$271 weekly minimum (SPT 1)
From the book by Studs Terkel
Adapted by Stephen Schwartz and Nina Faso With additional contributions by Gordon Greenberg
Songs by Craig Carnelia, Micki Grant, Lin- Manuel Miranda, Mary Rodgers and Susan Birkenhead, Stephen Schwartz, and James Taylor
Auditions will be viewed by:
Daniella Wheelock (Director)
Jeremy Ramey (Music Director)
Leda Hoffmann (Artistic Director)
Rowan Winterwood (Casting Coordinator)
Callbacks will be held March 9th and 10th.
First rehearsal: March 23, 2021
Opening: April 29, 2021
Closing: May 9, 2021
All rehearsals will be conducted virtually, and performances will be pre-recorded and streamed. Rehearsal will take place evenings and weekends.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Equity actors for roles in WORKING A Musical (see breakdown).
Each track plays a number of characters. While the track names align to the gender binary, we are interested in seeing actors of all or no genders.
Man 1 (he/him) - any race, 20 - 40
Plays an interstreet trucker, a UPS delivery man, a student, and a fireman along with various other ensemble roles. Man 1 takes pride in the work that they do and looks for the positive.
Man 2 (he/him) - Latino, 20 - 40
Plays a tech support worker, a community organizer, an ex-newsroom assistant, a stone mason, an elder care worker, and a fast food worker along with various other ensemble roles. Man 2 is a dreamer, constantly yearning.
Man 3 (he/him) - white, over 50
Plays an ironworker, a hedge fund manager, a retiree, and a publicist along with various other ensemble roles. Man 3 is a person who needs to be defined by their job; their job is their life.
Woman 1 (she/her) - Filpina, 20-40
Plays a millworker, a flight attendant, a nanny, and a receptionist along with various other ensemble roles. Woman 1 is constantly searching for something more.
Woman 2 (she/her) - Black, 20-50
Plays a project manager, a prostitute, a housewife, and a cleaning lady along with various other ensemble roles. Woman 2 takes pride in the work that they do and in forging new paths ahead.
Woman 3 (she/her) - white, over 50
Plays a school teacher, a waitress, and a fundraiser along with various other ensemble roles. Woman 3 likes to be defined by their job and an adherence to the way that things have always been done.
Please send a headshot, resume, and video of you singing approx. 32-bars of a musical theatre or pop song to firstname.lastname@example.org by Saturday March 6th. Please slate.