Mountain Theatre Company
Highlands, NC
US

DESCRIPTION

MTC SUMMER SEASON 2026 Audition Notice

Seeking sensational triple threat performers ages 18 and up for Mountain Theatre Company’s 88th season. Must have incredible musical theatre-pop/rock voices, strong dance skills, great comedic instincts, and the ability to interact well with an audience.

Mountain Theatre Company is committed to diversity and operates with a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Mountain Theatre Company encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

*** Digital or virtual auditions will not be accepted at this time. ***

CONTRACT
Non-Union
Up to $525/wk.
Travel and Housing Provided

LOCATION
Ripley-Grier Studios
939 8th Ave Location
New York, New York 10019

Feb 2nd, 2026 - Vocal Audition
Feb 3rd, 2026 - Dance Call

PERSONNEL
Executive Artistic Director: Scott Daniel
Company Manager: Emanuel Carrero
Resident Choreographer: Erin Leigh Knowles

AUDITION REGISTRATION
Digital or virtual auditions will not be accepted at this time.

Auditionee MUST register for a designated audition time slot by visiting our website mountaintheatre.com/auditions

Artists will be asked to submit an audition form with their headshot, resume, and vocal and dance reel. Once our casting team has reviewed the submitted materials, artists may receive a custom access key to book their preferred February 2nd appointment time. Not all submissions will receive an access key.

Audition registration opens on January 1st, 2026.

AUDITION PREPARATION
Audition materials will be provided to artists who have been assigned designated audition time slots. Show-specific materials will be distributed by the MTC casting team no later than January 22, 2026.

All artists must be available to attend auditions on February 2 and 3, 2026.

Please note: Digital or virtual auditions will not be accepted at this time.

BREAKDOWN

DANCIN’ IN THE STREET
Director: Scott Daniel
Choreographer: Erin Leigh Knowles
Music Director: Lori Nielsen
First Rehearsal: 06/01/26
Opening: 06/24/26
Closing: 07/12/26

Dancin’ in the Street is a world-premiere jukebox musical set on a vibrant neighborhood block where interconnected love stories, friendships, and community unfold through the music of Motown, ’70s folk, soul, and disco. This is a story-driven, ensemble-forward production with fully developed characters and a clear narrative arc.

Statement on Casting & Representation
Dancin’ in the Street is intentionally envisioned as a diverse, joyful community; shaped by the music of its era, where connection, love, and shared rhythm take center stage. The world of the show reflects a time and sound rooted in collaboration, cultural exchange, and collective joy, rather than conflict. As part of this artistic vision, Mountain Theatre Company is deeply committed to inclusive casting and is especially interested in hearing from artists whose lived experiences and cultural backgrounds help reflect the breadth of the music that inspires this piece. We warmly encourage Latinx, Black, Asian, and other historically underrepresented artists to submit and to participate in the ongoing development of these roles.

ALL ROLES REQUIRE EXCELLENT ACTING, STRONG SINGING, AND SUPERIOR DANCE ABILITY.

BILLY – Tenor
Lead | Male Singer-Dancer | 25–35
Vocal Range: Tenor with strong mix/belt.
An excellent actor with natural charisma and strong storytelling instincts; serves as narrator and connective tissue for the neighborhood. Requires a strong singing voice with confident belt and rhythmic authority rooted in disco, funk, and Latin-influenced soul.

Must be a strong dancer with solid partnering skills and high stamina

Musical references: Tito Puente/ Earth, Wind & Fire/ Kool & the Gang

CHRISTIE – Soprano / Mezzo-Soprano
Lead | Female Singer-Dancer | 25–35
Vocal Range: Soprano or Mezzo-Soprano with belt.
An excellent actor with warmth, vulnerability, and emotional depth; anchors the Act I finale. Requires a powerful pop/disco vocal with emotional release and rhythmic fluency shaped by Latin crossover pop and classic disco divas.

Must be a strong dancer with solid partnering proficiency.

Musical references: Gloria Estefan/ Linda Ronstadt/ Donna Summer

BRENDA – Mezzo-Soprano / Alto with belt
Lead | Female Singer-Dancer | 25–35
An excellent actor with commanding presence and emotional authority; drives one of the show’s central arcs. Requires a strong soul/R&B voice with belt and dynamic control.

Must be a strong dancer with confident physicality and partnering skills.

Musical references: Aretha Franklin/ Gladys Knight/ Chaka Khan

EDDIE – Baritone with upper extension
Lead | Male Singer-Dancer | 25–35
An excellent actor with warmth, sincerity, and emotional restraint. Requires a warm, expressive baritone voice with Motown/soul flexibility.

Must be a strong dancer with solid partnering ability.

Musical references: Marvin Gaye/ Smokey Robinson/ Jackson 5

JACK – Light Tenor / High Baritone
Lead | Male Singer-Dancer | 25–35
An excellent actor with natural vulnerability and grounded presence; the emotional slow burn of the show.

Requires a clear folk/rock storytelling voice with strong lyric delivery.

Must be a strong mover with solid partnering skills. Must play guitar comfortably onstage.

Musical references: Simon & Garfunkel/ James Taylor/ Cat Stevens

DIANE – Mezzo-Soprano
Lead | Female Singer-Dancer | 25–35
An excellent actor with subtlety, intelligence, and emotional restraint. Requires a warm, expressive vocal with nuance and clarity.

Must be a strong dancer with solid partnering and adagio skills.

Musical references: Joni Mitchell/ Carole King/ Roberta Flack

3 ENSEMBLE WOMEN – Soprano / Mezzo / Alto

Sheila • Vikki • Carmen
Feature | Female Singer-Dancers | 25–35

Must be exceptional dancers with expert proficiency in partnering and adagio work; lifts required. Strong jazz, disco, and contemporary technique with high stamina. Requires strong ensemble singers with excellent harmony skills.

3 ENSEMBLE MEN – Tenor / High Baritone / Baritone

Danny • Charles • Michael
Feature | Male Singer-Dancers | 25–35

Must be exceptional dancers with expert proficiency in partnering and adagio work; lifts required. Strong jazz, disco, and contemporary technique with high stamina. Requires strong ensemble singers with excellent harmony skills.

SHOWSTOPPERS
Director: Scott Daniel
Choreographer: Erin Leigh Knowles
Music Director: Lori Nielsen
First Rehearsal: 07/20/26
Opening: 08/12/26
Closing: 08/30/26

The ultimate musical celebration! Showstoppers! is a high-energy, 90-minute multimedia spectacular that zips through Broadway and Hollywood’s greatest musicals — from West Side Story and Dreamgirls to Singin’ in the Rain, Chicago, Mamma Mia!, and many more. With dazzling costumes, cinematic visuals, and a world-class professional cast, this production is pure, exhilarating entertainment for the whole family.

ALL ROLES REQUIRE EXCELLENT ACTING, STRONG SINGING, AND SUPERIOR DANCE ABILITY.

THE HEART
Vocal Range: Mezzo-Soprano to Soprano (G3–C6)
A lyrical, emotionally grounded leading presence with warmth, sincerity, and deep emotional access. The Heart carries the soul of the piece, anchoring storytelling through honesty and vulnerability. Expressive vocalist with strong mix and legit tone. Emotionally transparent performer with romantic depth. Strong mover with musical sensitivity and storytelling through physicality.

Reference Roles:Maria – West Side Story / Jenna – Waitress / Clara – The Light in the Piazza

THE SPARK
Vocal Range: Alto to Mezzo (F3–B♭5)
A bold, witty force of nature with sharp comedic instincts and kinetic energy. The Spark ignites the stage through rhythm, timing, and fearless personality. Strong belt with rhythmic precision. Confident, dynamic dancer with jazz and stylized movement strength. Excellent comedic timing and commanding stage presence.

Reference Roles: Anita – West Side Story / Adelaide – Guys and Dolls / Sally Bowles – Cabaret

THE STAR
Vocal Range: Alto to Mezzo (F3–C6)
A commanding, grounded presence with vocal authority and emotional weight. The Star brings gravity, confidence, and lived-in power to every moment. Rich, resonant voice with authority and control. Strong acting instincts and emotional clarity. Movement-driven performer with presence and purpose.

Reference Roles: Motormouth Maybelle – Hairspray / Mama Morton – Chicago / Shug Avery – The Color Purple

THE MUSE
Vocal Range: Flexible
A dancer-centered storyteller whose physicality shapes the visual language of the piece. The Muse communicates through movement first, with musicality and emotional intelligence driving every phrase. Elite dancer with exceptional musicality and expressive clarity. Strong ensemble vocalist. Thrives in extended dance sequences and visual storytelling.

Reference Roles:Peggy Sawyer – 42nd Street / Judy Haynes – White Christmas / Val – A Chorus Line

THE ROMANTIC
Vocal Range: Tenor (C3–B4)
An open-hearted leading presence defined by sincerity, lyricism, and emotional accessibility. The Romantic leads with vulnerability and expressive warmth. Strong lyric tenor with expressive phrasing. Emotionally grounded actor with romantic credibility. Confident mover with musical sensitivity.

Reference Roles: Tony – West Side Story / Curly – Oklahoma! / Sky Masterson – Guys and Dolls

THE SHOWMAN
Vocal Range: Baritenor (A2–C5)
A charismatic entertainer with theatrical flair, humor, and magnetic stage presence. A true triple threat with impeccable timing and charm. Advanced dancer with strong tap skills. Comedic precision and confident physical storytelling. Natural host energy with effortless audience connection.

Reference Roles: Bert – Mary Poppins / Emcee – Cabaret / Leo Bloom – The Producers

THE PRINCIPAL
Vocal Range: Baritone / High Baritone (A2–G4)
A composed authority figure with polish, confidence, and classic musical theatre presence. Commands the stage with elegance and assurance. Strong baritone with vocal authority. Refined movement quality and classic leading-man energy. Anchors ensemble moments with confidence and clarity.

Reference Roles: Billy Flynn – Chicago / Don Lockwood – Singin’ in the Rain / Corny Collins – Hairspray

THE BEAT
Vocal Range: Flexible
A powerhouse mover whose rhythm, precision, and musicality drive the physical storytelling of the piece. The pulse of the story. Elite dancer with stamina, clarity, and attack. Strong sense of rhythm and ensemble awareness. Confident vocalist for group work.

Reference Roles: Leading Player – Pippin / Tap Brother – After Midnight / Bernardo – West Side Story

POTENTIAL CASTING CROSSOVER
Christie ↔ The Spark
Diane ↔ The Heart
Brenda ↔ The Star
Carmen ↔ The Muse
Billy ↔ The Showman
Jack ↔ The Romantic
Eddie ↔ The Principal
Michael ↔ The Beat

DURATION

May 31, 2026 - Sep 1, 2026

SALARY

$525.00 – $550.00 per week

APPLY ONLINE

http://www.mountaintheatre.com/auditions