Drunk Shakespeare Chicago - Chicago EPA (01.28.26) | Playbill

 

Drunk Shakespeare Chicago - Chicago EPA (01.28.26)

CATEGORY: Performer

Brass Jar LLC
Las Vegas, NV

Job Details

DESCRIPTION

Notice: Audition Call Type: EPA


AUDITION DATE

Wednesday, January 28, 2026

9:00 AM - 5:00 PM (C)

BREAK: 1:00PM - 2:00PM


CONTRACT

Special Agreement

3 Types offered:

WEEKLY - $875.50 minimum of 8 shows per week

CORE - $489.25 minimum of 5 shows per week

PART TIME - guaranteed 2 shows a month or more at $97.85 per show


SEEKING

Equity actors for roles in DRUNK SHAKESPEARE CHICAGO (See breakdown).

BIPOC actors and femme-presenting actors are encouraged to audition.


PREPARATION

Please prepare 2 contrasting Shakespeare monologues, 1 minute in length each. We would like to meet YOU through this text, so approach it in a contemporary way that allows your personality to shine while honoring Shakespeare's intention. Note: Please DO NOT drink as a component of your audition.


LOCATION

Actors' Equity Association - Chicago Member Center

557 W Randolph St

1st Fl

Chicago, IL 60661


PERSONNEL

Scott Griffin - Producer

David Hudson - Director

Lori Wolter Hudson - Director

Sean Graney - Artistic Producer


EXPECTED TO ATTEND:

Maggie Spanuello - City Manager/Local Director


OTHER DATES

Currently running - Open ended run.


OTHER

https://www.drunkshakespeare.c...

Email [email protected] with any questions!

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.


BREAKDOWN

DRUNK SHAKESPEARE CHICAGO


SYNOPSIS: Every evening, a group of five skilled performers, members of 'The Drunk Shakespeare Society,' gather to put on a mesmerizing play. But here's the thrilling twist: one among them bravely indulges in multiple shots of liquid courage, setting the stage for an unforgettable performance.

Since 2014, Drunk Shakespeare has been entertaining audiences from all over the world with productions in NYC, Chicago, DC, Phoenix, and Houston. Drunk Shakespeare is a New York Times Critics’ Pick and the Chicago Tribune said it “may just wind up being one of the most enjoyable ways to experience a tragedy.” Alumni from the cast have gone on to perform on Broadway, in the West End, Blue Man Group, The Deuce, Billions, Sunnyside and on national tours.

An eclectic mix of performers, each bringing their unique flair and artistic prowess to our ensemble. No matter your background or identity, we invite you to audition for roles that interest and excite you. Joining our dynamic troupe means being part of a rotating cast, collaborating closely with the director to sculpt your character, putting forth your individuality, and spotlighting your strengths as a performer. It's a celebration of you!

NOTE: With the exception of The Host, all roles will be required to drink alcohol on stage approximately once a week.


SEEKING:

HOST: Meet the Master of Ceremonies and impressions extraordinaire. They welcome the audience into the society and wrangle the drunk actor while keeping the show in motion. A magnetic performer with the ability to listen and connect to an audience and a love for hosting a party. Picture wielding a vast repertoire of impressions, effortlessly slipping into diverse dialects and characters, all while ensuring the show pulses with excitement and laughter. *Note: This track is NOT required to drink on stage.

MACBETH: Our leading man thru-which the audience experiences the arc of the narrative. Macbeth is a valiant soldier returning home from war who is enticed by compelling allure of ambition (and a very convincing wife). Commanding with excellent Shakespeare chops and the ability to drive the play. Macbeth often ends up shirtless at the end of the play. (Dependent on the comfort of the actor). *This role may be required to drink on stage approximately once a week.

LADY MACBETH: Lady M, a captivating force wielding every tool to sway her husband, seduce the audience, and propel their joint ascent (and inevitable descent) into power. You also get to play a pretty gnarly witch. A bold and enchanting character with a strong command of Shakespeare’s text, ready to mesmerize audiences with every compelling twist of the tale. *This role may be required to drink on stage approximately once a week.

BANQUO (AND OTHERS): Get ready for a rollercoaster of roles! This track is a whirlwind—shifting from the confidant best friend to the hilariously hungover, flirtatious porter; a puppet, a witch, and more. A broad character range and a love for the outrageous. Improvisation and puppetry skills are a major plus! *This role may be required to drink on stage approximately once a week.

MACDUFF: Macduff is the pivotal force behind the play's climactic crescendo. Physical dynamism and electric energetic. A compelling mover and has an impressive musical talent. This track also gets to play a fun witch and indulge in a little puppetry. Whether you're a singer or a wizard with a guitar, this role promises an exhilarating fusion of movement, music, and mystique. *This role may be required to drink on stage approximately once a week.

SALARY

Special Agreement 3 Types offered: WEEKLY - $875.50 minimum of 8 shows per week; CORE - $489.25 minimum of 5 shows per week; PART TIME - guaranteed 2 shows a month or more at $97.85 per show

UNION

AEA