KENREX LLC | New York, NY
New York, NY

DESCRIPTION

Notice: Audition Call Type: EPA

AUDITION DATE

Wednesday, February 18, 2026

10:00 AM - 6:00 PM (E)

Lunch 1:30 PM - 2:30 PM

CONTRACT

Off Broadway

$1109 weekly minimum (Cat. C)

SEEKING

NOTE: Due to a scheduled system upgrade, signups for this audition will begin earlier than usual. You will not be able to cancel appointments via Casting Call while the upgrade is in process. Should you need to cancel, please make sure to return to Casting

Call to complete your cancelation when the upgrades are complete.

Equity actors for Understudy roles in KENREX (See breakdown).

There are no Equity stage managerial positions available for this production.

PREPARATION

For TRACK 1 understudy: Please prepare a monologue under 2 minutes. No TV/Film material. Please choose something with energy and pace. For TRACK 2 understudy: Please prepare a short song and accompany yourself on guitar. Please choose a song in the style of folk, Americana, bluegrass, or rock. An accompanist will NOT be present.

LOCATION
Pearl Studios (500)
500 8th Ave
New York, NY 10018-6504

Holding room - Studio 1212. Please bring a photo ID to enter the building.

PERSONNEL
Created by Jack Holden and Ed Stambollouian
Directed by Ed Stambollouian
Music by John Patrick Elliot
Produced by Seaview
GM: Showtown Theatricals

Expected to attend:
Tessa Lee: Casting Director

OTHER DATES
First Rehearsal – Understudy for TRACK 1:
Monday, March 23, 2026
First Rehearsal – Understudy TRACK 2:
Thursday, March 26, 2026
Performances begin: April 15, 2026
Final performance: June 27, 2026

OTHER

Venue: Lucille Lortel Theatre

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination.
Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages
performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

KENREX

SEEKING:

UNDERSTUDY TRACK 1: He/him. White. Late 20s-Late 30s. Requires a physical stamina to meet
the high physical, vocal and pace demands of the piece. A wide variety and range of roles, an agile
and nimble approach to character. Primary role is a young lawyer, fresh out of school. Other
characters in this track range from an 80-year-old man to a 14-year-old girl.

UNDERSTUDY TRACK 2: Seeking a musician for this track. He/him. Open race/ ethnicity. Late 20slate
30s. This track is an onstage musician. Will sing the music in the show AND play a combination of
live acoustic and electronic music throughout the entire show, some underscoring and some full
musical set pieces and songs in multiple genres. This track works as a duet with Jack Holden’s track,
responding in rhythm with their performance and being very much visible onstage as part of creating
the world and soundscape for the show. There are some lines of dialogue. Necessary skillset includes:
Tenor singing voice. Highly skilled: acoustic and electric guitar, particularly in alternative tunings
DADGAD and DADF#AD. Skilled: slide guitar, keyboards, drumkit, percussion, vocals, banjo. Some
working knowledge of Ableton Live software and basic music production / DJing / live electronics.
Experience in or some working knowledge of genres including folk, Americana, bluegrass, rock and
electronic music.

ALREADY CAST:

TRACK 1: CAST. He/him. White. Late 20s-Late 30s. Requires a physical stamina to meet the high
physical, vocal and pace demands of the piece. A wide variety and range of roles, an agile and nimble
approach to character. Primary role is a young lawyer, fresh out of school. Other characters in this
track range from an 80-year-old man to a 14-year-old girl.

TRACK 2: CAST. Seeking a musician for this track. He/him. Open race/ ethnicity. Late 20s-late 30s.
This track is an onstage musician. Will sing the music in the show AND play a combination of live
acoustic and electronic music throughout the entire show, some underscoring and some full musical
set pieces and songs in multiple genres. This track works as a duet with Jack Holden’s track,
responding in rhythm with their performance and being very much visible onstage as part of creating
the world and soundscape for the show. There are some lines of dialogue. Necessary skillset includes:
Tenor singing voice. Highly skilled: acoustic and electric guitar, particularly in alternative tunings
DADGAD and DADF#AD. Skilled: slide guitar, keyboards, drumkit, percussion, vocals, banjo. Some
working knowledge of Ableton Live software and basic music production / DJing / live electronics.
Experience in or some working knowledge of genres including folk, Americana, bluegrass, rock and
electronic music.

SALARY

Off Broadway $1109 weekly minimum (Cat. C)

UNION

AEA