| Show | This Week Gross Potential Gross | Diff $ | Avg Ticket Top Ticket | Seats Sold Seats in Theatre | Perfs Previews | % Cap | Diff % cap |
|---|---|---|---|---|---|---|---|
| 1984 Hudson Theatre | $271,920.08 $774,829.00 | -$41,876.50 | $61.56 $249.00 | 4,417 970 | 8 0 | 56.92% | -6.48% |
| Aladdin New Amsterdam Theatre | $1,344,625.00 $1,369,282.00 | $14,604.00 | $100.14 $199.50 | 13,427 1,727 | 8 0 | 97.18% | 0.28% |
| Anastasia Broadhurst Theatre | $784,877.82 $1,135,836.00 | -$83,898.08 | $103.82 $350.00 | 7,560 1,143 | 8 0 | 82.68% | -15.96% |
| Beautiful: The Carole King Musical Stephen Sondheim Theatre | $883,512.34 $1,173,950.00 | -$23,167.70 | $116.50 $249.00 | 7,584 1,026 | 8 0 | 92.40% | -5.42% |
| The Book of Mormon Eugene O'Neill Theatre | $1,193,378.00 $1,192,364.00 | $7,704.00 | $137.53 $477.00 | 8,677 1,066 | 8 0 | 101.75% | -0.21% |
| A Bronx Tale The Musical Longacre Theatre | $735,786.35 $921,066.00 | -$26,014.41 | $96.95 $210.00 | 7,589 1,044 | 8 0 | 90.86% | -1.85% |
| Cats Neil Simon Theatre | $570,470.00 $1,426,700.00 | -$187,580.00 | $81.14 $197.00 | 7,031 1,375 | 8 0 | 63.92% | -21.83% |
| Charlie and the Chocolate Factory Lunt-Fontanne Theatre | $668,215.50 $1,390,624.00 | -$155,578.50 | $80.54 $233.00 | 8,297 1,496 | 8 0 | 69.33% | -13.98% |
| Chicago Ambassador Theatre | $596,542.35 $958,024.00 | -$25,566.95 | $86.64 $187.00 | 6,885 1,080 | 8 0 | 79.69% | -7.81% |
| Come From Away Gerald Schoenfeld Theatre | $1,310,806.00 $1,260,966.00 | $12,768.50 | $153.80 $347.00 | 8,523 1,046 | 8 0 | 101.85% | -0.07% |
| Dear Evan Hansen Music Box Theatre | $1,672,108.77 $1,377,584.00 | $7,278.43 | $209.98 $448.00 | 7,963 984 | 8 0 | 101.16% | 0.07% |
| A Doll's House, Part 2 John Golden Theatre | $332,573.58 $702,872.00 | $29,467.58 | $71.94 $273.00 | 4,623 775 | 8 0 | 74.56% | 9.50% |
| Hamilton Richard Rodgers Theatre | $2,932,833.00 $2,625,808.00 | $322.00 | $272.59 $849.00 | 10,759 1,321 | 8 0 | 101.81% | 0.06% |
| Hello, Dolly! Sam S. Shubert Theatre | $2,317,149.64 $1,830,076.00 | -$4,964.10 | $204.06 $748.00 | 11,355 1,446 | 8 0 | 98.16% | -2.62% |
| Kinky Boots Al Hirschfeld Theatre | $695,289.00 $1,257,280.00 | -$149,167.05 | $90.26 $249.00 | 7,703 1,424 | 8 0 | 67.62% | -15.36% |
| The Lion King Minskoff Theatre | $1,859,496.00 $2,051,100.00 | $67,781.00 | $137.13 $225.00 | 13,560 1,696 | 8 0 | 99.94% | 0.52% |
| Michael Moore: The Terms of My Surrender Belasco Theatre | $260,295.40 $778,176.00 | -$48,319.00 | $46.17 $247.00 | 5,638 1,008 | 8 0 | 69.92% | -1.86% |
| Miss Saigon Broadway Theatre | $567,871.00 $1,296,556.00 | -$127,354.16 | $79.50 $248.00 | 7,143 1,475 | 8 0 | 60.53% | -17.53% |
| The Phantom of the Opera Majestic Theatre | $878,315.92 $1,356,418.00 | -$55,490.58 | $87.57 $213.00 | 10,030 1,605 | 8 0 | 78.12% | -8.66% |
| The Play That Goes Wrong Lyceum Theatre | $297,080.50 $677,688.00 | -$38,812.25 | $56.01 $197.00 | 5,304 854 | 8 0 | 77.63% | 3.95% |
| Prince of Broadway Samuel J. Friedman Theatre | $337,497.90 $737,264.00 | -$49,897.30 | $83.95 $299.00 | 4,020 617 | 8 0 | 81.44% | -8.57% |
| School of Rock – The Musical Winter Garden Theatre | $606,236.11 $1,445,048.00 | -$70,719.10 | $84.36 $248.00 | 7,186 1,523 | 8 0 | 58.98% | -11.69% |
| Time and the Conways American Airlines Theatre | $264,917.00 $632,208.00 | $172,100.61 | $57.53 $0.00 | 4,605 734 | 0 8 | 78.42% | -2.05% |
| Waitress Brooks Atkinson Theatre | $636,992.35 $1,019,480.00 | -$59,743.70 | $92.40 $270.00 | 6,894 1,045 | 8 0 | 82.46% | -8.96% |
| War Paint Nederlander Theatre | $565,016.00 $1,260,814.00 | -$50,769.50 | $77.38 $248.00 | 7,302 1,168 | 8 0 | 78.15% | -6.52% |
| Wicked Gershwin Theatre | $1,408,133.00 $1,779,845.00 | -$84,343.50 | $114.08 $240.00 | 12,343 1,807 | 8 0 | 85.38% | -12.01% |
Broadway Grosses Analysis
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By Logan Culwell-Block | March 3, 2026Even a performance cancellation can't stop one of Broadway's newest plays from being a top grosser.
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By Logan Culwell-Block | February 24, 2026
Even with a show cancellation, the show's $1.1 million box office is the top take of its run at the Golden.
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By Logan Culwell-Block | February 18, 2026
Broadway Week may be over but the grosses are continuing to increase.
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By Logan Culwell-Block | February 10, 2026
The production, written and directed by Robert Icke, played its final performance February 8 at Studio 54.
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By Logan Culwell-Block | February 3, 2026
The Bess Wohl play finished up its limited run at the James Earl Jones Theatre February 1.
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By Andrew Gans | January 27, 2026
Grosses and attendance were affected by the snowstorm cancellations.
