The Broadway production of Back to the Future: the Musical stopped by Good Morning America August 9, and they certainly brought the power.
Star Casey Likes was joined by the company to perform a blend of Huey Lewis and the News' "The Power of Love" and the show's "Back in Time." Check out the rocking performance below.
Back to the Future: the Musical officially opened on Broadway at the Winter Garden Theatre August 3 after beginning previews June 30. Based on the 1985 Universal Pictures/Amblin Entertainment film, Back to the Future: the Musical has a book by Bob Gale and new music and lyrics by Emmy and Grammy winner Alan Silvestri and six-time Grammy winner Glen Ballard, with additional songs from the film, including "The Power of Love" and "Johnny B. Goode." John Rando directs.
Likes (Almost Famous) stars as Marty McFly, alongside Tony winner Roger Bart and Olivier nominee Hugh Coles, both reprising their West End roles as Doc Brown and George McFly.
They are joined by Liana Hunt as Lorraine Baines, Jelani Remy as Goldie Wilson and Marvin Berry, Nathaniel Hackmann as Biff Tannen, Merritt David Janes as Strickland, and Mikaela Secada as Jennifer Parker.
The ensemble includes Amber Ardolino, Will Branner, Victoria Byrd, Brendon Chan, Kevin Curtis, Nick Drake, Samuel Gerber, Marc Heitzman, Kimberly Immanuel, Joshua Kenneth Allen Johnson, Hannah Kevitt, JJ Niemann, Becca Petersen, Emma Pittman, Jonalyn Saxer, Blakely Slaybaugh, Gabi Stapula, and Daryl Tofa. Rounding out the company as swings are Samuel Gerber, Kimberly Immanuel, Joshua Kenneth Allen Johnson, Blakely Slaybaugh, and Gabi Stapula.
Rando has reunited his entire London creative team for the Broadway bow of Back to the Future: the Musical. The production features set and costume design by Tim Hatley, lighting design by Tim Lutkin and Hugh Vanstone, sound design by Gareth Owen, video design by Finn Ross, choreography by Chris Bailey, musical supervision and arrangements by Nick Finlow, music direction by Ted Arthur, illusions by Chris Fisher, orchestrations by Ethan Popp and Bryan Crook, and dance arrangements by David Chase. Casting is by Tara Rubin.
The production stage manager is Julia Jones, the company manager is Eduardo M. Castro, the music coordinator is Kristy Norter, and the fight director is Maurice Chan. Richard Fitch is the international associate director, Taylor Haven Holt is the U.S. associate director, Darren Carnall is the U.K. associate choreographer, and Beth Crandell is the U.S. associate choreographer. The associate set designer is Ross Edwards. Wig, hair, and make-up design are by Campbell Young and Associates.
The musical enjoyed a world premiere at Manchester Opera House in 2020, a run that was cut short due to the onset of the COVID-19 pandemic. The production transferred to London's West End the following year, earning seven Olivier Award nominations and winning Best New Musical.
