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I'm back in the US of A! Of course, I'm already working on my next show and I'm super psyched I just added Jessie Mueller from Beautiful: The Carole King Musical to Not Since High School! That's the benefit I'm doing Aug. 24 where Broadway folk sing their "big song" from the high school role that put them on the map. All the money is going to Juli's middle school to help their after-school music program. As opposed to the school's regular music program? No. All they have is after-school music.
So frustrating! It's like all of us accepting airplanes charging us to sit in an exit row. Remember when it was free? Then airlines started charging to see if people would have fit and at first people were outraged but soon accepted it. It's the same with the arts. Public schools used to have theatre, music and art as part of the regular curriculum. It started being cut down to nothing and, after the initial protests, everyone soon accepted that schools no longer have giant choruses, bands, orchestras and musicals. #Depressing.
Anyhoo, I thought this benefit would be a great way to raise awareness about what we need to have back in schools, raise some much needed money and finally hear Julia Murney recreated "I'm Still Here" from her teenaged performance in Follies. Get tix here.
Here's what happened in London Towne: My show was planned for Aug. 10. Also planned that day: a hurricane. Yes, so-called Hurricane Bertha started underneath Florida and had the nerve to cross the Atlantic Ocean and come ashore in the UK! When I heard I'd be battling a hurricane for ticket sales, I was terrified I'd be playing to an empty house. Who the hell would want to leave their "flat" to see a comedy show and risk being washed away by flooding and/or being impaled by flying objects? Luckily, YeOldeWeather.com said it would be gone by the time my show began. However, it was still going to pass over London that afternoon. Cut to: my tech rehearsal. James and I were sitting outside in Leicester Square because, despite my fears of a deluge, the weather was actually fine. Perhaps a tiny bit cloudy.
Anyhoo, we made it to my tech, and the show went fantastically! Of course, I hate to brag but I shall do so under duress; I got numerous five-star reviews and they asked me to come back in February! Frances Ruffelle (the original Eponine from Les Misérables) came to see it and I used one of her clips in the show! I was demonstrating the delicious use of straight tone to vibrato and played "One Day More" where sings "...but he never saw me there!" and holds it straight-tone for a while as the camera comes closer and then she finally gives it full sassy vibrato. Watch!
We went out to brunch, and I was commending Frances on her high belt and she said she forced herself to develop it after trying out for the West End Annie when she was a kid. The first thing every girl had to sing was "Happy Birthday" and she could never get up to the high note on the last "Happy BIRTH-day dear..." She finally figured out if she placed her voice in her nose, she could do it. However, by then she was too old for the show. But it then became her signature sound that I loved! She told us she did a demo of Miss Saigon when she was still playing Eponine and now thinks she sounded like a chipmunk. But I love it! Listen.
Speaking of Eponine, last year I was playing "A Little Fall Of Rain" on my SiriusXM radio show and when the song ended I came back on and said, "... and she's dead." Cut to, someone tweeted me and wrote, "Thank for spoiling Les Miz! Now I know Eponine dies." I tweeted back with, "It's so obvious she dies! Eponine sings, "And rain will make the flowers..." Silence. She doesn't sing the last word!" Frances saw the tweets and wrote back, "Maybe I forgot the lyrics." Brava! She and I did an Obsessed video together all about her signature pose as Eponine. Watch. PS - Speaking of the West End production of Annie. Andrea McArdle played Annie, but do you know who played Molly, the youngest orphan? Catherine Zeta Jones! True!
In conclusion, I miss London. However! I don't miss the signature Dowager Countess passive-aggresiveness everyone has perfected. I was at a book store and noticed a man looking at a whole section of books. I went over and stood to the right of him to look at the same books. Suddenly, he turned towards me, and with a very irritated high class accent says, "Excuse me! Am I in your way?" I thought it was odd that he was asking what had the words of a polite question, yet he sounded so outraged. He wasn't in my way since he was next to me so I said, "No, you're not. Thanks!" Then he was even more exasperated and sputtered, "I'm trying to look at the books!" I couldn't understand what that had to do with me. I said, "Um... I'm just standing next to you." He was apoplectic as he explained, "I'm looking alphabetically!" Apparently, he was looking across the entire row of books and therefore didn't want anyone next to him. Finally, I realized his first question, "Am I in your way?" was completely passive/aggressive. I thought it through out loud and said "So... you weren't wondering whether you were in my way. You were saying I'm in your way." He answered, "Exactly!" I realized he wanted me to move. So I did. Back to the USA.
OK, everyone. This Thursday at 5 on "Seth's Broadway Chatterbox" I have cutie/great singer James Snyder from If/Then and Cry Baby. Get more info at SethTV.com and peace out!
(Seth Rudetsky is the afternoon Broadway host on SiriusXM. He has played piano for over 15 Broadway shows, was Grammy-nominated for his concert CD of Hair and Emmy-nominated for being a comedy writer on "The Rosie O'Donnell Show." He has written two novels, "Broadway Nights" and "My Awesome/Awful Popularity Plan," which are also available at Audible.com. He recently launched SethTV.com, where you can contact him and view all of his videos and his sassy new reality show.)