Article | By Leah Putnam | August 9, 2023
Drag Artist Le Gateau Chocolat Highlights the Magic of Edinburgh Fringe in Keynote Address
At one of the festival's opening ceremonies, the performer spoke about the need for more inclusivity and providing more resources for artists.
Article | By Diep Tran | August 5, 2023
This Year's Edinburgh International Festival Is Looking Towards the Future, Towards Change
Running all month, this festival is the first programmed by violinist Nicola Benedetti, the first woman to lead it.
Article | By Leah Putnam | July 24, 2023
10 Shows to See at Assembly Rooms in Edinburgh's New Town
A trip down the hill to the other side of Edinburgh's city center will take you to the venue where Fringe's use of multi-space hubs began.
Article | By Margaret Hall | November 11, 2022
See Inside Opening Night for Madeline Sayet's Where We Belong at The Public
Directed by Mei Ann Teo, the solo piece is a co-production with Woolly Mammoth Theatre Company in association with Folger Shakespeare Library.
Article | By Logan Culwell-Block | November 11, 2022
Reviews: What Did Critics Think of Madeline Sayet's Where We Belong at The Public?
Directed by Mei Ann Teo, the solo piece is a co-production with Woolly Mammoth Theatre Company in association with Folger Shakespeare Library.
Article | By Leah Putnam | November 4, 2022
See Madeline Sayet Explore Shakespeare and Colonialism in Where We Belong at The Public
Mohegan theatre artist Sayet presents the New York premiere of her autobiographical solo show.
Article | By Logan Culwell-Block | October 28, 2022
New York Premiere of Madeline Sayet's Where We Belong Begins at The Public October 28
Directed by Mei Ann Teo, the solo piece is a co-production with Woolly Mammoth Theatre Company in association with Folger Shakespeare Library.
Article | By Leah Putnam | August 8, 2022
Roundup: Here Are All the Shows Playbill Has Seen So Far at Edinburgh Fringe
Playbill Goes Fringe is halfway through this year’s coverage of the world’s largest arts festival.
Article | By Dan Meyer | June 24, 2020
Watch Lin-Manuel Miranda Rap About Hamilton, N95 Masks, and More
Article | By Olivia Clement | February 28, 2020
James Graham Adapting Ink for the Screen
Article | By Mark Peikert | May 8, 2019
Writing the Rupert Murdoch Origin Story for Broadway
Article | By Ruthie Fierberg | April 25, 2019
How Broadway’s New Rupert Murdoch Play Ink Became an Onstage Tabloid
Article | By Ryan McPhee | April 7, 2019
Article | By Nathan Skethway | March 15, 2019
Anything That Gives Off Light is a Message in a Bottle to New York
Article | By Shoshy Ciment | July 30, 2018
What Did Critics Think of Rhys Ifans in Exit the King ?
Article | By Andrew Gans | October 17, 2017
Andrew Lloyd Webber Resigns From House of Lords
Article | By Mark Shenton | February 21, 2017
Olivier-Winning Musical Honk! to Receive 20th Anniversary London Revival
Article | By Mark Shenton | December 24, 2016
What’s Hot in London: December 17-23
Article | December 3, 2016
What’s Hot in London: November 26-December 2
Article | By Michael Gioia | December 1, 2016
How The Great Comet Transformed the Imperial Theatre Into an Immersive Russian Supper Club
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