Guest host Tony Award nominee Alex Brightman offers tips for inside the theatre and how to have a great interaction with stars at the stage door.

Guest host Tony Award nominee Alex Brightman offers tips for inside the theatre and how to have a great interaction with stars at the stage door.

Guest host Tony Award nominee Alex Brightman offers tips for inside the theatre and how to have a great interaction with stars at the stage door.

Guest host Tony Award nominee Alex Brightman offers tips for inside the theatre and how to have a great interaction with stars at the stage door.

Guest host Tony Award nominee Alex Brightman offers tips for inside the theatre and how to have a great interaction with stars at the stage door.

Guest host Tony Award nominee Alex Brightman offers tips for inside the theatre and how to have a great interaction with stars at the stage door.

Guest host Tony Award nominee Alex Brightman offers tips for inside the theatre and how to have a great interaction with stars at the stage door.

Guest host Tony Award nominee Alex Brightman offers tips for inside the theatre and how to have a great interaction with stars at the stage door.

Guest host Tony Award nominee Alex Brightman offers tips for inside the theatre and how to have a great interaction with stars at the stage door.

Guest host Tony Award nominee Alex Brightman offers tips for inside the theatre and how to have a great interaction with stars at the stage door.

Guest host Tony Award nominee Alex Brightman offers tips for inside the theatre and how to have a great interaction with stars at the stage door.

Guest host Tony Award nominee Alex Brightman offers tips for inside the theatre and how to have a great interaction with stars at the stage door.

Guest host Tony Award nominee Alex Brightman offers tips for inside the theatre and how to have a great interaction with stars at the stage door.

Guest host Tony Award nominee Alex Brightman offers tips for inside the theatre and how to have a great interaction with stars at the stage door.

Join me and Tony nominee Eva Noblezada on this week's episode as I give her a lesson on Broadway 101.

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CONTACT TYLER:

ONLINE:
►Instagram: @TylerGMount
►SnapChat: @TylerGMount
►Twitter: @TylerGMount
►Periscope: @TylerGMount
►Facebook: Facebook.com/TylerGMount
►Business Inquiries: [email protected]

BY MAIL:
►The Tyler Mount Vlog
c/o Playbill
729 Seventh Avenue, 4th Floor
New York, New York 10019

♦♦♦CONTACT EVA♦♦♦
Twitter: @EvaNoblezada
Instagram: @Livevamaria

Join me and Tony nominee Eva Noblezada on this week's episode as I give her a lesson on Broadway 101.

BUY OFFICIAL TYLER MOUNT MERCH HERE!

SUBSCRIBE TO THE TYLER MOUNT VLOG

CONTACT TYLER:

ONLINE:
►Instagram: @TylerGMount
►SnapChat: @TylerGMount
►Twitter: @TylerGMount
►Periscope: @TylerGMount
►Facebook: Facebook.com/TylerGMount
►Business Inquiries: [email protected]

BY MAIL:
►The Tyler Mount Vlog
c/o Playbill
729 Seventh Avenue, 4th Floor
New York, New York 10019

♦♦♦CONTACT EVA♦♦♦
Twitter: @EvaNoblezada
Instagram: @Livevamaria

Join me and Tony nominee Eva Noblezada on this week's episode as I give her a lesson on Broadway 101.

BUY OFFICIAL TYLER MOUNT MERCH HERE!

SUBSCRIBE TO THE TYLER MOUNT VLOG

CONTACT TYLER:

ONLINE:
►Instagram: @TylerGMount
►SnapChat: @TylerGMount
►Twitter: @TylerGMount
►Periscope: @TylerGMount
►Facebook: Facebook.com/TylerGMount
►Business Inquiries: [email protected]

BY MAIL:
►The Tyler Mount Vlog
c/o Playbill
729 Seventh Avenue, 4th Floor
New York, New York 10019

♦♦♦CONTACT EVA♦♦♦
Twitter: @EvaNoblezada
Instagram: @Livevamaria

Join me and Tony nominee Eva Noblezada on this week's episode as I give her a lesson on Broadway 101.

BUY OFFICIAL TYLER MOUNT MERCH HERE!

SUBSCRIBE TO THE TYLER MOUNT VLOG

CONTACT TYLER:

ONLINE:
►Instagram: @TylerGMount
►SnapChat: @TylerGMount
►Twitter: @TylerGMount
►Periscope: @TylerGMount
►Facebook: Facebook.com/TylerGMount
►Business Inquiries: [email protected]

BY MAIL:
►The Tyler Mount Vlog
c/o Playbill
729 Seventh Avenue, 4th Floor
New York, New York 10019

♦♦♦CONTACT EVA♦♦♦
Twitter: @EvaNoblezada
Instagram: @Livevamaria

Join me and Tony nominee Eva Noblezada on this week's episode as I give her a lesson on Broadway 101.

BUY OFFICIAL TYLER MOUNT MERCH HERE!

SUBSCRIBE TO THE TYLER MOUNT VLOG

CONTACT TYLER:

ONLINE:
►Instagram: @TylerGMount
►SnapChat: @TylerGMount
►Twitter: @TylerGMount
►Periscope: @TylerGMount
►Facebook: Facebook.com/TylerGMount
►Business Inquiries: [email protected]

BY MAIL:
►The Tyler Mount Vlog
c/o Playbill
729 Seventh Avenue, 4th Floor
New York, New York 10019

♦♦♦CONTACT EVA♦♦♦
Twitter: @EvaNoblezada
Instagram: @Livevamaria

Join me and Tony nominee Eva Noblezada on this week's episode as I give her a lesson on Broadway 101.

BUY OFFICIAL TYLER MOUNT MERCH HERE!

SUBSCRIBE TO THE TYLER MOUNT VLOG

CONTACT TYLER:

ONLINE:
►Instagram: @TylerGMount
►SnapChat: @TylerGMount
►Twitter: @TylerGMount
►Periscope: @TylerGMount
►Facebook: Facebook.com/TylerGMount
►Business Inquiries: [email protected]

BY MAIL:
►The Tyler Mount Vlog
c/o Playbill
729 Seventh Avenue, 4th Floor
New York, New York 10019

♦♦♦CONTACT EVA♦♦♦
Twitter: @EvaNoblezada
Instagram: @Livevamaria

Join me and Tony nominee Eva Noblezada on this week's episode as I give her a lesson on Broadway 101.

BUY OFFICIAL TYLER MOUNT MERCH HERE!

SUBSCRIBE TO THE TYLER MOUNT VLOG

CONTACT TYLER:

ONLINE:
►Instagram: @TylerGMount
►SnapChat: @TylerGMount
►Twitter: @TylerGMount
►Periscope: @TylerGMount
►Facebook: Facebook.com/TylerGMount
►Business Inquiries: [email protected]

BY MAIL:
►The Tyler Mount Vlog
c/o Playbill
729 Seventh Avenue, 4th Floor
New York, New York 10019

♦♦♦CONTACT EVA♦♦♦
Twitter: @EvaNoblezada
Instagram: @Livevamaria

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Tony-nominated for her scenic design of Bloody Bloody Andrew Jackson, Donyale Werle once again is ready to take a downtown show uptown to Broadway. This time the task at hand is Peter and the Starcatcher, the play-with-music based on the Dave Barry-Ridley Pearson novel which tells the story of Peter Pan before he became the boy who would not grow up. Using a downtown approach to set design that firmly supports the adage "one man's trash is another man's (or in this case woman's) treasure," Werle and her crew set about capturing audience imaginations by using otherwise everyday objects to adorn the proscenium and sets of the show. To see the show's Playbill click here. For more on the show, click here.

Playbill's Broadway 101 series continues with an in-depth look at the things that go bump in the night at The Addams Family. The show's puppeteers take us on a tour to demonstrate how the hairy (Cousin Itt), the scary (the mouse-chomping Venus Flytrap) and the slightly injured (Bob the Bird) puppets work. Acclaimed puppet designer Basil Twist is behind the magic. Click here to read more about Twist's creations on The Addams Family, The Pee-wee Herman Show and more.

Playbill's Broadway 101 series continues with an in-depth look at the things that go bump in the night at The Addams Family. The show's puppeteers take us on a tour to demonstrate how the hairy (Cousin Itt), the scary (the mouse-chomping Venus Flytrap) and the slightly injured (Bob the Bird) puppets work. Acclaimed puppet designer Basil Twist is behind the magic. Click here to read more about Twist's creations on The Addams Family, The Pee-wee Herman Show and more.

Playbill's Broadway 101 series continues with an in-depth look at the things that go bump in the night at The Addams Family. The show's puppeteers take us on a tour to demonstrate how the hairy (Cousin Itt), the scary (the mouse-chomping Venus Flytrap) and the slightly injured (Bob the Bird) puppets work. Acclaimed puppet designer Basil Twist is behind the magic. Click here to read more about Twist's creations on The Addams Family, The Pee-wee Herman Show and more.

Playbill's Broadway 101 series continues with an in-depth look at the things that go bump in the night at The Addams Family. The show's puppeteers take us on a tour to demonstrate how the hairy (Cousin Itt), the scary (the mouse-chomping Venus Flytrap) and the slightly injured (Bob the Bird) puppets work. Acclaimed puppet designer Basil Twist is behind the magic. Click here to read more about Twist's creations on The Addams Family, The Pee-wee Herman Show and more.

Playbill's Broadway 101 series continues with an in-depth look at the things that go bump in the night at The Addams Family. The show's puppeteers take us on a tour to demonstrate how the hairy (Cousin Itt), the scary (the mouse-chomping Venus Flytrap) and the slightly injured (Bob the Bird) puppets work. Acclaimed puppet designer Basil Twist is behind the magic. Click here to read more about Twist's creations on The Addams Family, The Pee-wee Herman Show and more.

Playbill's Broadway 101 series continues with an in-depth look at the things that go bump in the night at The Addams Family. The show's puppeteers take us on a tour to demonstrate how the hairy (Cousin Itt), the scary (the mouse-chomping Venus Flytrap) and the slightly injured (Bob the Bird) puppets work. Acclaimed puppet designer Basil Twist is behind the magic. Click here to read more about Twist's creations on The Addams Family, The Pee-wee Herman Show and more.

Playbill's Broadway 101 series continues with an in-depth look at the things that go bump in the night at The Addams Family. The show's puppeteers take us on a tour to demonstrate how the hairy (Cousin Itt), the scary (the mouse-chomping Venus Flytrap) and the slightly injured (Bob the Bird) puppets work. Acclaimed puppet designer Basil Twist is behind the magic. Click here to read more about Twist's creations on The Addams Family, The Pee-wee Herman Show and more.

Playbill's Broadway 101 takes you behind the scenes of a Broadway production to show how the magic comes together. Before the audience enters the house, the lighting and electrics crew is busy testing, tweaking and checking for any last-minute problems to ensure the show goes on without a hitch (and even when it does, that the audience not notice!). The lighting and electrics crew from the Tony Award-winning musical Billy Elliot takes Playbill on a rare tour of the pre-show ritual that is "tech."

Playbill's Broadway 101 takes you behind the scenes of a Broadway production to show how the magic comes together. Before the audience enters the house, the lighting and electrics crew is busy testing, tweaking and checking for any last-minute problems to ensure the show goes on without a hitch (and even when it does, that the audience not notice!). The lighting and electrics crew from the Tony Award-winning musical Billy Elliot takes Playbill on a rare tour of the pre-show ritual that is "tech."

Playbill's Broadway 101 takes you behind the scenes of a Broadway production to show how the magic comes together. Before the audience enters the house, the lighting and electrics crew is busy testing, tweaking and checking for any last-minute problems to ensure the show goes on without a hitch (and even when it does, that the audience not notice!). The lighting and electrics crew from the Tony Award-winning musical Billy Elliot takes Playbill on a rare tour of the pre-show ritual that is "tech."

Playbill's Broadway 101 takes you behind the scenes of a Broadway production to show how the magic comes together. Before the audience enters the house, the lighting and electrics crew is busy testing, tweaking and checking for any last-minute problems to ensure the show goes on without a hitch (and even when it does, that the audience not notice!). The lighting and electrics crew from the Tony Award-winning musical Billy Elliot takes Playbill on a rare tour of the pre-show ritual that is "tech."

Playbill's Broadway 101 takes you behind the scenes of a Broadway production to show how the magic comes together. Before the audience enters the house, the lighting and electrics crew is busy testing, tweaking and checking for any last-minute problems to ensure the show goes on without a hitch (and even when it does, that the audience not notice!). The lighting and electrics crew from the Tony Award-winning musical Billy Elliot takes Playbill on a rare tour of the pre-show ritual that is "tech."

Playbill's Broadway 101 takes you behind the scenes of a Broadway production to show how the magic comes together. Before the audience enters the house, the lighting and electrics crew is busy testing, tweaking and checking for any last-minute problems to ensure the show goes on without a hitch (and even when it does, that the audience not notice!). The lighting and electrics crew from the Tony Award-winning musical Billy Elliot takes Playbill on a rare tour of the pre-show ritual that is "tech."

Playbill's Broadway 101 takes you behind the scenes of a Broadway production to show how the magic comes together. Before the audience enters the house, the lighting and electrics crew is busy testing, tweaking and checking for any last-minute problems to ensure the show goes on without a hitch (and even when it does, that the audience not notice!). The lighting and electrics crew from the Tony Award-winning musical Billy Elliot takes Playbill on a rare tour of the pre-show ritual that is "tech."