Voices Festival Productions
Washington, DC
05/12/2025
A Carol Burnett Show
New York, NY
05/12/2025
PlayMakers Repertory Company | Chapel Hill, NC
Chapel Hill, NC
05/09/2025
San Francisco Playhouse | San Francisco, CA
San Francisco, CA
05/09/2025
Voices Festival Productions
Washington, DC
05/12/2025
Performer
Notice: Audition Call Type: EPA
AUDITION DATE
Tuesday, May 20, 2025
10:00 AM - 6:00 PM (E)
BREAK: 1:30PM - 2:30PM
APPOINTMENTS
Please email [email protected], Subject Line: November 4 [role] - UNION STATUS. You MUST confirm you are an Equity member to be given an appointment for the EPA.
CONTRACT
SPT
$525 weekly minimum (SPT 5)
SEEKING
Equity actors for roles in NOVEMBER 4 (see breakdown).
PREPARATION
Please prepare a brief cut of contemporary musical theater. An accompanist will be provided. Please bring your headshot and resume stapled together.
LOCATION
Universalist National Memorial Church
1810 16th St NW
Washington, DC 20009
PERSONNEL
Concept and Story: Danny Paller and Myra Noveck
Music and Lyrics: Danny Paller
Book: Myra Noveck Director: Alexandra Aron
Producers: Ari Roth & A. Lorraine Robinson - Voices Festival Productions
Casting: Eisenberg Casting (Daryl Eisenberg, CSA)
Casting Assistant: Joey Bermudez
EXPECTED TO ATTEND:
Producer: Ari Roth
Casting Director: Daryl Eisenberg, CSA
OTHER DATES
First rehearsal: October 13, 2025
First performance: November 12, 2025
Closing performance: December 7, 2025
OTHER
Further information about the production, including music from the show, can be found at www.ebcastingco.com/post/november4.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
A Carol Burnett Show
New York, NY
05/12/2025
Performer
Submissions due June 1st
Casted by June 3rd
First rehearsal June 8th please keep 12-5 open. Will have slots available to sign up within these times.
Second Rehearsal (Choreography) June 15 please keep 12-5 open. Will have slots available to sign up within these times.
Third rehearsal/runthrough June 29 please keep 12-5 open. Will have slots available to sign up within these times.
Full Run through July 6th Time TBD
Tech July 7th 3-4:15
Show July 7th 9:30PlayMakers Repertory Company | Chapel Hill, NC
Chapel Hill, NC
05/09/2025
Performer
Notice: Audition Call Type: EPA
AUDITION DATE
Tuesday, May 27, 2025
12:00 PM - 8:00 PM (E)
No scheduled break
And
AUDITION DATE
Wednesday, May 28, 2025
12:00 PM - 8:00 PM (E)
No scheduled break
APPOINTMENTS
To schedule an audition appointment please email: [email protected] .
CONTRACT
LORT Non-Rep
$839 weekly minimum (LORT D) - Pays $875
SEEKING
Equity actors for roles in PlayMakers
Repertory Company's 2025-26 Season (See breakdown).
No roles will be understudied.
North Carolina Triangle-based Equity artists are encouraged to audition.
PlayMakers Repertory Company seeks to hire actors who reflect our world to tell the stories we put onstage. Auditions are open to individuals from all backgrounds.
PREPARATION
Please prepare two contrasting selections, one classical and one contemporary, that give us an idea of you and the scope of your work. Total material not to exceed 4 mins. Also, bring your headshot and resume stapled
together.
LOCATION
PlayMakers Repertory Company, Joan H.
Gillings Center for Dramatic Arts
University of North Carolina
120 Country Club Rd
Chapel Hill, NC 27514
Studio 101.
PERSONNEL
Expected to attend:
Vivienne Benesch, Producing Artistic Director
Chelsea James, Associate Producer
See breakdown for production specific personnel.
OTHER DATES
See breakdown for production specific dates.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination.
Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
Playmakers Repertory Co 2025-26 Season
The roles listed are the only available roles in the productions.
THE ROYALE
Written by Marco Ramirez
Director: Vivienne Benesch
Reh: 8/12/25
Run: 9/13/25-9/28/25
SEEKING:
JAY “THE SPORT” JACKSON – (Male-identifying character, late 30s/early 40s, Black) An ambitious,
charismatic, and outspoken African-American boxer who wants to become Heavyweight Champion of
the World.
WYNTON – (Male-identifying character, 50s, Black) Jay’s trainer and mentor, who has a deep
understanding of the racial and social implications of Jay's rise in the sport.
FISH – (Male-identifying character, 18-early 20s, Black) A young, talented boxer who spars with Jay
and later joins his team. Looks up to Jay.
THE WOLVES
Written by Sarah DeLappe
Director: Aubrey Snowden
Reh: 9/9/25
Run: 10/11/25-10/26/25
SEEKING:
SOCCER MOM – (Female-identifying character, 40s, any/all ethnicities) Shows up at practice at the
end of the play, bringing with her a bag of orange slices and grief.
YOU CAN’T TAKE IT WITH YOU
Written by George S. Kaufman and Moss Hart
Director: Patrick Torres
Reh: 10/21/25
Run: 11/22/25-2/16/26
This production will take a multicultural lens on the Sycamore family and its entourage.
SEEKING:
PAUL – (Male-identifying character, early 50s, any ethnicity) A good-natured, carefree, and supportive
father, he spends most of his time tinkering in the basement making fireworks.
MARTIN – (Male-identifying character, 70s, any ethnicity) The patriarch of the Sycamore family; Witty,
eccentric, and beloved, he collects snakes and stopped paying his income tax, because... you can’t
take it with you.
DONALD – (Male-identifying character, 30s, any ethnicity) The easygoing, loyal, cheerful boyfriend to
Rheba who is fully embraced as part of the Sycamore household.
MR. KIRBY – (Male-identifying character, 50s/60s, any ethnicity) A wealthy and successful
businessman who has high expectations for his son, Tony. Possesses a rigid worldview that values
societal convention and status.
PRIMARY TRUST
Written by Eboni Booth
Director: Christopher Windom
Reh: 12/30/25
Run: 1/31/26-2/15/26
SEEKING:
BERT – (Male-identifying character, late 30s, Black) Caretaker, companion, and best friend to
Kenneth, offers him limitless support and advice.
CLAY, and others – (Male-identifying character, 50-60s, white) Hires Kenneth at Primary Trust after
he loses his job.
MACBETH
Written by William Shakespeare
Director: Tracy Bersley
PlayMakers Repertory Co 2025-26 Season - Chapel Hill, NC EPA Page 3 of 4
Reh: 2/3/26
Run: 3/7/26-3/22/26
SEEKING:
MACDUFF – (Male-identifying character, 40s, any ethnicity) A courageous and seasoned warrior who
is deeply committed to King Duncan. He has a strong sense of duty, justice, and morality.
STEEL MAGNOLIAS
Written by Robert Harling
Director: Lisa Rothe
Reh: 3/10/26
Run: 4/11/26-4/26/26
SEEKING:
CLAIREE – (Female-identifying character, 50s/60s, white) Known for her smart mouth and sweet
tooth, she is the sophisticated and classy owner of the local radio station. Widow to the Mayor.
San Francisco Playhouse | San Francisco, CA
San Francisco, CA
05/09/2025
Performer
Notice: Audition Call Type: EPA
AUDITION DATE
Sunday, June 1, 2025
4:00 PM - 9:00 PM (P)
APPOINTMENTS
To schedule an audition appointment please go to: https://airtable.com/applFJuov...
ECj76CHJT6flU . The deadline for submission is Tuesday, May 27th. If you are unable to attend these in-person auditions, you may submit a video audition here: https://airtable.com/applFJuov...
CONTRACT
Bay Area Theatre
$863 weekly minimum (Tier 5)
SEEKING
Equity actors for roles in INTO THE WOODS (See breakdown).
All races, ethnicities, genders, sexualities, and dis/abilities are encouraged to audition!
PREPARATION
Please prepare a short cut of a song in the style of INTO THE WOODS or another Sondheim show (selections from INTO THE WOODS are encouraged!). Please bring a copy of the sheet music in the correct key with
clearly marked cuts. AND 60-seconds of a monologue in the style of the show.
LOCATION
San Francisco Playhouse Rehearsal Space
323 Geary St
Suite 211
San Francisco, CA 94102
There will be a door monitor to let you into the building. 2nd Floor.
PERSONNEL
Music and Lyrics by Stephen Sondheim
Book by James Lapine
Director: Susi Damilano
Expected to attend:
Choreographer: Nicole Helfer
Music Director: Dave Dubrosky
Casting Director: Nick Ishimaru
Casting Coordinator: Adria Swan
Associate Artistic Director: Marie-Claire Erdynast
OTHER DATES
Callbacks will be held on June 16 from 12 pm - 6:30 pm.
First Rehearsal: October 21, 2025
Tech Week: Week ending November 23, 2025
First Preview: November 20, 2025
Opening: November 26, 2025
Closing: January 17, 2026
OTHER
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination.
Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages
performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
INTO THE WOODS
San Francisco Playhouse rehearses 6-days per week, typically Tuesday-Sunday. Rehearsal times
varies, but are often in the 2:00-10:00 PM range on weekdays and 11:00 AM - 7:00 PM on weekends.
We perform 8 shows per week. Our typical performance schedule is:
Tuesday: evening
Wednesday: matinee & evening
Thursday: evening
Friday: evening
Saturday: matinee & evening
Sunday: matinee
SEEKING:
Narrator: An intellectual and pleasant storyteller who helps to orchestrate the show and illustrate
lessons to the audience.
Cinderella: A young, earnest maiden who is constantly mistreated by her stepmother and stepsisters.
Jack: The feckless Giant killer who is 'almost a man.' He is adventurous, naive, energetic, and brighteyed.
Jack's Mother: Browbeating and weary, Jack's protective mother who is independent, bold, and
strong-willed.
The Baker: A harried and insecure baker who is simple and loving, yet protective of his family. He
wants his wife to be happy and is willing to do anything to ensure her happiness but refuses to let
others fight his battles.
The Baker's Wife: Determined and bright woman who wishes to be a mother. She leads a simple yet
satisfying life and is very low-maintenance yet proactive in her endeavors.
Cinderella's Stepmother: The mean-spirited, demanding stepmother of Cinderella.
Florinda and Lucinda: Cinderella's stepsisters who are black of heart.
Little Red Ridinghood: A spoiled young girl who is strong-willed, quick-witted, fearless, yet youthful
and naive.
The Witch: Sarcastic, ugly-then-gorgeous, obsessive protector of Rapunzel who is straightforward
and aggressive.
Cinderella's Mother: Deceased with her soul guarding and aiding her daughter from a tree.
Mysterious Man: A mischievous vagrant and nosy meddler. He is a good-natured protector and
observer.
Wolf: Hungry and insatiable hunter who takes advantage of the weak by misleading and captivating
his prey.
Rapunzel: A loopy-but-lovely maiden who is sheltered by the Witch and terribly lonely. She yearns to
experience the world.
Cinderella's Prince: Vain and gorgeous, he is a disloyal lover who is currently searching for the next
new, exciting thing.
Rapunzel's Prince: Just as vain and gorgeous as his Prince brother, he is always chasing the
newest, most exiting endeavor.
Giant: Voiceover. The Giant's wife is an angry and vengeful 'monster.' She is seeking restitution for
her loss.
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