New York Theatre Workshop
New York, NY
07/18/2025
JWM: A Theatrical Company
, CT
07/17/2025
Polk & Co
New York, NY
07/17/2025
Eugene O'Neill Theater Center
Waterford, CT
07/17/2025
New York Theatre Workshop
New York, NY
07/18/2025
Other
Database Associate
About New York Theatre Workshop:
At New York Theatre Workshop, we work relentlessly to empower visionary theatre‐makers and bring their work to adventurous audiences through productions, artist workshops, and education and community engagement programs. We're proud to be a home base for many of the most significant theatre‐makers of our time, nurturing groundbreaking writers like Nathan Alan Davis and Celine Song alongside powerhouse playwrights like Amy Herzog and Ayad Akhtar. From Rachel Chavkin and Lileana Blain‐Cruz to Whitney White, Liesl Tommy and Rubén Polendo, we empower inimitable auteur‐directors and give invaluable support to tremendous talents in the earliest days of their careers. We've maintained decades‐long relationships with legendary theatre‐makers like Colman Domingo, Ivo van Hove, Dael Orlandersmith, and Caryl Churchill, who have shaped our very understanding of what theatre can be.
Since our founding in 1979, we've produced over 150 fully-realized productions including Jonathan Larson's Rent; Tony Kushner's Homebody/Kabul; Doug Wright's Quills; Claudia Shear's Dirty Blonde; Rick Elice's Peter and the Starcatcher; Glen Hansard, Markéta Irglová and Enda Walsh's Once; David Bowie and Enda Walsh's Lazarus; and Stephen Sondheim and George Furth's Merrily We Roll Along, directed by Maria Friedman. Enabling our artists to push boundaries generates work like Nathan Alan Davis's Nat Turner in Jerusalem, Anaïs Michell's Hadestown, Mfoniso Udofia's Ufot Family Cycle, The Bengsons' Hundred Days, Heidi Schreck's What the Constitution Means to Me, Jeremy O. Harris's Slave Play, Celine Song's Endlings, Kristina Wong's Kristina Wong, Sweatshop Overlord, Aleshea Harris's On Sugarland and Moisés Kaufman and Amanda Gronich's Here There Are Blueberries. NYTW productions have received a Pulitzer Prize, 29 Tony Awards, 2 Grammy Awards, and numerous Obie, Drama Desk, and Lucille Lortel Awards.
But that's not what we're proudest of. We take the greatest satisfaction from the community we've built, and the perspective-shifting experiences we've delivered along the way. We think that theatre can bring people together, change the conversation, and have a profound impact. We feel fortunate to get to support it. If that sounds like something you're interested in too, we'd love to meet you.
About the Team:
Our marketing team is responsible for developing and producing dynamic marketing and promotional campaigns for four productions per season, leading a robust annual membership campaign, raising institutional brand visibility and recognition, and promoting New York Theatre Workshop's wide range of community programs, including education and engagement initiatives, artist workshop activities, radical access programs, and fundraising efforts.
About the Position:
New York Theatre Workshop is seeking a skilled and detail-oriented Database Associate. Reporting to the Database and Audience Services Manager, this position will focus on and serve as support on the organization's Spektrix CRM system, ensuring the database supports NYTW's strategic goals in ticketing, fundraising, marketing, and customer engagement. Along with this, they will be a key support for the Box Office, Development and Marketing Departments.
About You:
This is a full-time non-exempt position with a salary range of $45,000-$50,000. Benefits include employer paid medical, dental and life insurance and paid time off. NYTW has several affinity spaces and a Core Team of staff members across the organization committed to moving specific initiatives forward in our focus on Equity, Diversity, and Inclusion.
Please note that NYTW is in a hybrid work environment with Marketing professionals in the office a minimum of three days a week and attending all in-person events. In-office days and hours must be flexible given our robust calendar of events. Some evenings, weekends and on-call times will be required. This position will require onsite, in-person activity, so the applicant should intend to reside in the greater NYC area.
We know that there are great candidates that may not have all the qualifications listed above but possess intuitive knowledge or other fully transferable skills. So don't hesitate to apply and tell us about yourself if that's you.
To apply, please use the following hyperlink and fill out the required fields on the job application: https://www.nytw.org/about/work-nytw/. Applications will be accepted through August 8, 2025.
NYTW is an Equal Opportunity Employer (EOE). We are committed to diversity in all areas of our work, on and offstage. We encourage applicants with a unique cultural perspective inclusive of race, ethnicity, gender identity or expression, class, physical ability, and sexual orientation.
JWM: A Theatrical Company
, CT
07/17/2025
Academic/Instructor
THIS IS FOR CONNECTICUT.
About Us: Led by BroadwayWorld Award Winning Music Director and Theatrical Historian
Jarrett Winters Morley, JWM: A Theatrical Company was founded in 2020 amid the COVID-19
pandemic to function as a production and educational company within the world of Musical
Theatre. Since 2020, they’ve produced shows throughout New York City, bringing accessible,
affordable theatre to individuals around the city. Educationally, with an industry in a complete
downward spiral due to the worldwide health crisis, Jarrett combined his love of history with his
love of theatre to create an unparalleled Musical Theatre History lecture. Tradition: Exploring the
Art of Theatrical History is a one-hour class that introduces and discusses a musical- from the
show's conception and the creative minds involved, to the untold backstage stories, and how
each show had a unique impact on the industry and the larger world. The scope of the class
ranges from early musicals as far back as 1924 to the contemporary blockbuster. The objective
is to give class members a chance to interact, listen to, and discuss productions both old and
new. This class appeals to children, young adults, those who have been immersed in the
theater for decades, and those who want to learn theatrical history or simply reminisce about
some of their favorite shows. To date, more than 700 lectures have been delivered across the United States
and internationally.
Job Description: We seek creative individuals passionate about Musical Theatre and its
history! What is so special about our team is that our lecturers consist of working performers,
composers, playwrights, and individuals in the arts. Great charisma is a must! Lecturers must
also have a pre-existing general knowledge of the history of Musical Theatre. You will be
responsible for interacting with lecture clients and engaging with attending individuals. You will
communicate closely with our Scheduling Coordinators and Jarrett to develop schedules that
work for your convenience.
Responsibilities:
● Deliver a pre-existing lecture with included notes, videos, and graphics.
● Communicating with Scheduling Coordinators about conflicts, completed lectures, and
scheduling new classes.
● Staying up-to-date with what is happening in the world of Musical Theatre, and being
able to draw comparisons between the show being discussed and the world at large.
Requirements:
● Proven experience engaging with audiences while performing or delivering lectures.
● A background in the arts as a creator, performer, or designer.
● Excellent verbal communication skills.
● Creative thinker.
● Ability to work independently and communicate effectively with the supervisory team.
● Passion for storytelling and connecting with audiences.
● Must be able to provide your laptop and connective cables (HDMI, power, adapters).
Preferred Qualifications:
● Undergraduate or Graduate Degree in a Theatre-related field.
○ An Associate’s Degree is also acceptable.
○ Substantial experience in the field without a degree will also be accepted.
What Would The Next Steps Be?: If interested, please send your resume, bio, and a short
letter to [email protected].
Polk & Co
New York, NY
07/17/2025
Administrative
Interns at Polk & Co. will have the opportunity to learn from and work with Public Relations professionals, gaining valuable insight into the fundamentals of theatrical PR and a variety of publicity campaigns. Interns are responsible for the day-to-day administrative needs of Polk & Co. Ideal candidates are proactive, highly organized, detail oriented, and effective communicators. There will also be opportunities to observe interviews, photo shoots, and other press/performance events.
JOB RESPONSIBILITIES (include but are not limited to the following):
- Assist with daily client media monitoring.
- Organize and file daily clips and features (client coverage).
- Monitor industry news (show openings, rumored production schedules, major award related dates, galas and other annual events) and organize within existing documents on the Polk & Co shared drive.
- Gain knowledge of the major writers in the theatrical/arts media industry. Share trends and major changes as it pertains to print media with P&C staff.
- Provide research assistance on request as it pertains to media pitches and targeting client information.
- Maintain industry and media contacts within Polk & Co’s contact database.
- Assist with building and updating targeted press lists.
- Assist with the management of Polk & Co’s social media channels and website.
- Learn, assist, and implement procedures as they relate to major press events.
JOB REQUIREMENTS:
- An interest and passion for theater!
- Bachelor’s Degree in Marketing, PR, English, Communication, or Liberal Arts recommended, but not required.
- Proficiency with Microsoft Office applications and basic understanding of Adobe Photoshop is a plus.
- Tactical understanding of all social media platforms and management.
- Ability to adapt and become proficient in additional business software, as needed.
- Effective organizational, planning and time management skills.
- Must possess excellent verbal and written communication skills.
- Resourceful with strong ability to multitask.
- Enjoy teamwork and working independently.
- Ability to maintain a positive attitude under pressure.
- Acknowledge and respect the need to keep client information confidential.
- Be proactive, reliable, responsible, and accurate with an attention-to-detail.
ADDITIONAL DETAILS:
- Full-Time, non-exempt position
- $640 per week
- Currently all work is done in person
- Pre-tax commuter benefits
- Complimentary invites and tickets to Broadway and off-Broadway theatre
Eugene O'Neill Theater Center
Waterford, CT
07/17/2025
Classes
Apply now to the Eugene O'Neill Theater Center's National Music Theater Institute (NMTI) Spring 2026 Semester!
13 Weeks | 16 Credit Hours
This Spring, for the first time, the National Music Theater Institute (NMTI) will be offered as a stand alone semester program, offering students a robust, specialized curriculum taught by working professionals to build practical skills needed to thrive as a music theater performer.
Led by Tony nominee Alexander Gemignani, Artistic Director of the O’Neill’s National Music Theater Conference, you will receive an intentional, high-level educational experience through the lens of professional rigor. NMTI will help you build greater confidence in your performance craft and provide you with tools to help meet the demands of the professional music theater industry.
In the 13-week intensive semester, you will take classes in vocal technique, vocal performance, acting, and dance, paired with unique enrichment classes in dramaturgy and insights into creative team functionality. Cohorts are small, creating an intimate and individualized experience to promote collaboration with faculty and your fellow NMTI students. You will receive 16 transferable college credits, accredited through Connecticut College, for your studies.
NMTI Faculty and Masterclass Instructors:
Alexander Gemignani Broadway: Les Misérables, Carousel
Britney Coleman Broadway: Company, Sunset Boulevard
Aimée Steele Broadway: Buena Vista Social Club, West Side Story
Ben Steinfeld Broadway: All In, Bloody Bloody Andrew Jackson
Rob McClure Broadway: Mrs. Doubtfire, Chaplin
Laura Kai Chen TV/Film: HER, Blue Bloods
Lorin Lotarro Broadway: Chess, Waitress
Program Fee: $29,500
Scholarships are available
Applications accepted through August 8th, 2025. Apply now via the link included!
You must be 18+ years of age. There is not a maximum age limit. Course runs January 30th, 2026 - May 8th, 2026.
Contact [email protected] for more information
