Proof (Broadway) - NYC EPA (12.02.25) & (12.04.25) | Playbill

 

Proof (Broadway) - NYC EPA (12.02.25) & (12.04.25)

CATEGORY: Performer

PROOF ON BROADWAY, LLC | New York, NY
New York, NY

Job Details

DESCRIPTION

Notice: Audition Call Type: EPA

AUDITION DATE

Tuesday, December 2, 2025

9:30 AM - 5:30 PM (E)

Lunch 1:00 PM - 2:00 PM

And

Thursday, December 4, 2025

9:30 AM - 5:30 PM (E)

Lunch 1:00 PM - 2:00 PM

CONTRACT

Production (League)

$2717 weekly minimum

SEEKING

Equity actors for Understudy roles in the

Broadway revival of PROOF (See

breakdown).

Venue: Booth Theatre

PREPARATION

Please prepare the Sides for the character you are interested in. The Sides will be available on November 25th at the below link: https://drive.google.com/drive... . Sides will also be available on the morning of the audition at the audition site.

Also, please bring your headshot and resume stapled together. If you would like to be considered, but are unable to attend, please send your photo/resume to: [email protected] .

LOCATION

Actors' Equity New York Audition Center

165 W 46th St

16th Fl

New York, NY 10036

PERSONNEL

Director: Thomas Kail

Writer: David Auburn

Casting Directors: Daniel Swee, Camille

Hickman

Expected to attend:

Casting Directors: Daniel Swee or Camille Hickman

OTHER DATES

1st Rehearsal: March 2, 2026

1st Performance March 31, 2026

Opens: April 16, 2026

Closes: TBD

OTHER

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination.

Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.


BREAKDOWN

PROOF (Broadway)

SEEKING:

CATHERINE (CAST) Seeking understudy for this role: Mid 20s. Black. Fiercely intelligent, with a sharp wit. Emotionally volatile, swinging between defiance and vulnerability. She’s devoted recent years to caring for her brilliant but declining father. This has been a lonely and isolating existence, which made her distrustful of others, and uncertain about her own future and sanity. Intellectually gifted and self-confident, but deeply insecure of how she may be viewed. ROLE TO BE PLAYED BY AYO EDEBIRI

ROBERT (CAST) Seeking understudy for this role: Late 50s-Mid 60s. Black. A legendary and once-revolutionary mathematician whose groundbreaking work redefined the field. Charismatic, intense, with a commanding intellect which has begun to erode. Alternates between lucidity and confusion, pride and self-doubt. His relationship with Catherine is deeply loving, admiring and proud, but complicated by his illness and his dependence on her. ROLE TO BE PLAYED BY DON CHEADLE

HAL (CAST) Seeking understudy for this role: Late 20s. Korean-American. One of Robert’s former graduate students, now a young math professor. Earnest, somewhat awkward, and deeply respectful of Robert’s genius. Has a real passion for mathematics, but has an underlying fear that his own work will never match his mentor’s. His professional ambition gets complicated by his increasing interest in Catherine. ROLE TO BE PLAYED BY JIN HA

CLAIRE (CAST) Seeking understudy for this role: Early 30s. Black. Catherine’s older sister, practical and successful, lives in NYC where she works in finance. She cares deeply for Catherine’s well being, and while well-intentioned, she can seem controlling in her attempts to steer Catherine toward solutions that make sense to her, but not to Catherine. Claire’s overly directive behavior comes from her love and deep care for her sister, and her anxieties about Catherine's stability. ROLE TO BE PLAYED BY SAMIRA WILEY

SALARY

Production (League) $2717 weekly minimum

UNION

AEA