The wait is over. After a barren two weeks, my life has meaning again. A new episode of "You're the One That I Want" was not broadcast last week because the Super Bowl was on, and I was, as Madame Morrible would say, "devastrated." By the way, do people in Oz really speak differently? Or do they all just have a slight learning disability? Only Winnie Holzman can tell us. All right, let's start.
First of all, for those of you tracking my eating disorder, the evening started out with me sipping a no-cal Crystal Light Raspberry Lemonade and ended with me ladling out a cauldron size bowl of Cap'n Crunch. It was a two-hour episode, people! The high sugar content kept my energy up after I almost succumbed to a witty-wordplay coma from statements like "He'll be singing 'My Eyes Adored You,' but will you adore him?" and "She'll be singing 'Don't Cry for Me Argentina,' for you, but will it end in tears for her tonight?" I had no choice but to carbo load.
The first bizarre moment happened when it seemed that Denise Van Outen came as Paris Hilton. Not just outfit-wise, but facially. Is that why there was a two-week break? Was it so she could film an episode of MTV's "I Want a Famous Face"?
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| "Hot Danny" Austin Miller |
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The theme tonight was Broadway-ish, meaning some songs were obvious hits from the Great White Way and some were pop songs that kind of had something to do with Broadway twice removed.
First up was Max who sang "Can You Feel the Love Tonight?" The audience was up to their old tricks again and broke into freakishly loud applause in the middle of the song. The only apparent reason was . . . he slowly walked down the stairs. I haven't seen that big of a reaction to a stair descent since Audra left the attic in Ragtime.
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| "Serious Sandy" Kate Rockwell | |
Oh yeah, and since the song didn't have a strong back beat, the audience took that to mean that it was a power ballad and slowly waved their hands in the air. When any not fast song began, I was in total fear waiting for the audience waving to begin. I haven't feared a hand rising that much since I watched the ending of "Carrie" on channel Nine.
In the middle of the show, the contestants sang the title song from The Phantom of the Opera as a group number, not unlike the John Brimhall arrangement I would have begged my chorus teacher to let us in do in tenth grade. Shout out to Kevin for sounding great on the G of "The Pha-a-a-a-a-antom…" Unfortunately, instead of the cool Christine Daae obbligato section that modulates higher and higher three times at the end of the song, we were instead treated to one mid-range soprano note, sung beautifully, but held for two counts. Not cool. Sir Lloyd Webber, you owe me an ear shattering high E! ASAP!
At the end of the show, the four people at the bottom sang for the judges, and the two "second chancers" were voted off. Allie and Jayson then sang their songs and, in another bizarre moment, Allie's "Mom and Dad" were shown in the audience. But the people with the chyron under them were two men. Was it the wrong audience shot? Does Allie have two Daddies? Or is Allie's Mother a "handsome woman"?
Next week another Sandy and Danny will be eliminated and another enormous bowl of cereal will be eaten. Peace out!

