| Show | This Week Gross Potential Gross | Diff $ | Avg Ticket Top Ticket | Seats Sold Seats in Theatre | Perfs Previews | % Cap | Diff % cap |
|---|---|---|---|---|---|---|---|
| & Juliet Stephen Sondheim Theatre | $930,167.70 | $90,031.20 | $113.89 $324.00 | 8,167 1,026 | 8 0 | 99.50% | 0.18% |
| Aladdin New Amsterdam Theatre | $1,456,852.00 | $77,888.00 | $109.48 $215.50 | 13,307 1,727 | 8 0 | 96.32% | 0.36% |
| The Book of Mormon Eugene O'Neill Theatre | $796,398.60 | -$30,862.75 | $103.20 $229.00 | 7,717 1,066 | 8 0 | 90.49% | -6.06% |
| BOOP! The Musical Broadhurst Theatre | $833,724.39 | $276,086.09 | $91.98 $297.00 | 9,064 1,137 | 8 0 | 99.65% | 7.10% |
| Buena Vista Social Club Gerald Schoenfeld Theatre | $1,123,501.68 | $36,886.58 | $139.29 $397.00 | 8,066 1,049 | 8 0 | 96.12% | -2.55% |
| Cabaret August Wilson Theatre | $913,276.30 | $70,779.80 | $114.32 $299.00 | 7,989 1,070 | 8 0 | 93.33% | -1.97% |
| Call Me Izzy Studio 54 | $113,298.75 | -$120,430.75 | $63.08 $377.50 | 1,796 807 | 8 0 | 27.82% | -17.80% |
| Chicago Ambassador Theatre | $568,723.02 | $26,134.56 | $97.23 $257.00 | 5,849 1,080 | 8 0 | 67.70% | -3.05% |
| Death Becomes Her Lunt-Fontanne Theatre | $1,255,805.00 | $153,762.25 | $111.05 $325.00 | 11,308 1,491 | 8 0 | 94.80% | -1.42% |
| The Great Gatsby Broadway Theatre | $947,990.80 | $29,641.10 | $89.11 $277.00 | 10,639 1,485 | 8 0 | 89.55% | -0.80% |
| Gypsy Majestic Theatre | $816,086.04 | $522,183.22 | $104.59 $397.00 | 7,803 1,590 | 8 0 | 61.34% | 3.53% |
| Hadestown Walter Kerr Theatre | $692,330.00 | -$1,661.00 | $96.86 $0.00 | 7,148 918 | 8 0 | 97.33% | -2.68% |
| Hamilton Richard Rodgers Theatre | $2,136,762.00 | $25,992.00 | $199.59 $349.00 | 10,706 1,324 | 8 0 | 101.08% | -0.34% |
| Harry Potter and the Cursed Child Lyric Theatre | $1,152,545.05 | -$14,600.20 | $106.79 $239.00 | 10,793 1,622 | 8 0 | 83.18% | -4.39% |
| Hell's Kitchen Sam S. Shubert Theatre | $889,935.05 | $110,691.64 | $84.27 $273.00 | 10,560 1,457 | 8 0 | 90.60% | -2.13% |
| John Proctor is the Villain Booth Theatre | $1,128,804.20 | $221,445.30 | $178.30 $697.00 | 6,331 772 | 8 0 | 102.51% | 0.24% |
| Just in Time Circle in the Square Theatre | $1,287,449.50 | $55,643.00 | $226.19 $574.50 | 5,692 690 | 8 0 | 103.12% | 0.11% |
| The Lion King Minskoff Theatre | $2,190,750.00 | $136,422.20 | $166.37 $297.00 | 13,168 1,696 | 8 0 | 97.05% | -0.21% |
| Maybe Happy Ending Belasco Theatre | $1,341,836.30 | $10,576.11 | $168.19 $475.00 | 7,978 973 | 8 0 | 102.49% | -0.05% |
| MJ The Musical Neil Simon Theatre | $1,354,423.00 | $121,988.15 | $129.29 $299.00 | 10,476 1,387 | 8 0 | 94.41% | 4.88% |
| Moulin Rouge! The Musical Al Hirschfeld Theatre | $908,851.00 | $60,736.40 | $93.72 $0.00 | 9,697 1,300 | 8 0 | 93.24% | 0.98% |
| Oh, Mary! Lyceum Theatre | $1,087,876.90 | $148,934.90 | $154.07 $375.00 | 7,061 895 | 8 0 | 98.62% | 4.65% |
| Operation Mincemeat John Golden Theatre | $668,014.45 | $61,263.85 | $109.71 $325.00 | 6,089 790 | 8 0 | 96.34% | -1.73% |
| The Outsiders Bernard B. Jacobs Theatre | $1,157,679.45 | $11,074.76 | $139.21 $497.00 | 8,316 1,024 | 8 0 | 101.51% | -0.24% |
| Pirates! The Penzance Musical Todd Haimes Theatre | $462,118.00 | $85,703.50 | $85.39 $297.00 | 5,412 727 | 8 0 | 93.05% | 0.68% |
| Purpose Helen Hayes Theater | $672,618.55 | $28,770.84 | $147.25 $349.00 | 4,568 581 | 8 0 | 98.28% | -1.20% |
| SIX: The Musical Lena Horne Theatre | $659,041.25 | -$50,755.00 | $94.96 $269.00 | 6,940 1,031 | 8 0 | 84.14% | -3.17% |
| Stranger Things: The First Shadow Marquis Theatre | $980,002.85 | $51,355.75 | $99.64 $281.00 | 9,835 1,594 | 8 0 | 77.13% | -1.67% |
| Sunset Boulevard St. James Theatre | $1,974,733.00 | $34,464.10 | $156.14 $499.00 | 12,647 1,648 | 8 0 | 95.93% | -4.00% |
| Wicked Gershwin Theatre | $2,311,794.00 | $53,873.00 | $150.04 $352.00 | 15,408 1,926 | 8 0 | 100.00% | 0.00% |
Broadway said goodbye to the new musical, which featured a star-making turn from Jasmine Amy Rogers.
The 2025 Best Musical Tony winner is steadily becoming one of the Main Stem's top grossers, even in a relatively small house.
Sarah Snook finished her Tony-winning run in the solo show June 29.
Both shows closed June 22 on the Main Stem, with their box-office increases leading a 10% cumulative increase over all of Broadway.
Tony-winning star and writer Cole Escola plays their final performance in the comedy June 21.
Good Night, and Good Luck closed with the highest gross of its stratospheric run, even as a performance broadcast and streamed live for free via CNN.