The Rev Theatre Company
Auburn, NY
US

DESCRIPTION

CONTRACT

LOA

$855 weekly minimum (Ref. to COST) - Stage manager + Pensions and Health - 2024 rate

$800 weekly minimum (Ref. to COST) - Assistant stage manager + Pensions and

Health - 2024 rate

SEEKING

Equity stage managers for The Rev Theatre

Company's 2025 Season.

PERSONNEL

Brett Smock - Producing Artistic Director/

Director, BARNUM and BONNIE & CLYDE

Megan Larche Dominick - Casting Director

Michael Iannelli - Director of Production & Operations

See breakdown for production specific personnel.

OTHER DATES

See breakdown for production specific dates.

OTHER

www.therevtheatre.com

COVID-19 PROCEDURES: The REV strongly encourages all current and prospective employees to be up-to-date on their COVID-19 vaccinations.

Equity’s contracts prohibit discrimination.

Equity is committed to diversity and encourages all its employers to engage in a

policy of equal employment opportunity designed to promote a positive model of

inclusion. As such, Equity encourages performers of all ethnicities, gender identities,

and ages, as well as performers with disabilities, to submit.

SUBMISSION INSTRUCTIONS

Please submit your resume for consideration to Michael Iannelli, Director of Production & Operations.

Deadline: 01/18/2025

SUBMIT TO

[email protected]

BREAKDOWN

The Rev Theatre Company 2025 Season

JESUS CHRIST SUPERSTAR

Director - David Ruttura

Choreographer - TBD

Musical Director - Alexander Tom

First Rehearsal 5/12/25

Opens 5/28/25

Closes 6/17/25

SYNOPSIS: A timeless work, the rock opera is set against the backdrop of an extraordinary and universally known series of events but seen through the eyes of Judas Iscariot. Loosely based on the Gospels of Matthew, Mark, Luke and John, Superstar follows the last week of Jesus Christ’s life.

SEEKING:

JESUS: Any ethnicity. Rock Tenor. Leader of the twelve Apostles, a man called the Son of God and
the King of the Jews. 20s – 30s.

JUDAS: Any ethnicity. Rock/Soul Tenor. The antagonist of the show. One of the twelve apostles of Jesus. He is concerned fame is diluting Jesus’ message and mission. 20s – 30s.

MARY MAGDALENE: Any ethnicity. Striking presence. Belter. A female follower of Jesus who finds herself falling in love with him. Shows grace, stability, weakness and compassion. 20s – 30s.

PILATE: Rock Baritone. Governor of Judea who foresees the events of Jesus' crucifixion from beginning to aftermath in a dream and finds themself being presented with that very situation. 30s - 40s.

KING HEROD: Any ethnicity. High Baritone. The King of Galilee; Jesus is brought to them for judgment after first being taken to Pilate. Larger than life. 30s - 40s.

PETER: Any ethnicity. Tenor. One of Jesus' twelve apostles; denies Jesus three times upon the night of Jesus' arrest to save himself. 20s – 30s.

SIMON: Any ethnicity. High Baritone. One of Jesus' twelve apostles; urges Jesus to lead his followers into battle against the Romans. 20s – 30s.

CAIAPHAS: Any ethnicity. Low Bass with Rocky Top. High priest who sees Jesus as a threat to the nation. 30s - 40s.

ANNAS: Any ethnicity. High Baritone. Fellow priest at the side of Caiaphas who is persuaded by Caiaphas into seeing Jesus as a threat. 20s – 30s.

BARNUM

Director - Brett Smock

Choreographer - Ryan Van Den Boom

Musical Director - Dan Mullarney

First Rehearsal 6/23/25

Opens 7/9/25

Closes 7/26/25

SYNOPSIS: This Tony Award winning musical, the story of P.T. Barnum, the Greatest Showman on Earth, combines razzle-dazzle with charm and brass to sell “humbug” to cheering crowds. A peek under the big top at the nineteenth century’s complicated and larger than life show-biz legend, his triumphs, his failures and his relentless imagination.

SEEKING:

Phineas Taylor Barnum: Star. Age: 35-50. Excellent showman and triple threat. Incredible stage presence and infectious charm and charisma. Terrific ease and rapport with audience. Excellent mover or dancer and must be physically agile and strong. Willing to learn magic and circus tricks. Baritone.

Charity (“Chairy”) Barnum: Mezzo Soprano. Excellent triple threat. Age: 30+. Phineas Barnum's smart, funny, practical and very loyal wife. A strong, independent, caring woman with skills of perception, discretion and charm. Barnum’s emotional anchor and a great source of tough love and control over his wild imagination.

Ringmaster: Excellent triple threat. Age: 30+. Great command and presence. Must be a dancer or very good mover. Flexible, agile and magnetic with audiences.

Jenny Lind: Phenomenal soprano. Age: late 20s-30s. A beautiful, glamorous Swedish operatic soprano. Aware of her stature – and power. She’s a formidable presence – strategic and at times aloof but also vulnerable.

TOP HAT

Director/Choreographer - Patrick O'Neill

Musical Director - TBD

First Rehearsal 7/28/25

Opens 8/13/25

Closes 9/2/25

SYNOPSIS: Packed full of Irving Berlin’s greatest hits including Cheek to Cheek, Top Hat, White Tie & Tails, Let’s Face the Music & Dance and Puttin’ on the Ritz, Top Hat tells the story of Broadway sensation Jerry Travers who dances his way across Europe to win the heart of society girl Dale Tremont. Top Hat brings the glamour of Hollywood’s golden age and the glorious, tap-dancing magic of Fred Astaire and Ginger Rogers to the stage in one of the greatest dance musicals of all time.

SEEKING:

Jerry Travers: A star. American. 30s. The toast of the town song-and-dance man and ‘Broadway
sensation’. Excellent triple threat with incredible charisma and presence. Seems like genuinely a great
guy to hang out with. The charming bachelor has an irrepressible sense of fun, enjoying mischiefmaking
and his ‘no strings’ lifestyle. Played by Fred Astaire in the movie.

Dale Tremont: American. 30s. Model and society beauty. Feisty, elegant, strong and yet with a romantic side. Star triple threat. Played by Ginger Rogers in the movie.

Horace Hardwick: British. 40s. A wealthy British theatre producer - bumbling but well-meaning Horace feels a responsibility towards Jerry, the young entertainer, but those closest to the entrepreneur tend to outwit him, especially Madge. A true comedian.

Madge Hardwick: American. Late 30s-40s. The twice-married American wealthy socialite and amateur matchmaker. The tough and sassy Madge has Horace – and his wallet – firmly in hand, busying herself with the affairs of others, in particular her old friend Dale’s love life. Glamorous,
brassy, lighthearted.

Alberto Beddini: Italian. Mid 30s–45. The flamboyant Italian designer with an affliction for malapropisms, also Dale’s benefactor. He harbors a secret desire for his model and muse, a passion inflamed with jealousy when he discovers a rival for her affections, the newly-arrived Jerry. Proud, eccentric, comedic.

Bates: British. 50+. Excellent comic. Horace’s long-suffering valet. His tendency for cryptic family sayings belies his shrewdness, and it’s the butler’s erratic flair for disguise and deception that ultimately triumphs over adversity. Adorably uptight and judgmental. Currently feuding with Horace over Horace’s choice of tie.

BONNIE & CLYDE

Director / Choreographer - Brett Smock

Musical Director - Alan J. Plado

First Rehearsal 9/8/25

Opens 9/24/25

Closes 10/11/25

SYNOPSIS: Two small town kids from the middle of nowhere became the biggest folk heroes in all of America. They craved adventure - and each other. Fearless, shameless and alluring, this duo and their infamous rise to fame, captured the fascination of the country and endure as historic criminal figures etched into our nation’s memory.

SALARY

LOA $855 weekly minimum (Ref. to COST) - Stage manager + Pensions and Health - 2024 rate

UNION

Stage Manager

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