.
You have strong project management skills and attention to detail.
You are proficient in managing social media platforms, including Facebook, Instagram and TikTok.
You are familiar with web and email analytics and best practices, integrated email marketing platforms, WordPress or similar, CoSchedule / Sprout Social or similar workflow and collaboration platforms, and CRM tools, and you can use data to inform decisions and optimize marketing strategies.
You are a creative storyteller with strong writing and design skills, capable of crafting compelling content that resonates with audiences.
You have a passion for theatre and audience engagement, and experience in arts marketing is a plus.
Salary range is $60,000-$65,000. Benefits include employer-paid medical, dental, life insurance, and paid time off. NYTW has several affinity spaces as well as a Core Team of staff members across the organization committed to moving specific initiatives forward in our focus on Equity, Diversity and Inclusion.
We know there are great candidates that may not have all of the qualifications listed above but possess intuitive knowledge or other fully transferable skills. If that's you, don't hesitate to apply and tell us about yourself.
Please note that NYTW is in a hybrid work environment with Marketing professionals in the office a minimum of three days a week and attending all in-person events. In-office days and hours must be flexible given our robust calendar of events. This position will require onsite, in-person activity, so the applicant should intend to reside in the greater NYC area.
To apply, please submit a resume and cover letter via the portal to the right.
NYTW is an Equal Opportunity Employer (EOE). We are committed to diversity in all areas of our work, on and offstage. We encourage applicants with a unique cultural perspective inclusive of race, ethnicity, gender identity or expression, class, physical ability and sexual orientation.
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