An alum of the American Academy of Dramatic Arts, HanJie Chow balances acting with photography, a behind-the-scenes gig at New York Theatre Workshop, and more.
Signature’s Literary Manager and Production Dramaturg Jenna Clark Embrey “demystifies” her role and explains how she got to work at one of New York’s top theatres.
Youngblood’s co-artistic director peels back the curtain on how to make your application to the writers’ program stand out and what happens when you’re in.
Zach Laks, who runs production and theatrical management company Form Theatricals, explains the start-up model behind his business and Michael Urie’s Bright Colors and Bold Patterns.
He left the theatre “in a bit of a huff,” but now Darrel Maloney has a life that is artistically fulfilling, working on shows such as American Idiot and, currently, Babylon Line.
Michael Lenox, who worked on Lazarus, recalls his encounter with the star and how the cast reacted to his unexpected death while stopped outside the theatre.
The native New Yorker explains what it means to leave a lasting impression on young students and how theatre helps her maintain relationships with students.
