Various Producers | ,
Chicago, IL

DESCRIPTION

Notice: Audition Call Type: EPA

AUDITION DATE

Wednesday, April 8, 2026

9:00 AM - 5:00 PM (C)

Lunch 12:00 PM - 1:00 PM

CONTRACT

LORT Non-Rep

See breakdown for rates.

SEEKING

Equity actors for roles in the 2026-27 Seasons of Kansas City Repertory Theatre, The Repertory Theatre of St. Louis and Court Theatre (See breakdown).

PREPARATION

Please prepare a brief contemporary monologue or two contrasting one-minute monologues. To be considered for a musical, please prepare a contemporary monologue and a brief cut of a traditional or contemporary musical theatre, standard or gospel/blues/funk/soul song. An accompanist will be provided. Material should demonstrate a strong sense of storytelling, emotional connection, and point of view. Please bring 3 copies of your headshot and resume, stapled together, with contact information clearly printed on the resume.

LOCATION

Actors' Equity Association - Chicago Member Center

557 W Randolph St

1st Fl

Chicago, IL 60661

PERSONNEL

Expected to attend:

Darrington Clark: Artistic Associate/Casting – KC Rep

Matthew Cox: Artistic Associate/Casting – St. Louis Rep

Delaney Piggins: Associate Artistic Director, Producing

& Community Impact – St Louis Rep

Becca McCracken, C.S.A.: Director of Casting and Artist

Cultivation - Court Th eleste M. Cooper: Associate Casting Director - Court Th Chuck Larkin: Accompanist

See breakdown for production specific personnel.

OTHER DATES

See breakdown for production specific dates.

OTHER

kcrep.org

repstl.org

www.courttheatre.org

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Breakdown

Combined LORT Auditions 2026-27 Seasons (Kansas City Rep Th, The Repertory Th of St. Louis and Court Th)

_______________________________________________________________________

Kansas City Repertory Theatre 2026-27 Season

$1213 weekly minimum (LORT B)

$889 weekly minimum (LORT D) - (Paying LORT C minimum $1114)

Plus - Housing

All roles will be understudied.

KC Rep values Empathy, Inclusion, Openness, Collaboration & Innovation. We encourage artists of all races, ethnicities, abilities and presentations to audition. Through our ongoing Inclusion, Diversity, Equity, and Anti-Racism work, we welcome and include everyone. We are respectfully curious about others. We meet people where they are. We are committed to creating a more inclusive American Theatre for all.

COME FROM AWAY

Director: Stuart Carden

Music Director: TBA

Choreographer: TBA

First rehearsal: Aug. 4, 2026

Rehearsals: 8/4/26 – 8/30/26

First Preview: Sept. 1, 2026

Opening: Sept. 4, 2026

Closing: Sept. 20, 2026

LORT B

SEEKING:

Claude & others (Male identifying, Age: 40s to 60s, Vocal range top: G4) The gregarious and well-liked Mayor of Gander, Newfoundland, Claude loves his work, the townspeople and his daily traditions, but he's never had to deal with a crisis of this magnitude before. Doubles as Derm and Brenda’s Brother, Eddie.

Bonnie & others (Female identifying, Age: 30s to 50s, Vocal range top: B4) A no-nonsense mother of three, Bonnie is the head of the Gander area SPCA. When she discovers animals are trapped on the planes, she stops at nothing to ensure their safety - but in frustration, she often lashes out at those around her. Doubles as Martha.

Beulah & others (Female identifying, Age: 40s to 60s, Vocal range top: B4) The head of the Gander Legion, with a firefighter son, who walks Hannah to her church and prays with her. Doubles as Delores.

Oz & others (Male identifying, Age: 30s to 50s, Vocal range top: G4) The quirky constable in the twoperson

Gander police force. When the town's population suddenly doubles, Oz helps out in unexpected ways. Doubles as Joey, Customs Officer, Mr. Michaels, Terry, Matty, Rabbi, and Head Cardiologist.

Janice & others (Female identifying, Age: 20s to 30s, Vocal range top: E5) An eager new local TV reporter, Janice is thrown into the deep end on her first day. Initially naïve about the world, Janice must face the pain and confusion around her. Doubles as Britney and Flight Attendant.

Beverley & others (Female identifying, Age: 40s to 60s, Vocal range top: C#5) The first female captain for American Airlines Pilot, Beverly Bass has always loved flying, when her world suddenly changes. Doubles as Annette and Reporter.

Diane & others (Female identifying, Age: 50s to 60s, Vocal range top: C#5, Vocal range bottom: A3) A traditional divorcee from Texas, who is terrified that her son may have been flying at the time of the attacks. When she finds out that he's safe, she's given a new lease on life and discovers a wilder more carefree side of herself. Doubles as Crystal and Brenda.

Nick & others (Male identifying, Age: 50s to 60s, Vocal range top: E4) An English oil engineer who is focused on his work, Nick's life is turned upside down when he falls for Diane. Doubles as Doug, Officer Stephenson, and Male Townsperson.

Kevin T & others (Male identifying, Age: 30s to 40s, Vocal range top: G4) The head of an environmental energy company in Los Angeles, Kevin was on vacation with his boyfriend (and secretary, also named

Kevin), when they are stranded in Gander. Inspired by the town's generosity, Kevin creates the Pay It Forward Foundation. Doubles as Garth and President Bush.

Kevin J & others (Male identifying, Age: 30s to 40s) Kevin's boyfriend and secretary. Sarcastic and unhappy, he wants to leave as soon as possible. Doubles as Dwight and Ali.

Bob & others (Male identifying, Age: 20s to 40s) A hardened New Yorker, Bob is suspicious of where he's landed, fearing that it's World War 3, that someone is going to shoot him and steal his wallet - but instead, he ends up losing his New York jadedness. Doubles as Muhumuza and Captain Bristol.

Hannah & others (Female identifying, Age: 30s to 50s, Vocal range top: E5) The mother of a firefighter in Manhattan, Hannah waits for news about her son and is comforted by Beulah. Doubles as Margie and Mickey.

JOHN PROCTOR IS THE VILLIAN

Director: TBA

First rehearsal: Sept. 8, 2026

Rehearsals: 9/8/26 – 10/4/26

First Preview: Oct. 6, 2026

Opening: Oct. 9, 2026

Closing: Oct. 25, 2026

LORT D

SEEKING:

CARTER SMITH: teacher, mid to late 30s, M. a former golden boy, but one of those rare smart and sensitive ones. Now he’s a great teacher: charming, engaging, goofy.

SHELBY HOLCOMB: student, 16, F. her brain works faster than her mouth, but her mouth works pretty dang fast. People have always underestimated her.

BETH POWELL: student, 17, F. nervous and ambitious and enthusiastic. kind of like if Rory Gilmore and

Paris Geller had a baby and raised her in the Deep South.

NELL SHAW: student, 16, F. from Atlanta. grounded and sincere. genuinely curious about things. a good judge of character, and a quick study.

IVY WATKINS: student, 17, F. fiercely loyal and always well-intentioned. from money. resist the urge to play her as a mean girl.

RAELYNN NIX: student, 16, F. a cheerleader type who’s always lived her life by other people’s standards. she was paying careful attention and keeping score the whole time.

MASON ADAMS: student, 17, M. he’s never really tried before, and he’s surprised by how good it feels. earnest and affable.

LEE TURNER: student, 16, M. a Carhartt-wearing good ol’ boy. deeply insecure and without the tools to deal with it. he’s always been good at getting what he wants.

BAILEY GALLAGHER: counselor, 24, F. sweet in all the ways Southern women are supposed to be. this is her first real job out of college. she’s trying her best.

FANNIE: THE MUSIC AND LIFE OF FANNIE LOU HAMER

Director: Morgana Wilborn

Music Director: TBA

First rehearsal: Jan. 19, 2027

Rehearsals: 1/19/27 – 2/14/27

First Preview: Feb. 16, 2027

Opening: Feb. 19, 2027

Closing: March 7, 2027

LORT D

SEEKING:

Fannie Lou Hamer (40ish – 50ish, Vocal range: Flexible; strong traditional gospel & soul foundation required) is the sole onstage performer in this one woman play with music. A powerful, Black, singerstoryteller is sought to embody legendary civil rights activist Fannie Lou Hamer, telling her own story through song, memory, testimony, and direct address. The performer carries the full arc of the piece, guiding the audience through moments of humor, righteous fury, sorrow, joy, and unshakable faith. Has strong vocal stamina and comfort leading call and response moments, at times supported by a live band and occasional audience participation. This portrayal is not an impersonation, but an embodied act of witnessing. Gravitas, warmth, political awareness, and spiritual grounding is essential.

THE PLAY THAT GOES WRONG

Director: TBA

First rehearsal: April 6, 2027

Rehearsals: 4/6/27 – 5/2/27

First Preview: May 4, 2027

Opening: May 7, 2027

Closing: May 23, 2027

LORT B

SEEKING:

Chris Bean: The show’s director, set designer, costume designer, prop maker, box office manager, press person, voice coach, choreographer, and more. Rigid, uptight, everything really matters to him. Directing and starring in "The Murder at Haversham Manor," is the biggest night of their career. The evening's chaos exposes Chris's vulnerability. Plays "Inspector Carter" and fills in for the role of "Mr. Fitzroy" in The Murder at Haversham Manor

Jonathan Harris: An actor who sees himself as a kind of James Bond but is actually perhaps a bit bland. Embodies suave charm with a strong physical presence but feels the weight of each mistake deeply. Excited and having fun, but not naïve, he cares about the play but not to the same extent as others. Very physical role. Plays “Charles Haversham” in The Murder at Haversham Manor

Robert Grove: Blissfully unaware of those around him, he aspires to greatness with a naivety amidst his ambition but remains cheerfully clueless on stage. Ever-optimistic, he does not feel badly when things go wrong and never learns from his mistakes. He wants to be like Richard Burton as evidenced by his declamatory style. He is, however, not a parody of a bad actor. He's just a bad actor. Plays “Thomas Colleymore” in The Murder at Haversham Manor.

Dennis Tyde: New to the stage, Dennis Had no real desire to be involved in theater, but steps into acting with the hope of finding friendship. He struggles with lines and pronunciation. May be slightly oblivious but understands when they get things wrong, and audience laughter feels like a spotlight on his mistakes, not a cheer for his efforts. Plays the butler, “Perkins,” in The Murder at Haversham Manor.

Sandra Wilkinson: While perhaps vain and possessing ego, she truly wants to be loved. Having always secured lead roles, she has an eye on Hollywood. She's convinced of her unmatched talent within the company and struggles with adaptability when faced with unexpected changes, but she is also smart enough to stay on the good side of someone who can help her. The stakes are high for her. Plays “Florence Colleymoore” in The Murder at Haversham Manor.

Max Bennett: Refreshingly honest and earnest with no prior acting experience, his sincere attempts to follow directions exactly reflect that he doesn’t think anything through, just looks for approval. He is childlike and naïve, his mistakes are fundamental, he has zero connection with any of the other actors, but when he gets a laugh, he breaks the fourth wall. Uniquely charming. Plays “Cecil Haversham” in The Murder at Haversham Manor.

Trevor Watson: Usually all business, Trevor is the lighting and sound operator for the play and unexpectedly finds himself in the spotlight due to unforeseen chaos. Comfortable behind the scenes, he's suddenly required to act and hates to perform. He simply wants to get on with the show. Curmudgeonly, easily distracted and doesn’t care for actors.

Annie Twilloil: The company's stage manager, Annie works tirelessly behind the scenes to solve problems and cannot bear to be on stage. She is unexpectedly cast into the spotlight, starting with a book in hand. Initially terrified by acting, the feeling turns to joy, and then to fury. She starts small but grows and grows.

_______________________________________________________________________________________________

The Repertory Theatre of St. Louis 2026-2027 Season

$1135 weekly minimum (LORT B, protected status)

Some roles will be understudied.

NOTE: Actors of any race/ethnicity encouraged to apply for any of the roles, unless otherwise specified in

the character breakdown.

Augustin Family Artistic Director – Kate Bergstrom

Louisa May Alcott’s LITTLE WOMEN

Adapted by Lauren Gunderson

From the novel by Louisa May Alcott

Directed by Delaney Piggins

Loretto-Hilton Center Virginia Jackson Browning Theatre

First Rehearsal - Tuesday, August 18, 2026

Tech Begins - Friday, September 4, 2026

First Preview - Wednesday, September 9, 2026

Opening - Friday, September 11, 2026

Closing - Sunday, September 27, 2026

SEEKING:

LOUISA/JO (she/her): Late Teens-Late 20s. Independent, ambitious, and fiercely determined to pursue her dreams of becoming a writer. Jo is tomboyish, outspoken, and adventurous, with a strong sense of justice and loyalty, but also self critical and quick tempered. This role requires brief moments of physical intimacy and brief stage violence.

MEG (she/her): Early 20s-Late 20s. The eldest March sister, responsible, nurturing, and traditional but vibrant and full of romantic dreams. Meg is thoughtful, compassionate, and devoted but also sometimes vain and longing for the ease of wealth that she never had. This role requires brief moments of physical intimacy.

BETH (she/her): Teens-Early 20s. Quiet, gentle, and musical. She is shy, selfless, and deeply empathetic. She does not dream of a life outside of her home and family, an inward girl, never a woman.

AMY (she/her): Teens-Early 20s. The youngest sister who is impatient, artistic, vivacious, charming. Open self-centered and vengeful, but also spirited, creative, determined and loving. This role requires brief moments of physical intimacy and brief stage violence.

MARMEE (she/her): 40s-50s. The mother of the March sisters is wise, nurturing, and compassionate, resilient, and patient. She guides her daughters toward selflessness and level-headedness, but also shares their verve, delight for life, family and independence. Will double as - AUNT MARCH (she/her): 70s. Fussy, rich, judgmental.

LAURIE (he/him): Late Teens-Late 20s. Wealthy, charming neighbor and close friend of the March sisters. He is adventurous, mischievous, and impulsive, with a playful spirit and a love for music and literature. Despite his privileged upbringing, Laurie is kind-hearted, loyal, and deeply devoted to the March family, especially Jo. This role requires brief moments of physical intimacy.

JOHN (he/him): Late 20s. Laurie's tutor and later Meg's husband. He is intelligent, earnest, hardworking, and respectful, with a strong sense of duty and integrity. This role requires brief moments of physical intimacy. Will double as - MR. LAURENCE/MR. MARCH (he/him): 50’s-70’s. Laurie’s prickly grandfather / Jo’s father. and - FRIEDRICH (he/him): 40s. Professor Friedrich Bhaer is a sunny, generous German immigrant and intellectual. He is cultured, cheerful and kind-hearted, with a love for literature and philosophy. He embodies principles of intellect, integrity, and genuine affection.

2 PIANOS 4 HANDS

Written by Ted Dykstra and Richard Greenblatt

Directed by Tom Frey

Loretto-Hilton Center Virginia Jackson Browning Theatre

First Rehearsal - Tuesday, September 29, 2026

Tech Begins - Friday, October 2, 2026

First Preview - Wednesday, October 7, 2026

Opening - Friday, October 9, 2026

Closing – Sunday, October 25, 2026

ALL ROLES HAVE BEEN CAST FOR THIS PRODUCTION.

Irving Berlin’s WHITE CHRISTMAS

Music and Lyrics by Irving Berlin

Book by David Ives and Paul Blake

Directed by Kate Bergstrom

Loretto-Hilton Center Virginia Jackson Browning Theatre

First Rehearsal - Tuesday, November 3, 2026

Tech Begins - Friday, November 27, 2026

First Preview - Wednesday, December 2, 2026

Opening - Friday, December 4, 2026

Closing – Wednesday, December 23, 2026

SEEKING:

BOB WALLACE (he/him): Late 20s-Late 30s. A superb singer with a crooning style who moves very well. A major singing star, Bob is the guiding force behind the song and dance team of Wallace and Davis. Baritone. This role requires brief moments of physical intimacy.

PHIL DAVIS (he/him): Late 20s-Late 30s. A song-and-dance comic performer. The fun-loving, go-getting song-and dance partner of the team of Wallace and Davis. An irrepressible clown and operator who is determined to see his friend happy, even if it requires scheming and outright deception. Bari-Tenor. Strong jazz and tap-dancing needed. This role requires brief moments of physical intimacy.

BETTY HAYNES (she/her): Mid 20s-Late 30s. A femme singer of quiet beauty and charm. The sensible, responsible half of the upcoming song-and-dance team, The Haynes Sisters. Destined to be a star in her own right, she is nonetheless hesitant to take the spotlight for herself. Rich Chest Mix with Soprano Extension. Must move well. This role requires brief moments of physical intimacy.

JUDY HAYNES (she/her): Early-Late 20s. A major song-and-dance performer. The younger, more ambitious, slightly scheming Haynes sister. Chest Mix. Strong jazz and tap-dancing needed. This role requires brief moments of physical intimacy.

GENERAL HENRY WAVERLY (he/him): Late 50s-Mid 60s. A retired U.S. Army General, adjusting to returning to civilian life in post World War II America. Once a powerful leader, he now struggles to run an Inn in Vermont. Beneath his curmudgeonly military exterior lies a warm, compassionate man in need of family and love. With the exception of one line, a non-singing role.

MARTHA WATSON (she/her): Late 40s-Mid 60s. Once a Broadway star, now the general’s housekeeper at the Inn, Martha has a very dry, wry, wisecracking sense of humor. Bighearted but completely unsentimental, she runs the General’s life in spite of his protestations. Clarion Belt Voice.

EZEKIEL FOSTER/ANNOUNCER/SNORING MAN/AS CAST (he/him): Mid 40s-Late 50s. As Ezekiel, the ultimate taciturn New Englander, who helps out at the inn and takes life at a very slow pace.

MIKE/TRAIN CONDUCTOR/AS CAST (he/him): Mid 20s-Late 30s. As Mike, Bob and Phil’s Stage Manager. Has a tendency to be over-dramatic and completely hysterical but will get things done. Never seen without his whistle and clipboard, which he uses to attempt to keep order.

TESSIE/AS CAST (she/her): 20s-30s. As Tessie, Bob and Phil’s assistant.

RHODA/MRS. SNORING MAN/AS CAST (she/her): Mid 20s-Early 30s. As Rhoda, one of Bob and Phil’s chorus girls.

RALPH SHELDRAKE/JIMMY/AS CAST (he/him): Mid-Late 30s. As Ralph, an Army buddy of Bob and Phil’s, now a major television executive with the Ed Sullivan Show. Fast-talking, New York professional. As Jimmy, the proprietor of “Jimmy’s Back Room,” a none-too-classy nightclub. Baritone.

RITA/CIGARETTE GIRL/AS CAST (she/her): Mid 20s-Early 30s. As Rita, one of Bob and Phil’s chorus girls.

SUSAN WAVERLY/AS CAST (she/her): 9-12. The General’s granddaughter, Susan is a lovable and outgoing kid. She is very smart, wise beyond her years, and cares deeply about her grandfather. Once bitten hard by the showbiz bug, she demonstrates everything that is winning in the ultimate child performer. Strong Belt. Must move well.

DETROIT ‘67

Written by Dominique Mourisseau

Produced by Detroit Public Theatre

Directed by Brian Marable

Tech Begins - Friday, January 29, 2027

First Preview - Wednesday, February 3, 2027

Opening - Friday, February 5, 2027

Anticipated Closing - Sunday, February 21, 2027

THIS PRODUCTION IS PRESENTED BY THE REP AND PRODUCED BY DETROIT PUBLIC THEATRE.

ALL ROLES HAVE BEEN CAST.

Agatha Christie’s AND THEN THERE WERE NONE

By Agatha Christie

Directed by Robyne Parrish

Loretto-Hilton Center Virginia Jackson Browning Theatre

First Rehearsal - Tuesday, March 2, 2027

Tech Begins - Friday, March 12, 2027

First Preview - Wednesday, March 17, 2027

Opening - Friday, March 19, 2027

Closing - Sunday, April 4, 2027

Combined LORT Auditions 2026-27 Seasons (Kansas City Repertory

SEEKING:

MRS. ROGERS (she/her): 40s-60s. Worried, overwhelmed, frail.

FRED NARRACOTT (he/him): 20s–60s. A sailor.

JUSTICE WARGRAVE (he/him): 60s+. A retired judge, uncompromising and cruel.

DOCTOR ARMSTRONG (he/him): Mid-40s. A Harley Street neurologist, whip-smart but fussy.

_________________________________________________________________________________________

Court Theatre 2026-27 Season

LORT D - $889 weekly minimum

All ages, ethnicities, and genders / non-binary artists are encouraged to audition.

All roles will be understudied.

TITUBA

Director: Gabrielle Randle-Bent

1st Rehearsal: 9/15/26

Opening: 11/1/26

Closing: 11/22/26

SEEKING:

Tituba Indian: Adult, Female Identified, 30s-50s. black, an enslaved woman and first accused witch of The Crucible.

JOE TURNER'S COME AND GONE

Director: Ron OJ Parson

1st Rehearsal: 12/8/26

Opening: 1/16/27

Closing: 2/7/27

SEEKING:

Seth: early 50s, black, a skilled craftsman and owner of the boardinghouse born to Northern free parents. Married to Bertha for 25 years.

Bertha: mid 40s, black, a patient woman who makes excellent biscuits. Married to Seth for 25 years.

Bynum: early 60s, black, a conjureman or rootworker. Gives the impression of always being in control.

Rutherford Selig: early 50s, white, a peddler who sells Seth materials to craft which he sells, the son of a slave-catcher. Also known as the “People Finder”.

Jeremy: mid 20s, black, proficient guitar player. Born in the South. Herald Loomis: 32 years old, black, in search of a world that speaks to a part of himself. Looking for his wife, Martha.

Zonia Loomis: 11 years old, black, daughter of Herald and Martha.

Mattie Campbell: 26 years old, black, in search of love and companionship.

Reuben: 11 years old, black, the child of a neighbor.

Molly Cunningham: 26 years old, black, looking for a room at the boardinghouse.

Martha Pentecost: 28 years old, black, looking for her daughter, Zonia.

MOJADA

Director: Wendy Mateo and Denise Yvette Serna

1st Rehearsal: 2/9/27

Opening: 3/20/27

Closing: 4/11/27

SEEKING:

Medea: 20s, Mexican, beautiful but worn, a seamstress.

Hason: 30s, Mexican.

Acan: 10, Mexican. Son of Medea and Hason.

Tita: 60s, Mexican, a curandera and sirvienta to Medea.

Josephina: 30s, Mexican, a no-nonsense street vendor of pan dulce.

Armida: 50s, Mexican, Hason’s boss.

SAFRONIA

Director: Timothy Douglas

1st Rehearsal: 4/13/27

Opening: 5/22/27

Closing: 6/13/27

SEEKING:

safronia jean booker: soprano, 20s, black. stay ready.

baar jacob booker: baritone-tenor, 60s, black. stout and elegant.

magnolia may booker: contralto-mezzo soprano, mid 40s - early 50s, black. regal and bewitching.

cholly: baritone-bass, gentleman. stern and unwavering.

bossman (Adams): countertenor and/or falsetto, 40s. unassuming.

king willie tate: baritone-tenor, late 20s - early 30s, black. beautiful, gentle, enterprising.

chorus (the bookers and ancestors): 8 voices, 3 sopranos, 2 altos, 1 contralto, 2 tenors

SALARY

LORT Non-Rep See breakdown for rates.

UNION

AEA