While theatres remain dark, revisit some of your favorites with Inside the Theatre, and get a closer look at the details you might miss before the show.

While theatres remain dark, revisit some of your favorites with Inside the Theatre, and get a closer look at the details you might miss before the show—plus a deep dive into the theatre's history.

The Hungarian actor was known for her film and TV work as well as her numerous marriages.

We say farewell to Edward Albee, James M. Nederlander, David Bowie many more, from onstage and behind the scenes.

While theatres remain dark, revisit some of your favorites with Inside the Theatre, and get a closer look at the details you might miss before the show—plus a deep dive into the theatre's history.

Sundance Institute has announced the acting company and creative advisors that are participating in its 2015 Theatre Lab, which kicked off July 6 and runs through July 26 at the Sundance Resort in Utah.

BERNADETTE PETERS
Fabulous. That's the best word to describe Bernadette Peters' performance in the eagerly-awaited revival of Irving Berlin's Annie Get Your Gun. I took a trip to Washington last week to catch a performance of AGYG and to interview Peters for an article in the March issue of Playbill, which will also run on-line in the near future. But, getting back to Peters' star-turn: From the moment she steps on the stage to deliver her first number, "Doin' What Comes Natur'lly," Peters is simply wonderful. She reconfirms her status as one of the best musical theatre performers of her generation, and her comedic talents have never been put to better use. She manages to get a laugh with most every line she delivers, and some of her comic bits are hysterical. BP is also in superb voice: Her vocals are exciting on "You Can't Get a Man With a Gun," forcefully belting the refrain "With a guh-uhn, with a guh-uhn, no you can't get a man with a gun"; she silences the audience with her lyrical version of "Moonshine Lullaby"; she brings tenderness and charm to "They Say It's Wonderful"; her version of "Lost in His Arms" is both heartfelt and powerful; and her two duets with Tom Wopat in the second act, "Old Fashioned Wedding" and "Anything You Can Do," are riotously funny -- she also hits a forceful high note in "Anything" that is operatic in nature. Be sure to book your seats now for Peters' much-anticipated return to Broadway.

BERNADETTE PETERS
Fabulous. That's the best word to describe Bernadette Peters' performance in the eagerly-awaited revival of Irving Berlin's Annie Get Your Gun. I took a trip to Washington last week to catch a performance of AGYG and to interview Peters for an article in the March issue of Playbill, which will also run on-line in the near future. But, getting back to Peters' star-turn: From the moment she steps on the stage to deliver her first number, "Doin' What Comes Natur'lly," Peters is simply wonderful. She reconfirms her status as one of the best musical theatre performers of her generation, and her comedic talents have never been put to better use. She manages to get a laugh with most every line she delivers, and some of her comic bits are hysterical. BP is also in superb voice: Her vocals are exciting on "You Can't Get a Man With a Gun," forcefully belting the refrain "With a guh-uhn, with a guh-uhn, no you can't get a man with a gun"; she silences the audience with her lyrical version of "Moonshine Lullaby"; she brings tenderness and charm to "They Say It's Wonderful"; her version of "Lost in His Arms" is both heartfelt and powerful; and her two duets with Tom Wopat in the second act, "Old Fashioned Wedding" and "Anything You Can Do," are riotously funny -- she also hits a forceful high note in "Anything" that is operatic in nature. Be sure to book your seats now for Peters' much-anticipated return to Broadway.