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The "Smash" Report is a little late this week owing to the breaking theatre news the week of April 30. On May 1, nominees of the 2012 Tony Awards were announced. Among them: Christian Borle, who plays composer Tom Levitt on "Smash." He was nominated as Best Featured Actor in a Play for his work as an over-the-top pirate named Black Stache in Broadway's rambunctious Peter and the Starcatcher. Here's Playbill Video's encounter with him at the May 2 Tony nominees reception. As mentioned in the first Playbill "Smash" Report, about the pilot episode, this is Borle's second Tony nomination following his work in Legally Blonde the Musical. That's Borle (as Tom) singing "Another Openin', Another Show," the Cole Porter classic from Kiss Me, Kate, at the top of this week's episode, with boyfriend Sam (played by Leslie Odom, Jr., who is so good in Broadway's Leap of Faith, which earned one Tony nomination this week — as Best Musical). The Porter classic about "stage folk" creating a musical "in Philly, Boston or Baltimo" is sung over a montage of the series' stage folk packing their bags and heading to Boston for the tryout of Bombshell. A Steadicam swirls around chorus performer Karen (Katharine McPhee) on location at Grand Central Station (where you can't catch a train to Boston, but never mind) in a fun sequence that includes the ensemble kids gathering in a keen "getting-out-of-town" moment, when everything seems possible. The 1980 musical 42nd Street features a full number illustrating such a frenzy; it's called — appropriately — "Getting Out of Town." Wanna hear it? For this episode, we have vintage Porter, and it's all right with me. (The producers have so far avoided using Irving Berlin's "There's No Business Like Show Business" in the so-far 13 of 15 episodes in Season One.)
The Boston theatre sequences were shot not on location in a venue in that storied tryout town (where Oklahoma! and Follies have their roots) but at the St. George Theatre on Staten Island, where the earlier Heaven On Earth number was also filmed (remember when Ivy, played by Megan Hilty, had a meltdown in the middle of a Broadway production number?). The St. George opened in 1929 as a movie and vaudeville house; by 1972, after several owners and multiple uses, it was closed. It did not share the fate of so many American movie palaces (decay, neglect, demolition); it reopened in 2004 and is run by the not-for-profit St. George Theatre Restoration Inc. Read more about the venue's history here.
photo by Will Hart/NBC |
Photo by Will Hart/NBC |
SAY IT WITH MUSIC: Company rat Ellis (Jaime Cepero) agrees to be Ivy's spy. Insecure after all these months, she doesn't trust Derek. And for good reason, it turns out. When Ellis turns his back, Derek goes to the dressing room of insecure movie star Rebecca Duvall (Uma Thurman) to buck her up and give her acting advice. They end up kissing — deeply, passionately — while her assistant, Randall (Sean Dugan) stands guard at the door. Randall turns Ivy away in the hall. Behind him, we hear giggling between Derek and Rebecca. The writing's on the wall: It's time to sing a sad song. In a hotel room with the tipsy chorus kids, a "sing-off" between Ivy and Karen is proposed. "I Love Louisa," again, is not the song of choice, but a completely lip-smacking, delicious, toothsome cover of Rose Royce's R&B song "I'm Going Down" is. The populated hotel room magically transforms to an empty room bathed in blue, and a rainstorm outside the window. The crisply made-up, unused double beds are a nice touch. Megan Hilty tears it up. It's so raw and arresting that Karen doesn't get a chance to offer a musical reply. Sing-off averted!
photo by Will Hart/NBC |
SAM AND TOM: Chorus dancer Sam's family lives in Boston, and he takes Tom home to dinner, where we learn that Sam's father owned a paint store for 35 years, and Sam's brother is a doctor. Mom and sister-in-law are also at the supper table. It's "Guess Who's Coming to Dinner" without the tension. The gay thing isn't an issue, but Dad wishes Sam had a more solid job. Tom agrees that dancing is a precarious thing, with little security and a high rate of injury. Sam overhears the conversation, and says Tom is "taking an ax to my life choices." They talk it out and continue on the road to a deeper relationship. Another sing-off averted!
(Kenneth Jones is managing editor of Playbill.com. Follow him on Twitter @PlaybillKenneth.) Check out the earlier "Smash" Report recap of Episode 12.
View Playbill Video's earlier visit with cast and creatives of "Smash."