Municipal Theatre Association of St Louis
St. Louis, MO

DESCRIPTION

Notice: Audition Call Type: ECC

AUDITION DATE

Saturday, February 7, 2026

8:30 AM (E)

APPOINTMENTS

Auditions are by appointment times only. To sign up for an appointment, please fill out the form at: https://muny.formstack.com/for...

Sign-ups will begin on Friday, January 2, 2026, at 9:00 AM CST; Deadline to register is Friday, January 23, 2026, at 11:59 PM CST. Due to high attendance and studio capacity for this call, you MUST pre-register. There will be no walk-ins, alternate lists, or any appointments scheduled on the day of the audition.

CONTRACT

MSUA

$1325 weekly minimum (2025 rate) - pending negotiations.

SEEKING

Equity Chorus Dancers for roles in The Muny's 2026 Season (see breakdown).

Actors are cast on a per show basis and not as part of a repertory company. All performers are signed to an Equity MSUA contract.

Actors of all ethnicities, backgrounds, gender identities, body types, and abilities for all available roles are encouraged to audition. Local St. Louis, MO actors are likewise encouraged to audition.

The Muny serves a diverse, nationwide audience and strives to hire performers that reflect the diversity of our audience. This theatre exists as a safe and creative place whose mission is to enrich lives by producing exceptional musicals that are accessible to all. The Muny is committed to maintaining a diverse and inclusive environment and is proud to be an equal employment opportunity workplace.

PREPARATION

Please prepare a short song in a style appropriate to the season’s shows. Be prepared to sing an additional contrasting selection if requested. Bring sheet music, picture/resume and your repertoire book; an accompanist will be provided.

LOCATION

The Muny

1 Theatre Drive

Saint Louis, MO 63112-1098

Free parking is available on Pagoda Circle in front of the main box office and lower parking lot on the east side of the theatre. Enter through the General Office Door of the Administration Building.

PERSONNEL

Artistic Director/Executive Producer: Mike Isaacson

Associate Artistic Director: Michael Baxter

(see breakdown for production-specific personnel)

SEE BREAKDOWN FOR PERSONNEL EXPECTED TO ATTEND.

OTHER DATES

See breakdown for production-specific dates.

OTHER

An Equity monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

The MUNY 2026 Season

EXPECTED TO ATTEND:

Artistic Director/Executive Producer: Mike Isaacson

Associate Artistic Director: Michael Baxter

Rachel Hoffman, CSA, The Telsey Office

Rashad Naylor, CSA, The Telsey Office

Lindsay Levine, CSA, The Telsey Office

Evan Roider, Associate Music Supervisor & Music Director

Annbritt duChateau, Vocal Adjudicator\

Gabi Stapula, Audition Choreographer & Demonstrator

HAIRSPRAY

Book by Mark O’Donnell and Thomas Meehan

Music by Marc Shaiman

Lyrics by Scott Wittman and Marc Shaiman

Based on New Line Cinema film written and directed by John Waters

Director: Seth Sklar-Heyn

Choreographer: Jesse Robb

Music Director: TBD

Casting: The Telsey Office | Rashad Naylor, CSA

Possible Early Rehearsal: June 1 – June 3

Rehearsal: June 4 – June 14

Performances: June 15 – June 21 (7 Performances)

SEEKING:

[ENSEMBLE SINGERS/DANCERS] Characters are all genders (cis, trans, and non-binary) and backgrounds to portray white and Black teenagers in 1960s Baltimore. Ensemble performers will portray dancers on The Corny Collins Show (Tammy, Brenda, Shelley, Lou Ann, Brad, Fender, Sketch, IQ) as well as The Motormouth Kids (Gilbert, Stooie, etc.). May play other featured roles as well. Exceptional dance ability with strong vocal and acting skills. VOCAL RANGES: ALL TYPES.

[THE DYNAMITES] Characters are female (cis, trans, or non-binary). Black, late teens to 20s. The Dynamites are a talented 60’s vocal trio who are featured in many numbers and usually in tight harmony. VOCAL RANGE: Soprano, Mezzo and Alto.

SHREK THE MUSICAL

Music by Jeanine Tesori

Book and Lyrics by David Lindsay-Abaire

Based on the DreamWorks Animation motion picture and the book by William Steig

Director: John Tartaglia

Choreographer: Patrick O’Neill

Music Director: TBD

Casting: The Telsey Office| Lindsay Levine, CSA

Rehearsal: June 14 – June 24

Performances: June 25 – July 2 (8 Performances)

SEEKING:

[ENSEMBLE SINGERS/DANCERS] Seeking extremely strong singers and dancers of all genders, ethnicities, abilities and types, to portray various roles throughout the show. The ensemble will make up the band of various fairytale creatures and all the character specialties will come from here. Puppetry skills are a plus.

[GINGY/ENSEMBLE] Any gender, age 20 - 40, any ethnicity. A gingerbread man initially kidnapped by Lord Farquaad. His wit and resolution help him both avoid trouble and inspire the rest of the fairytale creatures. Must have comedic chops. Experience with puppetry is a plus. Can be operated by the actor appearing as Sugar Plum Fairy. VOCAL RANGE: B3-C#5.

RODGERS & HAMMERSTEIN’S SOUTH PACIFIC

Music by Richard Rodgers

Lyrics by Oscar Hammerstein II

Book by Oscar Hammerstein II and Joshua Logan

Adapted from the Pulitzer Prize-winning novel Tales of the South Pacific by James A. Michener

Director: William Carlos Angulo

Choreographer: Karla Puno Garcia

Music Director: TBD

Casting: The Telsey Office | Rachel Hoffman, CSA

Rehearsal: June 25 – July 5

Performances: July 6 – July 12 (7 Performances)

SEEKING:

[NURSES/FEMALE ENSEMBLE] Characters are female (cis, trans, or nonbinary). American, any ethnicity, 20s–40s.Navy nurses stationed on the island. Bright, supportive, witty, and committed to duty. They want connection and moments of joy amid wartime stress. Strong singers of all voice types. Strong dancers with excellent ballet and jazz technique.

[LOCALS/ENSEMBLE] Characters are all genders (cis, trans, and non-binary). Polynesian and Tonkinese (Vietnamese) people, all ages. They represent the life, movement, and spirit of the island. Tonkinese people who traveled to the island as indentured servants and folks indigenous to the island. All trying to adapt to their rapidly changing world. Southeast Asian and Pacific Islander dancers of all ages and genders with excellent ballet and jazz technique.

[SAILORS/SEABEES/MALE ENSEMBLE] Characters are male (cis, trans, or nonbinary). American, any ethnicity, 18–40. Boisterous, irreverent, and full of camaraderie. They want excitement and distraction from the war. Strong singers (tenor/baritone/bass). Strong, athletic dancers with excellent ballet and jazz technique.

DISNEY’S NEWSIES

Music by Alan Menken

Lyrics by Jack Feldman

Book by Harvey Fierstein

Based on the Disney film written by Bob Tzudiker and Noni White

Director: Denis Jones

Choreographer: Richard J. Hinds

Music Director: TBD

Casting: The Telsey Office| Lindsay Levine, CSA

Possible Early Choreography Rehearsal: July 2 – July 4

Rehearsal: July 5 – July 15

Performances: July 16 – July 22 (7 Performances)

SEEKING:

[ENSEMBLE DANCERS/NEWSIES] Characters are male (cis, transgener, or non-binary), 16 - 22, all types, sizes, and ethnicities. The hard-working kids of New York City who go on strike for a livable wage. Strong, technically trained dancers in jazz/ballet with a knack for athletic physicality. Tap skills are required for some tracks. Must also sing very well. Ensemble members play the following roles: Race, Albert, Muriel, Nancy, Specs, Pigtails, Hazel, Buttons, Tommy Boy, Romeo, Jo Jo, Scabs, Brooklyn Newsies, Spot Conlon, Oscar & Morris Delancey

[ENSEMBLE SINGERS] Seeking extremely strong singers of all genders, ethnicities, abilities and types, to portray various character roles throughout the show. 16 - 22 and 20s - 40s, and 50s - 60s. Strong singing voices and strong movement ability. These include the following roles: Nuns, Wiesel, Nunzio, Mr. Jacobi, Mayor, Seitz, Bunsen, Hannah, Snyder, Governor Teddy Roosevelt & others.

AIN’T TOO PROUD: The Life and Times of The Temptations

Book by Dominique Morisseau

Music & Lyrics from The Legendary Motown Catalog

Based on the book entitled The Temptations by Otis Williams with Patricia Romanowski

Music by arrangement with Sony Music Publishing

Director: TBD

Choreographer: TBD

Music Director: TBD

Casting: The Telsey Office | Rashad Naylor, CSA

Possible Early Music Rehearsal: July 13-15

Rehearsal: July 16 – July 26

Performances: July 27 – August 2 (7 Performances)

SEEKING:

[ENSEMBLE/BERRY GORDY] Character is male (cis, transgender, or non-binary). 30s - 40s. Black. The Chairman! The founder of Motown and a man who needs no introduction. Strong Mover.

[ENSEMBLE/DENNIS EDWARDS & OTHERS] Character is male (cis, transgender, or non-binary). 20s - 30s. Black. Lead singer of The Temptations after David Ruffin. A vocal powerhouse with the ego to match. Also plays Straight Talk Fella and Delivery Man. Tenor/Baritone. Gospel sound a plus. Strong Dancer.

[ENSEMBLE/ELBRIDGE “AL” BRYANT & OTHERS] Character is male (cis, transgender, or non-binary). 20s - 30s; An original member of the group who didn’t last long due to his hot temper. Also plays Norman Whitfield, a writer of some of The Temps’ biggest hits, et. al. Tenor. Strong Dancer.

[ENSEMBLE/RICHARD STREET & OTHERS] Character is male (cis, transgender, or non-binary). 20s - 30s. Black. An aspiring singer who stepped in at certain performances until becoming a full-fledged member later on in The Temps’ career. Also plays Offstage Gang. Tenor. Strong Dancer.

[ENSEMBLE/SMOKEY ROBINSON & OTHERS] Character is male (cis, transgender, or non-binary). 20s - 30s. Black. The Temptations’ songwriter that put the group on the map. A legendary singer in his own right. Strong Tenor. Strong Dancer.

[ENSEMBLE/LAMONT & OTHERS] Character is male (cis, transgender, or non-binary). 20s. Black. Otis Williams’ son. Strong Tenor. Strong Dancer.

[ENSEMBLE/SHELLY BERGER] Character is male (cis, transgender, or non-binary). 20s - 40s. Caucasian. Not your typical Motown manager. Character man; His quick wit and level head helps The Temptations achieve their success. Also plays Judge and TV Announcer. Strong Tenor.

[ENSEMBLE/JOSEPHINE] Character is female (cis, transgender, or non-binary). 20s - 30s. Black. Otis’ teenage wife who grows up fast. She takes care of their son while he’s on the road. Alto/Very High Belt. Strong Dancer.

[ENSEMBLE/DIANA ROSS & OTHERS] Character is female (cis, transgender, or non-binary). 20s - 30s. Black. Strong Singer. Strong Dancer.

[ENSEMBLE/MARY WILSON & OTHERS] Character is female (cis, transgender, or non-binary). 20s - 30s. Black. A member of The Supremes who dated Melvin. Also plays Johnnie Mae, et al. Soprano Belter. Strong Dancer.

[ENSEMBLE/TAMMI TERRELL & OTHERS] Character is female (cis, transgender, or non-binary). 20s - 30s. Black. A singer in Motown who had a tumultuous relationship with David Ruffin. Also plays Mama Rose, et al. Soprano. Strong Dancer.

MEET ME IN ST. LOUIS

Music and Lyrics by Ralph Blane & Hugh Martin; Plus additional material by Richard Rodgers & Oscar Hammerstein II; George W. Meyer, Edgar Leslie, & E Ray Goetz; Kerry Mills & Andrew B. Sterling

Original Book by Hugh Wheeler

Revised Book by Gordon Greenberg

Based on The Kensington Stories by Sally Benson and the MGM motion picture Meet Me in St. Louis

Director: Maggie Burrows

Choreographer: TBD

Music Director: TBD

Casting: The Telsey Office | Rachel Hoffman, CSA

Rehearsal: July 26 – August 5

Performances: August 6 – August 13 (8 Performances)

SEEKING:

[ENSEMBLE SINGERS/DANCERS] Seeking extremely strong singers and dancers of all genders, ethnicities, abilities and types, to portray various roles throughout the show. Great triple threats (obviously) who are really interesting character types.

[WARREN SHEFFIELD/ENSEMBLE] Character is male (cis, trans, or non-binary), 18 - 24, any ethnicity. From a good family in Clayton, Warren has had a crush on Rose since they met as kids. He is trying to get up the nerve to ask her to marry him. Gentle, nervous and kind.

[LUCILLE BALLARD/ENSEMBLE] Character is female (cis, trans, or non-binary), 18-24, any ethnicity. A recent transplant from New York. Lucille is sharp, witty and very forward. She finds St. Louis ‘quaint,’ but looks forward to returning to New York to study at Barnard. She has her eyes set on John Truitt.

SOMETHING ROTTEN!

Book by Karey Kirkpatrick and John O’Farrell

Music and Lyrics by Wayne Kirkpatrick and Karey Kirkpatrick

Conceived by Karey Kirkpatrick and Wayne Kirkpatrick

Director: Rob Ruggiero

Choreographer: Parker Esse

Music Director: TBD

Casting: The Telsey Office | Rachel Hoffman, CSA

Rehearsal: August 6 – August 16

Performances: August 17 – August 23 (7 Performances)

SEEKING:

[MALE ENSEMBLE DANCERS] Characters are male (cis, trans, or non-binary), age late teens to late 40s, all ethnicities, strong tap dancers who sing very well. Must be comedic and inventive. Will portray various character parts throughout the show and will understudy principal roles. This is a tap heavy show, there are several consecutive tap numbers.

[FEMALE ENSEMBLE DANCERS] Characters are female (cis, trans, or non-binary), age 20s to late 30s, all ethnicities, strong dancers who can tap and sing very well. Will portray various character parts throughout the show and will understudy principal roles.

[MINSTREL/ENSEMBLE] Character is male (cis, trans, or non-binary), 20s - 40s, Black. Must have a soaring high tenor voice, tons of charisma and an amazing sense of comic timing. Must tap dance very well. VOCAL RANGE: C#3-A4

SALARY

MSUA $1325 weekly minimum (2025 rate) - pending negotiations.

UNION

AEA