Tony nominee Micaela Diamond, currently starring Off-Broadway in the final Stephen Sondheim musical Here We Are at The Shed, says even Sondheim shows are not immune from stage mishaps, including a recent missed lighting cue that left her making awkward "direct eye contact" with film star Anne Hathaway from the audience. Hear the full tale of woe above.
The show opened its world-premiere run at The Shed's Griffin Theater October 22 after beginning previews September 28. The extended run is continuing through January 21, 2024, with Joe Mantello at the helm.
The two-act musical draws inspiration from the Luis Buñuel-directed films The Discreet Charm of the Bourgeoisie (1972) and The Exterminating Angel (1962), both set at surrealist dinner parties. The musical, Sondheim said, is about “trying to find a place to have dinner.” The first deals with interruptions to dinner, the second is about “people who have dinner and can’t leave,” which “is my cheerful view of the world today.” The book is by David Ives, and music and lyrics are by Sondheim.
READ: How to Get Discount Tickets for the Final Stephen Sondheim Musical Here We Are
Along with Diamond, the cast features Francois Battiste, Tracie Bennett, Bobby Cannavale, Amber Gray, Jin Ha, Rachel Bay Jones, Denis O’Hare, Steven Pasquale, David Hyde Pierce, and Jeremy Shamos. Understudies Bradley Dean, Adam Harrington, Bligh Voth, Adante Carter, Mehry Eslaminia, and Lindsay Nicole Chambers round out the company.
The musical has been in the works since at least 2014 and was developed by The Public Theater in 2016. In 2021, The New York Times reported that Sondheim and Ives had abandoned the project, but conflicting reports in the months after reported that the pair was not done with the idea. Sondheim died in 2021, but reportedly sanctioned a staging of the musical and considered his compositional work on the project completed before his passing.
The production features choreography by Sam Pinkleton, set and costume design by David Zinn, lighting design by Natasha Katz, sound design by Tom Gibbons, orchestrations by Jonathan Tunick, music direction and supervision by Alexander Gemignani, hair design by Wigmakers Associates, and casting by The Telsey Office. Tom Kirdahy, Sue Wagner, John Johnson, and The Stephen Sondheim Trust are producing, with Oscar Arce serving as associate producer. The Shed is the production's co-presenter.
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