Photos: Jonathan Bailey Becomes a Shakespearean Baddie in New Production Shots of London Richard II | Playbill

Production Photos Photos: Jonathan Bailey Becomes a Shakespearean Baddie in New Production Shots of London Richard II

The Wicked film star is playing the title role in a new production directed by two-time Tony winner Nicholas Hytner.

Jonathan Bailey in Richard II Manuel Harlan

New production shots are giving an even better look at Wicked film star Jonathan Bailey's stage turn in Shakespeare's Richard II at the Bridge Theatre in London. The production officially opened February 18—read the reviews here. Get a better look at Bailey and the production, directed by two-time Tony winner Nicholas Hytner, in the gallery below. Performances continue through May 10.

Bailey, an Olivier winner for his performance in Marianne Elliott's gender-swapped revival of Company, stars in the title role, opposite Royce Pierreson (The Witcher) as Henry Bullingbrook, Christopher Osikanlu Colquhoun (Absentia) as Earl of Northumberland, Olivia Popica (The Wheel of Time) as Queen Isabel, Amanda Root (Romeo and Juliet) as Alice Green and the Duchess of York, Phoenix Di Sebastiani (The Great) as Thomas Mowbray and Groom, Clive Wood (London’s Burning) as John of Gaun, and Michael Simkins (Guys & Dolls) as the Duke of York.

Photos: Jonathan Bailey in Richard II at the Bridge Theatre

Also in the company are Adam Best (Peaky Blinders) as Sir John Bagot, Seamus Dillane (Queen Charlotte: A Bridgerton Story) as Lord Surrey, Vinnie Heaven (Cowbois) as Aumerle, Jordan Kouamé (Wolf Hall 2) as Sir John Bushy and Harry Percy, Gerard Monaco (A Small Family Business) as Sir Stephen Scroop and Keeper, George Taylor (The Lady In The Van) as Lord Fitzwater, and Badria Timimi (Our Girl) as Abbess of Carlisle. Understudies Emma Bown (Romeo and Juliet), Martin Carroll (Twelfth Night), and Stephan Boyce (Aladdin) round out the company. Casting is by Robert Sterne.

Richard II is the Bridge Theatre's first production since its highly acclaimed, immersive revival of Guys and Dolls, which completed its more-than-a-year-long run January 4. The history play centers on the precarious moment as England is poised to move from feudalism to modernity, and the charismatic but incendiary King whose political incompetence threatens to wreck it all.

The production also features scenic and costume design by Bob Crowley, lighting design by Bruno Poet, sound design by Carolyn Downing, music by Grant Olding, movement direction by James Cousins, and fight direction by Kate Waters.

Hytner, formerly director of the National, is a two-time Tony and Olivier winner for his productions of Carousel and The History Boys.

 
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