This picture does not do it justice. It is stunning to see. I only wish I could see the design when performing. Over 2000 seats.
Outside The 5th Avenue Theatre. It's gorgeous inside and has been around since 1926.
Scatliffe played Jud Fry in 5th Avenue Theatre's production of Oklahoma!
Nothing happens without an amazing crew. The show has over 120 wig/facial pieces, over 100 costumes, 33 microphones, a barn, a front porch, corn, a gas station, over 30 swords, daggers and spears, two boats, two record players, a sand castle and a sheep.
Before the preview that same night, Gregg Edelman going over changes to the script on stage. In 3 weeks of previews this is a daily occurrence. It’s hard to keep track of all the changes for each night.
So when you are doing a new musical, we do preview performances at night and then come back and rehearse during the day. With this show, we have THREE WEEKS of this. Seen here, Jason Danieley going a little coo coo during rehearsal.
Mark Jacoby, Johnny Rabe and Gregg Edelman
The cast
Johnny Rabe, Mark Jacoby and Gregg Edelman
Johnny Rabe and Sophia Anne Caruso
Johnny Rabe
Kendra Kassebaum and Johnny Rabe
Jason Danieley and cast
Mark Jacoby, Johnny Rabe, Kendra Kassebaum and Gregg Edelman
Jason Danieley and Nick DeSantis
Eric Polani Jensen and Allen Fitzpatrick
Eric Polani Jensen, Kat Ramsburg and the cast of Hairspray
Heath Saunders
Kirsten deLohr Helland and Heath Saunders
Cynthia Jones (center) and the cast of Hairspray
Patti Cohenour
Allen Fitzpatrick, Montserrat Fleck, Jessica Skerritt and Analiese Emerson Guettinger
Patti Cohenour and the cast of Grey Gardens
Jessica Skerritt and Matt Owen
Patti Cohenour
Suzy Hunt
Suzy Hunt and Patti Cohenour
Jessica Skerritt and Patti Cohenour
I’m arriving at work for the Sunday matinee, and people are lining up around the block to see our show! It’s such an exciting feeling!
Johnny Rabe tries to stay warm on stage during rehearsal with his Drury Lane Theater zip-up. Such a theater kid, we love him.
Fight call! Broadway veteran Mark Jacoby’s character, Hub, is more of an action oriented character. As Nick Gaswirth pulls a knife on Mark, he contemplates his next exciting move.
Broadway veteran Gregg Edelman sits on side of the stage, with his cowboy hat by his side. Gregg, who plays Garth, is always cool as a cucumber.
Nick Gaswirth, Harris Milgrim, Jared Michael Brown, Nick DeSantis, Matthew Posner, and Deon Ridley. As we make changes during previews, The Wild Lion Boys are seen here in rehearsal working on their opening number.
The cast gathers before our first preview audience to get a pep talk from our director Scott Schwartz. Excitement, nerves and anticipation run through everyone. All at different paces.
Always and exciting day in any musical, the Sitzprobe in which the cast gets to hear and sing with the orchestra for the first time. The cast, writers, artistic staff and producers all come for this electrifying moment in a new musical.
Having fun while waiting in the wings… Jenifer Foote and Harris Milgrim backstage have borrowed Gregg Edelman’s prop – an instruction manual on planting and farming corn.
Jason Danieley as the magnificent Sultan of Oujda, taking one last look back on his way to wreak havoc in the land of Oujda.
Our fearless leaders! Giving direction, making changes and keeping our spirits high are our amazing creative team.
We have a great number called “Alive or Dead” in which the princess and I are traveling the world to flee from the cruel Sultan’s reaches. Naturally, while hiding out in Sicily, we are pursued by the mafia.
Upper left and Right: Music Director Ian Eisendrath works the amazing Ensemble and Orchestra. Bottom Left: Book writer Rupert Holmes (in the grey shirt to the right) listens to music rehearsal for the uplifting number "Fly Into A Better Tomorrow.”
We’ve moved into tech. Seen here, composer/lyricists Michael Weiner and Alan Zachary watch tech in the theater with Warner Brothers Theater Ventures Producer Mark Kaufman and his lovely family.
Fight choreography in the rehearsal hall. Mark Jacoby (in purple) and Eric Esteb (the blur) battle it out in the "shadow fight” – old man vs. ninja. Fun stage magic allows us to shatter that chair on the table every night.
Here we all are in the rehearsal hall, putting "Sand,” one of the large production numbers in the show, up on its feet for the first time. Jason Danieley (seen from behind in the turban) prepares for his "up center" entrance.
The entire cast and artistic staff sit down for one last "Table Read-through" with music before starting to put Secondhand Lions on its feet.
Jerick Hoffer (a.k.a. Jinkx Monsoon)
Kat Ramsburg and the Seattle Men's Chorus
Jessica Skerritt, Analiese Emerson Guettinger and Montserrat Fleck
Mark Anders and Patti Cohenour
Nothing happens without an amazing crew. The show has over 120 wig/facial pieces, over 100 costumes, 33 microphones, a barn, a front porch, corn, a gas station, over 30 swords, daggers and spears, two boats, two record players, a sand castle and a sheep.
Before the preview that same night, Gregg Edelman going over changes to the script on stage. In 3 weeks of previews this is a daily occurrence. It’s hard to keep track of all the changes for each night.
So when you are doing a new musical, we do preview performances at night and then come back and rehearse during the day. With this show, we have THREE WEEKS of this. Seen here, Jason Danieley going a little coo coo during rehearsal.
Fight call! Broadway veteran Mark Jacoby’s character, Hub, is more of an action oriented character. As Nick Gaswirth pulls a knife on Mark, he contemplates his next exciting move.
Johnny Rabe tries to stay warm on stage during rehearsal with his Drury Lane Theater zip-up. Such a theater kid, we love him.
Broadway veteran Gregg Edelman sits on side of the stage, with his cowboy hat by his side. Gregg, who plays Garth, is always cool as a cucumber.
Nick Gaswirth, Harris Milgrim, Jared Michael Brown, Nick DeSantis, Matthew Posner, and Deon Ridley. As we make changes during previews, The Wild Lion Boys are seen here in rehearsal working on their opening number.
The cast gathers before our first preview audience to get a pep talk from our director Scott Schwartz. Excitement, nerves and anticipation run through everyone. All at different paces.
Always and exciting day in any musical, the Sitzprobe in which the cast gets to hear and sing with the orchestra for the first time. The cast, writers, artistic staff and producers all come for this electrifying moment in a new musical.
Having fun while waiting in the wings… Jenifer Foote and Harris Milgrim backstage have borrowed Gregg Edelman’s prop – an instruction manual on planting and farming corn.
Jason Danieley as the magnificent Sultan of Oujda, taking one last look back on his way to wreak havoc in the land of Oujda.
We have a great number called “Alive or Dead” in which the princess and I are traveling the world to flee from the cruel Sultan’s reaches. Naturally, while hiding out in Sicily, we are pursued by the mafia.
We’ve moved into tech. Seen here, composer/lyricists Michael Weiner and Alan Zachary watch tech in the theater with Warner Brothers Theater Ventures Producer Mark Kaufman and his lovely family.
Our fearless leaders! Giving direction, making changes and keeping our spirits high are our amazing creative team.
Fight choreography in the rehearsal hall. Mark Jacoby (in purple) and Eric Esteb (the blur) battle it out in the "shadow fight” – old man vs. ninja. Fun stage magic allows us to shatter that chair on the table every night.
Upper left and Right: Music Director Ian Eisendrath works the amazing Ensemble and Orchestra. Bottom Left: Book writer Rupert Holmes (in the grey shirt to the right) listens to music rehearsal for the uplifting number "Fly Into A Better Tomorrow.”
Here we all are in the rehearsal hall, putting "Sand,” one of the large production numbers in the show, up on its feet for the first time. Jason Danieley (seen from behind in the turban) prepares for his "up center" entrance.
The entire cast and artistic staff sit down for one last "Table Read-through" with music before starting to put Secondhand Lions on its feet.
Nothing happens without an amazing crew. The show has over 120 wig/facial pieces, over 100 costumes, 33 microphones, a barn, a front porch, corn, a gas station, over 30 swords, daggers and spears, two boats, two record players, a sand castle and a sheep.
Before the preview that same night, Gregg Edelman going over changes to the script on stage. In 3 weeks of previews this is a daily occurrence. It’s hard to keep track of all the changes for each night.
So when you are doing a new musical, we do preview performances at night and then come back and rehearse during the day. With this show, we have THREE WEEKS of this. Seen here, Jason Danieley going a little coo coo during rehearsal.
Fight call! Broadway veteran Mark Jacoby’s character, Hub, is more of an action oriented character. As Nick Gaswirth pulls a knife on Mark, he contemplates his next exciting move.
Johnny Rabe tries to stay warm on stage during rehearsal with his Drury Lane Theater zip-up. Such a theater kid, we love him.
Nick Gaswirth, Harris Milgrim, Jared Michael Brown, Nick DeSantis, Matthew Posner, and Deon Ridley. As we make changes during previews, The Wild Lion Boys are seen here in rehearsal working on their opening number.
Broadway veteran Gregg Edelman sits on side of the stage, with his cowboy hat by his side. Gregg, who plays Garth, is always cool as a cucumber.
The cast gathers before our first preview audience to get a pep talk from our director Scott Schwartz. Excitement, nerves and anticipation run through everyone. All at different paces.
Always and exciting day in any musical, the Sitzprobe in which the cast gets to hear and sing with the orchestra for the first time. The cast, writers, artistic staff and producers all come for this electrifying moment in a new musical.
Having fun while waiting in the wings… Jenifer Foote and Harris Milgrim backstage have borrowed Gregg Edelman’s prop – an instruction manual on planting and farming corn.
Jason Danieley as the magnificent Sultan of Oujda, taking one last look back on his way to wreak havoc in the land of Oujda.
We have a great number called “Alive or Dead” in which the princess and I are traveling the world to flee from the cruel Sultan’s reaches. Naturally, while hiding out in Sicily, we are pursued by the mafia.
We’ve moved into tech. Seen here, composer/lyricists Michael Weiner and Alan Zachary watch tech in the theater with Warner Brothers Theater Ventures Producer Mark Kaufman and his lovely family.
Our fearless leaders! Giving direction, making changes and keeping our spirits high are our amazing creative team.
Fight choreography in the rehearsal hall. Mark Jacoby (in purple) and Eric Esteb (the blur) battle it out in the "shadow fight” – old man vs. ninja. Fun stage magic allows us to shatter that chair on the table every night.
Upper left and Right: Music Director Ian Eisendrath works the amazing Ensemble and Orchestra. Bottom Left: Book writer Rupert Holmes (in the grey shirt to the right) listens to music rehearsal for the uplifting number "Fly Into A Better Tomorrow.”
Here we all are in the rehearsal hall, putting "Sand,” one of the large production numbers in the show, up on its feet for the first time. Jason Danieley (seen from behind in the turban) prepares for his "up center" entrance.
The entire cast and artistic staff sit down for one last "Table Read-through" with music before starting to put Secondhand Lions on its feet.
Nothing happens without an amazing crew. The show has over 120 wig/facial pieces, over 100 costumes, 33 microphones, a barn, a front porch, corn, a gas station, over 30 swords, daggers and spears, two boats, two record players, a sand castle and a sheep.
Before the preview that same night, Gregg Edelman going over changes to the script on stage. In 3 weeks of previews this is a daily occurrence. It’s hard to keep track of all the changes for each night.
So when you are doing a new musical, we do preview performances at night and then come back and rehearse during the day. With this show, we have THREE WEEKS of this. Seen here, Jason Danieley going a little coo coo during rehearsal.
Fight call! Broadway veteran Mark Jacoby’s character, Hub, is more of an action oriented character. As Nick Gaswirth pulls a knife on Mark, he contemplates his next exciting move.
Johnny Rabe tries to stay warm on stage during rehearsal with his Drury Lane Theater zip-up. Such a theater kid, we love him.
Broadway veteran Gregg Edelman sits on side of the stage, with his cowboy hat by his side. Gregg, who plays Garth, is always cool as a cucumber.
Nick Gaswirth, Harris Milgrim, Jared Michael Brown, Nick DeSantis, Matthew Posner, and Deon Ridley. As we make changes during previews, The Wild Lion Boys are seen here in rehearsal working on their opening number.
The cast gathers before our first preview audience to get a pep talk from our director Scott Schwartz. Excitement, nerves and anticipation run through everyone. All at different paces.
Always and exciting day in any musical, the Sitzprobe in which the cast gets to hear and sing with the orchestra for the first time. The cast, writers, artistic staff and producers all come for this electrifying moment in a new musical.
Having fun while waiting in the wings… Jenifer Foote and Harris Milgrim backstage have borrowed Gregg Edelman’s prop – an instruction manual on planting and farming corn.
Jason Danieley as the magnificent Sultan of Oujda, taking one last look back on his way to wreak havoc in the land of Oujda.
We’ve moved into tech. Seen here, composer/lyricists Michael Weiner and Alan Zachary watch tech in the theater with Warner Brothers Theater Ventures Producer Mark Kaufman and his lovely family.
Our fearless leaders! Giving direction, making changes and keeping our spirits high are our amazing creative team.
We have a great number called “Alive or Dead” in which the princess and I are traveling the world to flee from the cruel Sultan’s reaches. Naturally, while hiding out in Sicily, we are pursued by the mafia.
Upper left and Right: Music Director Ian Eisendrath works the amazing Ensemble and Orchestra. Bottom Left: Book writer Rupert Holmes (in the grey shirt to the right) listens to music rehearsal for the uplifting number "Fly Into A Better Tomorrow.”
Fight choreography in the rehearsal hall. Mark Jacoby (in purple) and Eric Esteb (the blur) battle it out in the "shadow fight” – old man vs. ninja. Fun stage magic allows us to shatter that chair on the table every night.
Here we all are in the rehearsal hall, putting "Sand,” one of the large production numbers in the show, up on its feet for the first time. Jason Danieley (seen from behind in the turban) prepares for his "up center" entrance.
The entire cast and artistic staff sit down for one last "Table Read-through" with music before starting to put Secondhand Lions on its feet.
Mark Jacoby, Johnny Rabe and Gregg Edelman
The cast
Johnny Rabe, Mark Jacoby and Gregg Edelman
Johnny Rabe and Sophia Anne Caruso
Johnny Rabe
Kendra Kassebaum and Johnny Rabe
Jason Danieley and cast
Mark Jacoby, Johnny Rabe, Kendra Kassebaum and Gregg Edelman
Jason Danieley and Nick DeSantis
Mark Jacoby, Johnny Rabe and Gregg Edelman
The cast
Johnny Rabe, Mark Jacoby and Gregg Edelman
Johnny Rabe and Sophia Anne Caruso
Johnny Rabe
Jason Danieley and cast
Kendra Kassebaum and Johnny Rabe
Mark Jacoby, Johnny Rabe, Kendra Kassebaum and Gregg Edelman
Jason Danieley and Nick DeSantis
Mark Jacoby, Johnny Rabe and Gregg Edelman
The cast
Johnny Rabe, Mark Jacoby and Gregg Edelman
Johnny Rabe
Johnny Rabe and Sophia Anne Caruso
Kendra Kassebaum and Johnny Rabe
Jason Danieley and cast
Mark Jacoby, Johnny Rabe, Kendra Kassebaum and Gregg Edelman
Jason Danieley and Nick DeSantis
Eric Polani Jensen, Kat Ramsburg and the cast of Hairspray
Eric Polani Jensen and Allen Fitzpatrick
Cynthia Jones (center) and the cast of Hairspray
Heath Saunders
Kirsten deLohr Helland and Heath Saunders
Kat Ramsburg, the cast of Hairspray and the Seattle Men's Chorus
Jerick Hoffer (a.k.a. Jinkx Monsoon)
Eric Polani Jensen, Kat Ramsburg and the cast of Hairspray
Kat Ramsburg and the Seattle Men's Chorus
Eric Polani Jensen and Allen Fitzpatrick
Kirsten deLohr Helland and Heath Saunders
Heath Saunders
Cynthia Jones (center) and the cast of Hairspray
Kat Ramsburg, the cast of Hairspray and the Seattle Men's Chorus
Jerick Hoffer (a.k.a. Jinkx Monsoon)
Kat Ramsburg and the Seattle Men's Chorus
Kat Ramsburg, the cast of Hairspray and the Seattle Men's Chorus
John Pai
Patti Cohenour
Allen Fitzpatrick, Montserrat Fleck, Jessica Skerritt and Analiese Emerson Guettinger
Patti Cohenour and the cast of Grey Gardens
Jessica Skerritt and Matt Owen
Patti Cohenour
Suzy Hunt and Patti Cohenour
Suzy Hunt
Suzy Hunt and Patti Cohenour
Jessica Skerritt and Patti Cohenour
Jessica Skerritt, Analiese Emerson Guettinger and Montserrat Fleck
Mark Anders and Patti Cohenour
Patti Cohenour
Allen Fitzpatrick, Montserrat Fleck, Jessica Skerritt and Analiese Emerson Guettinger
Patti Cohenour and the cast of Grey Gardens
Jessica Skerritt and Matt Owen
Patti Cohenour
Suzy Hunt and Patti Cohenour
Suzy Hunt
Suzy Hunt and Patti Cohenour
Jessica Skerritt and Patti Cohenour
Mark Anders and Patti Cohenour
Jessica Skerritt, Analiese Emerson Guettinger and Montserrat Fleck
Patti Cohenour
Allen Fitzpatrick, Montserrat Fleck, Jessica Skerritt and Analiese Emerson Guettinger
Patti Cohenour and the cast of Grey Gardens
Jessica Skerritt and Matt Owen
Patti Cohenour
Suzy Hunt
Suzy Hunt and Patti Cohenour
Suzy Hunt and Patti Cohenour
Jessica Skerritt and Patti Cohenour
Mark Anders and Patti Cohenour
Jessica Skerritt, Analiese Emerson Guettinger and Montserrat Fleck
Patti Cohenour
Allen Fitzpatrick, Montserrat Fleck, Jessica Skerritt and Analiese Emerson Guettinger
Patti Cohenour and the cast of Grey Gardens
Jessica Skerritt and Matt Owen
Patti Cohenour
Suzy Hunt
Suzy Hunt and Patti Cohenour
Suzy Hunt and Patti Cohenour
Jessica Skerritt and Patti Cohenour
Mark Anders and Patti Cohenour
Jessica Skerritt, Analiese Emerson Guettinger and Montserrat Fleck
Suzy Hunt and Patti Cohenour
Mark Kitaoka
I’m arriving at work for the Sunday matinee, and people are lining up around the block to see our show! It’s such an exciting feeling!
I’m arriving at work for the Sunday matinee, and people are lining up around the block to see our show! It’s such an exciting feeling!
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