Cincinnati Playhouse in The Park | Cincinnati, OH
Cincinnati, OH
Notice: Stage Manager
CONTRACT
LORT Non-Rep
MAINSTAGE (LORT B):
$1446 weekly minimum - Stage manager
$1229 weekly minimum - Assistant stage manager
SECOND STAGE (LORT D):
$1097 weekly minimum - Stage manager
$901 weekly minimum - Assistant stage manager
SEEKING
Equity stage managers for Cincinnati Playhouse in the Park's 2026-27 Season.
Cincinnati Playhouse in the Park is an equal opportunity employer.
SUBMISSION INSTRUCTIONS
Please submit your resume for consideration to
Andrea Shell, PSM.
Deadline: Sunday, May 3, 2026
SUBMIT TO
Cincinnati Playhouse in the Park
Attn: Andrea Shell, PSM
962 Mt. Adams Circle
Cincinnati, OH - Ohio 45202
PERSONNEL
Joanie Schultz: Associate Artistic Director
Katie Gifford-Baskerville: Artistic Engagement Manager
Andrea Shell: Production Stage Manager
See breakdown for production specific personnel.
OTHER DATES
See breakdown for production-specific dates.
Our 2026-27 season begins rehearsal in early Augus with an early September opening. The last show of the season will close in late May.
OTHER
www.cincyplay.com
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunitydesigned to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Breakdown
THE ROUSE THEATRE (EQUITY LORT B CONTRACT)
Casting Note:
Unless otherwise specified, roles are open to actors of all races, ethnicities, gender identities, and abilities.
HEIST
By Arun Lakra
Directed by Blake Robison, CPIP’s Osborn Family Producing Artistic Director
Co-Produced with Milwaukee Repertory Theater and Gulfshore Playhouse
SYNOPSIS: Inspired by movies like Ocean’s Eleven, Now You See Me and The Sting – this theatrical caper is a hightech mystery for the stage. When a team of professional thieves assembles to pull off one last job, the heist goes sideways into a web of danger, betrayal and double crosses. Blending quick-witted banter and heart-pounding suspense with a high-octane production, Heist takes you on a fun and thrilling ride.
CPIP
rehearse: 8/14/26
Performs: 9/12 – 10/11/26
Milwaukee Rep
rehearse: 11/10/2026
Performs 11/17 – 12/20/2026
Gulfshore Playhouse
rehearse: 1/5/2027
Performs 1/12 – 2/7/2027
GET HAPPY: ANGELA INGERSOLL SINGS JUDY GARLAND
An Artists Lounge Live Production
October 17 – November 7, 2026
This is a book-in production. Cincinnati Playhouse in the Park is not casting any roles.
A CHRISTMAS CAROL
By Charles Dickens
Adapted and Originally Directed by Blake Robison (CPIP’s Osborn Family Producing Artistic Director)
Directed by Bridget Leak
Revival of CPIP’s 2024 production of the classic Dickens novella.
Partial cast starts Rehearsal: 10/30/2026
Full cast starts rehearsal: 11/3/26
Performs: 11/20 - 12/27/26
No Roles available at this time.
CINCINNATI KING
Written and Directed by KJ Sanchez
A Play with music.
Rehearse: 11/1/2026
Performs: 1/30 – 2/28/27
SYNOPSIS: Celebrate Cincinnati’s King Records in the return of the hit musical that traces the groundbreaking rise of music pioneer Syd Nathan and the artists he produced. Based on interviews, the show chronicles behind-thescenes tales of King Records hits including “The Twist,” “Blues Stay Away From Me,” “Fever” and “Need Your Love So Bad.” Cincinnati King shines the spotlight on the Queen City’s music roots.
PURPOSE
By Branden Jacobs-Jenkins
Directed by Tyrone Phillips
SYNOPSIS: Winner of the Tony Award for Best Play and the Pulitzer Prize, this riveting and hilarious new drama lays bare the influential Jasper family, led by a renowned Civil Rights leader and his formidable wife. When their adult sons return home for a celebration, the evening unravels and ignites long-simmering tensions. Accusations fly and secrets are laid bare as the Jaspers must reckon with their faith, their legacy and their purpose.
NOTE: This production is slated to be a co-production with Indiana Repertory Theatre, which will originate at
Indiana Rep and be cast by them.
Indiana Repertory Theatre:
Rehearse: 1/5/27
Performs: 1/26 – 2/21/27
Cincinnati Playhouse in the Park:
Rehearse: 3/9/27
Performs: 3/13 – 4/4/27
ROPE
Adapted by Jeffrey Hatcher
Based on the play “Rope’s End” by Patrick Hamilton
Directed by Blake Robison, CPIP’s Osborn Family Producing Artistic Director
SYNOPSIS: The gripping psychological thriller that inspired the 1948 Alfred Hitchcock and Jimmy Stewart film of the same name gets a tantalizing new adaptation. Brandon and Lewis, two privileged young men, commit a calculated murder, then host a dinner party for the victim’s acquaintances in the very room where the body is hidden. Convinced they are intellectually superior, the killers believe it is the “perfect murder” and getting caught is impossible. As the evening progresses, tension builds from one moment to the next as Brandon grows bolder, testing his cleverness, and Lewis gets nervous, becoming increasingly erratic. Will they get away with murder?
NOTE: This production is slated to be a co-production with a partner to be announced. The production will originate with CPIP at the end of their season and open the 2027-28 season at the subsequent theatre.
Cincinnati Playhouse in the Park:
Rehearse: 3/30/27
Performs: 4/24 – 5/23/27
TBA Theatre:
Rehearse: TBD
Performs: TBD
THE ROSENTHAL SHELTERHOUSE THEATRE (EQUITY LORT D CONTRACT)
TALK
World Premiere
By Theresa Rebeck
Directed by Melisa Annis
SYNOPSIS: This world premiere delivers biting satire of the current media environment and will no doubt get people talking. Hoping for a ratings boost, the host of a news commentary talk show decides to do a live broadcast. When an unplanned guest is added to the mix of standard talking heads, the conversation goes off the rails, and the show descends into chaos. All political points of view are represented, and all are skewered as this razor-sharp and funny play shines a satirical spotlight on news and dialogue in today’s fast-moving media world. Talk was commissioned by the Playhouse from the award-winning Broadway and Hollywood writer and Cincinnatinative Theresa Rebeck.
Rehearse: 9/1/26
Performs: 9/26 – 10/25/26
THE TWELVE DATES OF CHRISTMAS
By Ginna Hoben
Directed by Laura Kepley
SYNOPSIS: In this solo show, Mary’s life falls apart – just in time for the holidays after seeing her fiancé kissing another woman on the televised Thanksgiving Day Parade. Newly single, she stumbles through the emotional, and often comically absurd, minefield of dating over the next year with each milestone on the calendar bringing dating misadventures. Until the following Christmas arrives and an unexpected encounter opens her heart and a new way forward.
Rehearse: 10/16/27
Performs: 11/7 – 12/27/26
2 SPECIAL LIMITED ENGAGEMENTS
These are book-in engagements. Cincinnati Playhouse in the Park is not casting any roles.
Performs 2 weeks each: 1/12 – 2/7/27
I AM MY OWN WIFE
By Doug Wright
Directed by Joanie Schultz, CPIP’s Associate Artistic Director
SYNOPSIS: Based on a true story and inspired by interviews conducted by the playwright, I Am My Own Wife is the fascinating tale of Charlotte von Mahlsdorf, an elegant and eccentric German trans woman who, against all. odds managed to survive the Nazis during World War II and the repressive Communist regime that followed.
Rehearse: 1/26/27
Performs: 2/20 – 3/21/27
TABLE 17
By Douglas Lyons
Directed by TBA
SYNOPSIS: Romance, regrets and second chances play out in this entertaining rom-com for the stage. Once engaged, Jada and Dallas meet for dinner to untangle their complicated past. Despite the intrusion of a cheeky waiter and their best efforts to keep it casual, an undeniable spark still lingers. A hit off-Broadway and in Los Angeles, Table 17 is a witty new comedy about love found, lost and possibly reignited.
Rehearse: 2/24/26
Performs: 4/3 – 5/16/27
LORT Non-Rep MAINSTAGE (LORT B): $1446 weekly minimum - Stage manager $1229 weekly minimum - Assistant stage manager SECOND STAGE (LORT D): $1097 weekly minimum - Stage manager $901 weekly minimum - Assistant stage manager
AEA