Totem Pole Playhouse | Fayetteville, PA
Fayetteville, PA

DESCRIPTION

Notice: Audition Call Type: EPA

AUDITION DATE
Saturday, January 31, 2026
10:00 AM - 5:00 PM (E)

And

Sunday, February 1, 2026

10:00 AM - 5:00 PM (E)

APPOINTMENTS
To schedule an audition appointment please go to: https://www.signupgenius.com/g... . If you are unable to attend these in-person auditions, you may submit a video audition.
See breakdown for details.

CONTRACT
LOA
$811 weekly minimum (Ref. to COST) - 2025 rates
Plus, applicable pension and health payments.

Housing and travel provided when point of origin requires.

SEEKING
Equity actors for roles in Totem Pole Playhouse's 2026 Season (See breakdown).
Produced by The Caledonia Theatre Company at the Totem Pole Playhouse.

PREPARATION
For Singing roles in musicals - Please prepare a short song (maximum 2 minutes) in a style appropriate to the season’s shows. Be prepared to sing an additional contrasting selection if requested. Please bring sheet music and your repertoire book. An accompanist will be provided. Please also prepare a short monologue (45 seconds) appropriate to the style of the season, in case
it is requested. For Acting-Only roles in plays or musicals - Please prepare a 60-second monologue appropriate to the style of the season. All should bring a headshot and a resume. We will also hold brief stage management interviews.

LOCATION
Majestic Theatre
25 Carlisle St
Gettysburg, PA 17325-1802

Entry into the Majestic Theater backstage area will be through the Red STAGE DOOR. It is located at the bottom of the pedestrian ramp that runs between the rear of the Majestic and the Boroughs "Race Horse Ally" parking garage.

PERSONNEL
Expected to attend:
Producer/Director: Ryan B. Gibbs
Musical Director: Steve Zumbrun

OTHER DATES
See breakdown for production specific dates.

OTHER

Contact for casting:

[email protected]

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination.
Equity is committed to diversity and encourages all its employers to engage in a
policy of equal employment opportunity designed to promote a positive model of
inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

Totem Pole Playhouse 2026 Season

Theater Information:
The Caledonia Theatre Company at the Totem Pole Playhouse, Pennsylvania’s premier professional summer theatre, is located within the breathtaking 1,200-acre Caledonia State Park, between Gettysburg and Chambersburg, PA.

Totem Pole Playhouse produces Equity productions and presents select guest productions as part of its summer series. With its stellar industry reputation, The New York Times has described Totem Pole Playhouse as “the Cadillac of summer theaters.”

Totem Pole maintains a modest office staff and a technical team of 18–20 individuals who staff our shops and run crew. Totem Pole Playhouse holds collective bargaining agreements with the Actor’s Equity Association (AEA), Stage Directors and Choreographers Society (SDC) and United Scenic
Artists (USA).

General Production Information:
Our standard production process includes 10–14 days of studio rehearsals, costume fittings, and press activities. This is followed by three and a half days of technical and dress rehearsals, which include one “10 out of 12” rehearsal and culminating in one invited dress rehearsal.

Performance runs typically consist of 18–20 performances, depending on the title. Mondays are always scheduled days off, and once we are through opening weekend, Fridays are occasionally dark/no performance.

Historically, Totem Pole Playhouse has operated under an LOA to the COST contract with Actors’Equity Association. Our Equity contract is up for renewal in 2026.

Housing & Transportation:
While Totem Pole Playhouse does not own housing, we provide accommodations for guest artists through a variety of arrangements, including apartments and dormitories at local colleges, Airbnb rentals, and housing provided by local hosts. Housing is generally located 2–15 miles from the Playhouse. Additionally, we have a limited number of company cars available to assist with local travel
logistics.

Equal Opportunity Statement:
The Caledonia Theatre Company at the Totem Pole Playhouse is an equal opportunity employer. We are committed to creating an inclusive environment for all employees and applicants and to providing equal opportunity without regard to race, color, religion, sex, sexual orientation, gender identity, national origin, age, disability, genetic information, marital status, veteran status, or any other status protected under federal, state, or local laws.

If you require reasonable accommodations to apply or participate in the hiring process, please contact Ryan B. Gibbs at: [email protected].

Video audition instructions:

Please submit your headshot, resume and link to your audition video at:
[email protected]
Please include a brief note expressing which role(s) you would like to be considered for.

For Singing roles in musicals - Please include a short video (a reel or song you have that you feel best reflects our season.) Optionally, we will review a video of a short monologue (45 seconds) appropriate to the style of the season, should you wish to send it along. Not required

For Acting-only roles in plays or musicals - Please submit a video of a 60 second monologue appropriate to the style of the season

The deadline to submit is Monday, February 2, 2026

A NIGHT WITH JANIS JOPLIN
Directed by Ryan B. Gibbs
Associate Director/Choreographer: Joshua Green
Musical Director: Lena Gabrielle

Rehearsals begin: May 12, 2026
Opens: May 29, 2026
Closes: June 13, 2026

Gretna Theatre Transfer:
Tech/Sound Check: June 16–17, 2026
Opens: June 18, 2026
Closes: June 21, 2026

SYNOPSIS: A Night With Janis Joplin is a musical celebration of the legendary rock and blues icon Janis Joplin. Featuring many of her greatest hits—including “Piece of My Heart” and “Me and Bobby McGee”—the show also honors the powerful artists who influenced her sound, such as Bessie Smith, Nina Simone, Etta James, and Aretha Franklin.

Set in 1970, the musical offers a contemporary concert-style take on Joplin’s life and legacy, bringing her music and the stories of her influences vividly to life. Since its debut in 2011, A Night With Janis oplin has enjoyed widespread success, touring extensively and earning a limited engagement in
London’s West End.

Totem Pole Playhouse’s production will be the Central Pennsylvania/Northern Maryland Regional Premiere of the piece. This production is a co-production between Totem Pole Playhouse and Gretna Theatre, with the Totem Pole production transferring to Gretna Theatre for a consecutive limited
engagement. The transfer will occur with no break in employment for the company.

SEEKING: Following roles plus understudies (possibly external)

Janis Joplin (and Alternate): Female, late 20s. A force of nature with an authentic rock & roll/blues voice, incredible range, and chords of steel. Range: G3–A5. Capturing the iconic sound and presence of Janis is a priority. Special Note: The Janis Alternate will have scheduled public performances and will also cover the Joplinaires chorus tracks (not their historic features).

Joplinaires (4): Female-identifying Black performers with strong blues, rock, and legit vocal skills. Ranges vary from G3–E5/A5. These are chorus contracts with features. The Joplinaires serve as Janis’s backup singers in her band and additionally portray features of the women who most influenced her sound, including Etta James, Odetta, Bessie Smith, The Chantels, Aretha Franklin,
Nina Simone, a Blues Singer (“Summertime”), and The Blues Woman. Feature tracking may beadjusted from original tracking based on casting.

COME FROM AWAY
Directed and Choreographed by: Christine O’Grady
Associate Director: Luke Reed Musical Director: Jane Best

Rehearsals begin: June 2, 2026
Opens: June 19, 2026
Totem Pole Playhouse 2026 Season - Gettysburg, PA EPA Page 4 of 8
Closes: July 4, 2026

SYNOPSIS: Come From Away tells the true story of the September 11 attacks, when 6,579 airline passengers were unexpectedly stranded in Gander, Newfoundland. As planes from around the world were diverted, the residents of Gander and surrounding towns welcomed the passengers with food,
shelter, and compassion. The musical captures the extraordinary generosity, resilience, and humanity that emerged during this unprecedented moment, highlighting the deep connections formed between strangers in a time of crisis.
Special notes: Our plan is to utilize the actor’s natural hair in this production.

SEEKING: Following roles and understudies (possibly external)

Claude & Others – Male-identifying, any ethnicity, 40–60. The gregarious and well-liked Mayor of Gander, Claude loves his work, the townspeople, and his daily traditions, but has never faced a crisis of this magnitude. Doubles as Derm and Eddie. Vocal range top: G4.

Bonnie & Others – Female-identifying, any ethnicity, 30–40. A no-nonsense mother of three and head of the Gander SPCA. Fiercely protective of the animals stranded on planes, Bonnie is passionate and outspoken. Doubles as Martha. Vocal range top: B4.

Beulah & Others – Female-identifying, any ethnicity, 35–60. Head of the Gander Legion, with a firefighter son. Warm, steady, and deeply compassionate. Doubles as Delores.

Oz & Others – Male-identifying, any ethnicity, 25–50. A quirky constable in Gander’s two-person police force. As the town’s population doubles overnight, Oz rises to the challenge in unexpected ways. Doubles as Joey, Customs Officer, Mr. Michaels, Terry, Matty, Rabbi, and Head Cardiologist.
Vocal range top: G4.

Janice & Others – Female-identifying, any ethnicity, 20–30. An eager local TV reporter on her first assignment, thrown into global tragedy. Doubles as Britney and Flight Attendant. Vocal range top: E5.

Beverley & Others – Female-identifying, any ethnicity, 40–55. The first female captain for American Airlines, Beverly Bass has always loved flying until her world abruptly changes. Doubles as Annette and Reporter. Vocal range top: C#5.

Diane & Others – Female-identifying, any ethnicity, 35–50. A traditional divorcee from Texas terrified that her son may have been flying on 9/11. Through the experience, she discovers new freedom and joy. Doubles as Crystal and Brenda. Vocal range: A3–C#5.

Bob & Others – Male-identifying, Black 20–40. A hardened New Yorker who initially distrusts Gander, expecting the worst, and is transformed by kindness. Doubles as Muhumuza and Captain Bristol.

Nick & Others – Male-identifying, any ethnicity, 35–55. A reserved English oil engineer whose life is upended when he falls for Diane. Doubles as Doug, Officer Stephenson, and Male Townsperson. Vocal range top: E4.

Kevin T & Others – Male-identifying, any ethnicity, 25–40. A corporate executive from Los Angeles stranded with his boyfriend. Inspired by Gander’s generosity, he later founds the Pay It Forward Foundation. Doubles as Garth and President Bush. Vocal range top: G4.

Kevin J & Others – Male-identifying Kevin's boyfriend and secretary. Sarcastic and unhappy, he wants to leave as soon as possible. Ali: An Egyptian man traveling to America who experiences isolation and Islamophobia but who finds a connection to Beulah. Doubles as Dwight.

Hannah & Others – Female-identifying, Black 35–55. The mother of a New York firefighter anxiously awaiting news. Her quiet strength anchors the show. Doubles as Margie and Mickey. Vocal range top: E5.

OSCAR AND FELIX: A NEW LOOK AT THE ODD COUPLE
Directed by: John Putch

Rehearsals begin: June 23, 2026
Opens: July 10, 2026
Closes: July 25, 2026

SYNOPSIS: This contemporary reimagining of The Odd Couple updates the classic story with modern references while preserving the iconic relationship between Oscar and Felix.

Special notes: Our plan is to utilize the actor’s natural hair in this production.

SEEKING: Following roles and understudies (possibly external)

Oscar Madison – 50s. A carefree, good-natured, divorced sportswriter who lives alone in a messyeight-room New York apartment. Male Identifying

Felix Unger – 50 A fussy man who knows he is difficult to live with but cannot—or will not—make compromises. Male Identifying

Ynez Costazuela – 30s–40s. Oscar and Felix’s upstairs neighbor, one of a pair of Spanish sisters. A widow. Female Identifying

Julia Costazuela – 30s–40s. Oscar and Felix’s upstairs neighbor, one of a pair of Spanish sisters. A divorcée. Female Identifying

Speed – 50s–70s. One of Oscar and Felix’s poker buddies. Gruff, sarcastic, and frequently picks on Vinnie and Murray. Could be male or female identifying

Murray – 40s–60s. An NYPD policeman and poker buddy. Male Identifying

Roy – 40s–60s. Oscar’s accountant and poker buddy. Dry-witted but less abrasive than Speed. Male Identifying

Vinnie – 40s–60s. A mild-mannered, hen-pecked poker buddy and frequent target of Speed’s barbs. Male Identifying

SOUTH PACIFIC
Directed by: Ryan B. Gibbs
Musical Directors: Darren Server / Steve Zumbrun
Choreographer: Jenn Reed

Rehearsals begin: July 14, 2026
Opens: July 31, 2026
Closes: August 16, 2026

SYNOPSIS: South Pacific is set on a remote Pacific island during World War II, where American service members stationed far from home confront love, longing, and the realities of war. Two parallel romances—between Navy nurse Nellie Forbush and French planter Emile de Becque, and between
Marine Lt. Joe Cable and a young island woman—unfold against a backdrop of military duty and cultural collision. As friendships form and lives intertwine, the characters are forced to confront fear, loss, and deeply rooted prejudice.

SEEKING: Following roles and understudies (possibly external)

Nellie Forbush: Female-identifying is a Navy nurse in her 30s–40s with an open heart and infectious optimism. A soprano (B3–C6), she sings “I’m Gonna Wash That Man Right Outa My Hair” and “A Wonderful Guy.”

Emile de Becque: Male-identifying, is a cultured French ex-patriot, 40s–50s, with a rich baritone voice (G2–G4). He sings “Some Enchanted Evening” and “This Nearly Was Mine.”

Bloody Mary: Female-identifying, a Tonkinese businesswoman in her 40s–60s, is sharp, funny, and fiercely protective of her daughter. An alto/mezzo (G3–E5), she sings “Bloody Mary” and “Happy Talk.”

Lt. Joseph Cable: Male-identifying, is a young Marine officer in his 20s with a lyrical tenor voice (C3–B4). He sings “Younger Than Springtime” and “You’ve Got to Be Carefully Taught.”

Liat: Female-identifying, Bloody Mary’s daughter, is in her late teens to early 20s and is a largely nonspeaking role featured in “Happy Talk.” Strong dance and physical storytelling required.

Luther Billis: Male-identifying, is a charismatic Seabee in his 30s–50s with a baritone/tenor range (C3–G4). He sings “There Is Nothin’ Like a Dame” and “Honey Bun.”

Professor: Male-identifying, is a Seabee, 20s–30s, thoughtful and dryly humorous. Featured in “There Is Nothin’ Like a Dame.”

Stewpot: Male-identifying, is a Seabee in his 20s–30s with strong ensemble skills, singing in “There Is Nothin’ Like a Dame” and “Honey Bun.”

Captain Brackett: Male-identifying, is a career Navy officer in his 40s–60s, primarily a spoken role with ensemble vocals.

Commander Harbison: Male-identifying, is a senior naval commander 30s, firm and no-nonsense, also primarily spoken with ensemble vocals.

Ngana: Female-identifying is Emile’s daughter, age 8–12, with a child soprano voice, singing “Dites-Moi” in French.

Jerome: Male-identifying, is Emile’s younger child, also 8–12, playful and curious, singing “Dites-Moi.”

Ensemble: both Male and Female-identifying, Sailors, Seabees, Marines, Navy Nurses, and Island Residents. All genders, ages 18+, and vocal ranges encouraged. Strong character work and period authenticity required.

A CHRISTMAS CAROL
First Rehearsal: November 17, 2026
Opens: December 4, 2026
Closes: December 13, 2026

Venue: Majestic Theatre, Gettysburg

Holiday Production – Separate Fall Auditions
We are accepting early auditions for A Christmas Carol. A dedicated in-person audition will be held in September, which will serve as the primary casting opportunity. Additional audition details will be announced closer to the September call.

SYNOPSIS: Set in Victorian London, A Christmas Carol follows the journey of Ebenezer Scrooge, a bitter and isolated miser who is visited on Christmas Eve by a series of supernatural spirits. Through visions of his past, present, and possible future, Scrooge is forced to confront the consequences of his
choices and ultimately discovers the redemptive power of generosity, compassion, and human connection.

SEEKING:

Ebenezer Scrooge: Male-Identifying. is an older businessman whose rigid exterior masks regret and loneliness. This is a demanding, transformative leading role requiring emotional depth and stamina.

Bob Cratchit: Male-Identifying. is Scrooge’s loyal clerk—gentle, warm, and quietly resilient despite hardship.

Mrs. Cratchit and the Cratchit Family: both Male and Female-identifying. are loving, resourceful, and central to the heart of the story.

a ghost burdened by the consequences of a wasted life.
The Ghosts of Christmas Past, Present, and Yet to Come: both Male and Female-identifying. are otherworldly guides who lead Scrooge toward transformation, each distinct in tone and presence.

Ensemble: both Male and Female-identifying. members portray Londoners of all ages, including townspeople, party guests, schoolmates, businessmen, and spirits.

SALARY

LOA $811 weekly minimum (Ref. to COST) - 2025 rates Plus, applicable pension and health payments. Housing and travel provided when point of origin requires.

UNION

AEA