| Show | This Week Gross Potential Gross | Diff $ | Avg Ticket Top Ticket | Seats Sold Seats in Theatre | Perfs Previews | % Cap | Diff % cap |
|---|---|---|---|---|---|---|---|
| & Juliet Stephen Sondheim Theatre | $1,044,756.00 | $122,144.40 | $136.30 $378.00 | 7,665 1,026 | 8 0 | 93.38% | 2.18% |
| Aladdin New Amsterdam Theatre | $1,174,962.20 | $27,090.20 | $91.37 $215.50 | 12,859 1,727 | 8 0 | 93.07% | -0.26% |
| All In: Comedy About Love Hudson Theatre | $1,529,185.00 | -$140,491.00 | $197.47 $425.00 | 7,744 968 | 8 0 | 100.00% | 0.00% |
| The Book of Mormon Eugene O'Neill Theatre | $1,023,138.72 | $41,868.34 | $125.09 $0.00 | 8,179 1,066 | 8 0 | 95.91% | 0.27% |
| Cabaret August Wilson Theatre | $1,083,198.90 | -$46,671.40 | $140.31 $0.00 | 7,720 1,070 | 8 0 | 90.19% | -5.50% |
| Chicago Ambassador Theatre | $652,488.58 | $33,616.23 | $98.85 $237.00 | 6,601 1,080 | 8 0 | 76.40% | 2.82% |
| Cult of Love Helen Hayes Theater | $427,969.00 | $48,400.00 | $102.78 $296.00 | 4,164 581 | 8 0 | 89.59% | 6.37% |
| Death Becomes Her Lunt-Fontanne Theatre | $1,316,180.80 | $297,549.85 | $116.62 $325.00 | 11,286 1,491 | 8 0 | 94.62% | -1.10% |
| English Todd Haimes Theatre | $251,032.40 | $12,415.40 | $48.56 $262.00 | 5,169 736 | 0 8 | 87.79% | 3.05% |
| Eureka Day Samuel J. Friedman Theatre | $344,178.00 | -$17,228.00 | $87.51 $299.00 | 3,933 643 | 7 0 | 87.38% | -0.31% |
| The Great Gatsby Broadway Theatre | $1,856,067.50 | $312,213.77 | $164.94 $624.00 | 11,253 1,485 | 8 0 | 94.72% | 2.33% |
| Gypsy Majestic Theatre | $1,891,769.40 | $142,842.30 | $158.95 $423.00 | 11,902 1,590 | 8 0 | 93.57% | -4.09% |
| Hadestown Walter Kerr Theatre | $846,031.00 | -$149,335.00 | $116.95 $0.00 | 7,234 918 | 8 0 | 98.50% | -2.73% |
| Hamilton Richard Rodgers Theatre | $1,900,809.45 | $45,236.80 | $190.14 $329.00 | 9,997 1,324 | 8 0 | 94.38% | -5.46% |
| Harry Potter and the Cursed Child Lyric Theatre | $1,103,671.70 | $59,046.40 | $105.47 $256.00 | 10,464 1,622 | 8 0 | 80.64% | -9.93% |
| Hell's Kitchen Sam S. Shubert Theatre | $1,159,107.62 | $79,850.27 | $115.28 $323.00 | 10,055 1,457 | 8 0 | 86.26% | -0.27% |
| Left on Tenth James Earl Jones Theatre | $412,538.80 | -$21,626.90 | $96.14 $267.00 | 4,291 1,065 | 8 0 | 50.36% | -2.25% |
| The Lion King Minskoff Theatre | $1,748,285.75 | -$5,939.00 | $140.12 $239.00 | 12,477 1,696 | 8 0 | 91.96% | -4.11% |
| Maybe Happy Ending Belasco Theatre | $890,462.60 | $13,594.10 | $117.43 $297.00 | 7,583 988 | 8 0 | 95.94% | -1.44% |
| MJ The Musical Neil Simon Theatre | $1,210,815.20 | $74,468.10 | $127.71 $279.00 | 9,481 1,387 | 8 0 | 85.45% | 3.91% |
| Moulin Rouge! The Musical Al Hirschfeld Theatre | $977,199.70 | $70,780.55 | $101.19 $0.00 | 9,657 1,300 | 8 0 | 92.86% | -0.44% |
| Oh, Mary! Lyceum Theatre | $1,253,871.00 | $5,600.82 | $175.12 $371.00 | 7,160 895 | 8 0 | 100.00% | 0.00% |
| Our Town Ethel Barrymore Theatre | $1,084,023.95 | $128,404.20 | $134.51 $397.00 | 8,059 1,060 | 8 0 | 95.04% | 3.44% |
| The Outsiders Bernard B. Jacobs Theatre | $1,552,415.45 | $97,211.95 | $184.88 $497.00 | 8,397 1,024 | 8 0 | 102.50% | -0.01% |
| Romeo and Juliet Circle in the Square Theatre | $1,032,623.00 | -$34,453.50 | $157.92 $574.50 | 6,539 794 | 8 0 | 102.94% | 0.01% |
| SIX: The Musical Lena Horne Theatre | $842,344.50 | $38,048.75 | $119.24 $269.00 | 7,064 1,031 | 8 0 | 85.65% | -5.88% |
| Sunset Boulevard St. James Theatre | $1,601,024.00 | $745,926.50 | $128.68 $0.00 | 12,442 1,606 | 8 0 | 96.82% | 6.33% |
| Wicked Gershwin Theatre | $2,602,661.00 | $177,005.00 | $168.92 $375.00 | 15,408 1,926 | 8 0 | 100.00% | 0.00% |
| A Wonderful World: The Louis Armstrong Musical Studio 54 | $559,354.50 | $55,852.00 | $92.87 $287.00 | 6,023 997 | 8 0 | 75.51% | 10.23% |
Broadway Grosses Analysis
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By Logan Culwell-Block | March 3, 2026Even a performance cancellation can't stop one of Broadway's newest plays from being a top grosser.
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By Logan Culwell-Block | February 24, 2026
Even with a show cancellation, the show's $1.1 million box office is the top take of its run at the Golden.
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By Logan Culwell-Block | February 18, 2026
Broadway Week may be over but the grosses are continuing to increase.
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By Logan Culwell-Block | February 10, 2026
The production, written and directed by Robert Icke, played its final performance February 8 at Studio 54.
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By Logan Culwell-Block | February 3, 2026
The Bess Wohl play finished up its limited run at the James Earl Jones Theatre February 1.
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By Andrew Gans | January 27, 2026
Grosses and attendance were affected by the snowstorm cancellations.
