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Before Bring It On: The Musical had plans for a Broadway life, the production made its world premiere at the Alliance Theatre in Atlanta, GA, in early 2011, and soon after launched a five-month North American tour. In May 2012 the cast and creatives of the new musical, which fuses the worlds of competitive cheerleading and musical theatre, learned that the production's next stop would be Broadway's St. James Theatre.
A whopping 30 out of 35 cast members from the new musical, as well as two members from the production's Equity stage-management team, took their first Broadway bow July 12, marking a modern-day record — Most Broadway Debuts in a Production.
Aside from the Broadway spectacles of the Golden Age, a spokesperson for Actors' Equity Association confirmed to Playbill.com that it's thought that Bring It On has "the most Broadway debuts in recent times" — close seconds were last season's Jesus Christ Superstar, the revival that gave 23 actors their Broadway debut, and Newsies, the Disney musical that welcomed 13 Broadway newcomers.
Playbill.com reached out to the 32 fresh faces via email. They shared how their Broadway dreams turned reality.
Louderman, who has performed professionally at the St. Louis Muny, joined the first national tour of Bring It On after completing her sophomore year at the University of Michigan. Following the opening number during her first Broadway preview at the St. James, she thought, "'I wonder if this is what it feels like to be Beyoncé!' It was surreal. I still can't comprehend all of this."
Warren said, "I knew [Broadway was the goal] when I saw my first show at 5 years old, and I turned to my mother at intermission and said, 'I want to do that.'" The actress, originally from Chesapeake, VA, added that her family encouraged her to see it through. "They have been my biggest cheerleaders since day one," she said. "I love them all and thank them for all of their prayers and support... I definitely remember a couple of points during the [first preview] where tears came to my eyes because I couldn't believe my dream was actually coming true. What a blessing!"
His first performance on Broadway, however, he thought he might "explode!" Gotay added, "There was an amazing energy radiating from the audience that night; you could feel everyone's excitement buzzing all around you. Underneath all of that energy, though, was a calm, overwhelming feeling of gratitude. I was almost in disbelief that I had made it to my first Broadway performance. Now, as I'm writing these words on the day of our opening night on Broadway, I can't wait to experience those feelings again in a few hours! Although this time, I might actually explode."
Now, in Bring It On, the 20 year old from Las Vegas, NV, takes the "Top of the Pyramid" nightly at Broadway's St. James, where she stars as manipulative Truman High newcomer Eva. "It wasn't until high school when my dad was the pyrotechnician for Phantom in Vegas [that] I became interested in musical theatre," said McLemore. "Broadway became the ultimate dream after I saw that show. And, to think… Now we're at the St. James — across from Phantom on Broadway!"
"I have always been a curvy girl," added Redmond, who attended NYU's CAP21, "and it is so rewarding to send such a positive message every night on Broadway. Bridget has so much heart, and it is such a thrill to play her every night. If I can make one little girl love the skin she is in, then I am doing just fine."
On his road to Broadway, Womack admitted to overcoming many hardships. "Being homeless with my mom and two younger sisters [was] the most difficult challenge I have faced," he said. "But if there's anything that experience – and this show – has taught me over and over is that family and friends are all that really matters."
"The idea of being on Broadway was scary to me, but also what I had been dreaming of doing for the longest time," she said. "So many incredibly talented people have graced the Broadway stages — giants, legends! Stars are born in this community!" Now on Broadway, she added that the first performance of Bring It On was "one of the most amazing nights" of her life. "I fulfilled a promise that I made my 12-year-old self," said DeBose, "and for that, I am incredibly proud."
"I'm one of six children and the second oldest," added Johnson, who plays Cameron, one of the tallest members of Jackson High's crew. "When I feel like it's a lot to bear or difficult to obtain, I persevere for them. I'm their example of 'if you believe it, you can achieve it.' They inspire me and motivate me every day to succeed. Failure is never an option."
Facing her fears, Krupin, who plays Campbell's Truman High gal-pal Kylar, makes her Broadway debut at 24. "Heck yes Broadway scared me!" she said. "I grew up very far away from it. Broadway was like the moon — there, but not in any tangible way. Trusting your instincts is hard, but I've learned it's the only way to get where you're meant to go."
Bohne, 25, from Highland, UT, knew she wanted to be a performer at 14 years old, when she sat front row at the Richard Rodgers Theatre and watched Cathy Rigby take the stage as the Cat in the Hat in Broadway's Seussical. "There are really high expectations for this caliber of theatre," said Bohne, who is the standby for the lead roles of Campbell and Eva. "But it's an absolute thrill to be a part of an incredible art form."
Alden, who hails from Murrieta, CA, had many people to thank for making her Broadway dreams a reality. "My parents and my grandparents are my anchor," she said. "Annette Tanner (founder of the Broadway Dreams Foundation) has been a part of my journey since I was 11 years old. She helped make my Broadway dreams come true. Rachel Hoffman has been my angel. And, Tyler Hanes is someone I look up to, respect and cherish as a performer and a friend. The support from these amazing people has been the voice in the back of my head — or, very clearly, in front of my face — to keep pushing and never give up."
"The first preview was an incredible moment," said Bethea. "It just felt really great to receive such a positive response from everyone. I kind of felt like I was cheering at a college football game again! The roar of the crowd reminded me of the ECU [East Carolina University] games back home."
Blankenship, who studied Dance Performance at The Ohio State University and was a varsity cheerleader there for four years, also coached cheerleading in the town of Sunbury. "I always preached to those little kids about how desire, dedication and discipline can take you anywhere in life," he said. "What kind of role model would I be if I gave up on my own dream? I hope that my experiences can inspire those kids to chase their dreams just as they inspired me to chase mine."
"It was so exciting to find out we were going to Broadway. It was amazing — I burst into tears our first day in the theatre," said Carlacci, a swing for the new Broadway musical. She added, "I had to learn an immense amount of responsibility and discipline in order to do my job to my best ability. It was my first time being a swing, and it takes a lot of patience and a lot of work!"
Ensemble member Corbeille, who cheered for the University of Oklahoma, the University of Miami and the Spirit of Texas all-star team, added, "I felt so confident that Bring It On was the perfect gig for me after hearing the creative team talk about their vision for the show at the audition… My biggest challenge so far has been adjusting to living in new places. Living out of one 50-pound suitcase while on tour and not being able to spend time with my family over the holidays posed a challenge – but it also taught me independence. I have become an expert packer and have practically conquered the subway system!"
However, Delgado distinctly remembered telling a friend at the age of 16, "I want to be on Broadway someday, that would be so fun." Now, the Bring In On swing has his castmates to thank for pushing him forward. "I can't help but look around and think that I wouldn't be here in New York without all these people," he said. "We have made lifelong friendships throughout this entire process. Unlike any other show, we all come from such different backgrounds. A group of cheerleaders, dancers, singers and actors were thrown together, and we manage to make magic eight times a week. I've never stopped learning from my castmates, and they are the ones who have inspired me to see it through."
"I've always been a ham," she added. "While the girls around me did their [gymnastics] floor routines to drab music, I chose 'Bad to the Bone'… I made sure when my music started, people wanted to watch me! Of course Broadway is a little more intimidating, but once you get in the groove, it becomes second nature. It's like competing at Nationals… eight times a week!"
Ensemble member Gooden, who comes from Atlanta, GA, said that it was "senior year of college when I decided that I wanted to explore the musical theatre world. I always knew that I could sing, and I always enjoyed seeing my theatre friends perform, so I figured why not give it a try? Now I'm in love with it, and I see a lot of Broadway performances in my future."
About his journey to Broadway, Gross said, "I think leaving my family and my girlfriend behind to come and do the show was the biggest challenge for me." Gross, a swing in the new musical added, "This is a dream come true for me — a dream that I actually had given up on in high school. I didn't think I was good enough, so I quit dance and theatre and stuck to cheerleading. Who would've thought that the two worlds would combine like this?"
Hannah, who landed her first professional theatre gig with Goodspeed Musicals in Cutman: A Boxing Musical, added that Bring It On was a huge undertaking. "Bring It On has been the most physically challenging show I've ever been a part of," she said. "The biggest challenge for me was building the stamina to perform the show well… I am happiest when I am performing. I can't imagine wanting to do anything else."
Aside from cheering — winning multiple national championships from 1996-2004 — and sports, Jamerson also pursued a country-music career in Nashville. "In country music I've performed on various stages from a young age, so an audience was nothing new. What is new," she said, "is performing with a group of my closest friends. I think the fear of making a mistake, which could essentially affect one of my castmates, scares me… A cheerleading coach at Indiana University, Tony Nash, had a lot to do with helping me pursue this opportunity. I owe him endless gratitude for believing in me."
However, during the first Broadway preview for Bring It On, "I couldn't stop jumping," she said. "You could have called me the Easter bunny! I simmered, bowed my head to thank the Man" — Jesus Christ, who she says serves as her inspiration — "and let him know it was about to go down. And, it did! We rocked that stage. Throughout the entire show I kept thinking, 'This is me, and this is what I do.' The stage is my home."
Now, on Broadway, he said that performing the show is "just like breathing — it comes so naturally." About his first Broadway preview, he added, "At first it felt like a normal show, but it was at the end of the Jackson number 'Cross the Line,' when I did the last dance step and looked to the balcony, that I realized I was on Broadway and a feeling of accomplishment and joy ran through my body. I began to cry. I will always remember this moment in my life."
Parson, who participated in all-star cheerleading teams and Indianapolis' Lawrence North High School competition squad, added, "Nothing thrills me more than putting on a show. Broadway was a huge surprise for me. I usually don't go after something unless I know I'm ready for it, but in this case, I guess the Man upstairs was saying, 'You're ready.'"
Prior to Broadway, Richardson Jr. was the owner and creative director of two cheer gyms, All Star Rockets and Cooper City Storm; the in-house choreographer for Top Gun All Stars from Miami Florida; and a competitive cheer and dance team choreographer since age 14. "Broadway has been a career highlight — I love the arts," he added. "The possibility of learning and experiencing any and every part of it has been a pure blessing."
Roe — who is also the production's assistant stunt captain — however, had more than enough cheerleading experience to prepare her for Bring It On. "I have been a competitive cheerleader for over ten years," said Roe, who cheered for the University of Kentucky and Morehead State. "Broadway was intimidating because the type of performance is more like running a marathon versus the 'sprint' of a two-and-a-half-minute cheerleading routine. It takes a lot of focus and mental training to be able to hold your wits for a two-and-a-half-hourlong show."
Tucker, a part of the Bring It On ensemble, always believed the show would make it to Broadway. During the musical's first preview at the St. James, "it started to sink in that we had made it to Broadway and the audience was so amazing," he said. "It felt like a warm welcoming into the Broadway community."
On the road to Broadway, she said her biggest challenges were learning how to sing and dance, having been with Bring It On: The Musical since its Atlanta production. "Cheerleading is performance-based, too," said Whitt, from Orlando, FL. "Taking on Broadway was very scary to me, but it was exciting!"
Watch the Bring It On team talk about the show on its Broadway opening night.