| Show | This Week Gross Potential Gross | Diff $ | Avg Ticket Top Ticket | Seats Sold Seats in Theatre | Perfs Previews | % Cap | Diff % cap |
|---|---|---|---|---|---|---|---|
| Aladdin New Amsterdam Theatre | $1,141,386.20 $1,323,350.00 | $42,491.80 | $84.65 $199.50 | 13,483 1,727 | 8 0 | 97.59% | 2.12% |
| Anastasia Broadhurst Theatre | $545,061.30 $1,093,588.00 | $36,361.30 | $69.10 $297.00 | 7,888 1,143 | 8 0 | 86.26% | 5.80% |
| The Band's Visit Ethel Barrymore Theatre | $528,202.00 $1,031,928.00 | $17,128.60 | $72.39 $247.00 | 7,297 1,039 | 8 0 | 87.79% | 1.65% |
| Beautiful: The Carole King Musical Stephen Sondheim Theatre | $682,323.09 $1,106,908.00 | $118,932.09 | $87.30 $247.00 | 7,816 1,026 | 8 0 | 95.22% | 14.46% |
| The Book of Mormon Eugene O'Neill Theatre | $1,018,885.00 $1,190,502.00 | $118,488.50 | $118.93 $477.50 | 8,567 1,047 | 8 0 | 102.28% | 0.63% |
| The Cher Show Neil Simon Theatre | $1,004,437.50 $1,491,200.00 | $69,802.30 | $97.38 $247.00 | 10,315 1,380 | 8 0 | 93.43% | 6.55% |
| Chicago Ambassador Theatre | $617,923.65 $967,724.00 | $91,490.45 | $79.96 $187.00 | 7,728 1,080 | 8 0 | 89.44% | 11.87% |
| Choir Boy Samuel J. Friedman Theatre | $379,818.55 $686,712.00 | $35,988.25 | $80.15 $249.00 | 4,739 637 | 8 0 | 92.99% | 4.21% |
| Come From Away Gerald Schoenfeld Theatre | $911,699.90 $1,154,784.00 | $574.60 | $107.32 $297.00 | 8,495 1,046 | 8 0 | 101.52% | 0.81% |
| Dear Evan Hansen Music Box Theatre | $1,205,216.25 $1,352,224.00 | $9,098.77 | $151.33 $397.00 | 7,964 984 | 8 0 | 101.17% | 1.11% |
| The Ferryman Bernard B. Jacobs Theatre | $786,854.71 $991,944.00 | $67,329.11 | $109.67 $297.00 | 7,175 1,019 | 8 0 | 88.02% | 4.15% |
| Frozen St. James Theatre | $1,289,423.60 $1,456,295.00 | $63,484.60 | $98.70 $277.50 | 13,064 1,684 | 8 0 | 96.97% | 2.11% |
| Hamilton Richard Rodgers Theatre | $3,108,317.00 $2,750,670.00 | -$19,732.00 | $288.96 $849.00 | 10,757 1,321 | 8 0 | 101.79% | 0.03% |
| Harry Potter and the Cursed Child Lyric Theatre | $1,947,680.50 $1,988,464.00 | $20,290.50 | $150.10 $296.50 | 12,976 1,622 | 8 0 | 100.00% | 0.00% |
| King Kong Broadway Theatre | $724,935.43 $1,596,930.00 | $74,354.72 | $67.38 $347.00 | 10,759 1,738 | 8 0 | 77.38% | 11.54% |
| Kinky Boots Al Hirschfeld Theatre | $740,858.20 $1,294,256.00 | $122,225.20 | $85.62 $249.00 | 8,653 1,424 | 8 0 | 75.96% | 10.90% |
| The Lion King Minskoff Theatre | $1,742,668.00 $1,824,964.00 | $93,499.00 | $129.13 $225.00 | 13,495 1,696 | 8 0 | 99.46% | 1.71% |
| Mean Girls August Wilson Theatre | $1,010,515.38 $1,328,576.00 | $19,840.88 | $109.36 $299.50 | 9,240 1,225 | 8 0 | 94.29% | 2.32% |
| My Fair Lady Vivian Beaumont Theater | $869,481.50 $1,396,120.00 | $55,749.00 | $115.79 $323.00 | 7,509 1,069 | 8 0 | 87.80% | 3.83% |
| Network Belasco Theatre | $1,025,682.98 $954,335.00 | -$14,719.44 | $144.06 $473.00 | 7,120 1,015 | 7 0 | 100.21% | 2.39% |
| The Phantom of the Opera Majestic Theatre | $813,236.68 $1,347,562.00 | $135,848.84 | $77.74 $213.00 | 10,461 1,605 | 8 0 | 81.47% | 9.91% |
| Pretty Woman: The Musical Nederlander Theatre | $825,294.60 $1,365,328.00 | $80,780.30 | $101.90 $275.00 | 8,099 1,168 | 8 0 | 86.68% | 5.70% |
| The Prom Longacre Theatre | $527,155.25 $1,102,800.00 | $27,022.78 | $77.50 $247.00 | 6,802 1,045 | 8 0 | 81.36% | 6.68% |
| To Kill A Mockingbird Sam S. Shubert Theatre | $1,539,570.51 $1,386,070.00 | $45,125.57 | $132.23 $497.00 | 11,643 1,435 | 8 0 | 101.42% | 0.04% |
| True West American Airlines Theatre | $528,398.30 $775,280.00 | $41,254.00 | $99.16 $350.00 | 5,329 740 | 8 0 | 90.02% | -2.07% |
| Waitress Brooks Atkinson Theatre | $701,149.30 $1,019,480.00 | -$285,687.40 | $91.31 $270.00 | 7,679 1,045 | 8 0 | 91.85% | 1.36% |
| Wicked Gershwin Theatre | $1,445,082.50 $1,779,845.00 | $81,881.00 | $98.53 $240.00 | 14,667 1,867 | 8 0 | 98.23% | -0.19% |
Even a performance cancellation can't stop one of Broadway's newest plays from being a top grosser.
Even with a show cancellation, the show's $1.1 million box office is the top take of its run at the Golden.
Broadway Week may be over but the grosses are continuing to increase.
The production, written and directed by Robert Icke, played its final performance February 8 at Studio 54.
The Bess Wohl play finished up its limited run at the James Earl Jones Theatre February 1.
Grosses and attendance were affected by the snowstorm cancellations.