Gareth Saxe Will Return to Cast of Broadway's The Lion King
By Andrew Gans
Gareth Saxe will return to the cast of Broadway's The Lion King, the fifth longest-running show in Broadway history, beginning July 2 as the sardonic and deviously cunning Scar.
Saxe began his Lion King journey on Broadway in June 2010 and returns after appearances in the critically acclaimed Atlantic Theater Company production of Harper Regan and, most recently, Nikolai and the Others at Lincoln Center.
The Broadway score features Elton John and Tim Rice's music from "The Lion King" animated film along with three new songs by John and Rice; additional musical material by South African Lebo M, Mark Mancina, Jay Rifkin, Taymor and Hans Zimmer; and music from "Rhythm of the Pride Lands," an album inspired by the original music in the film, written by Lebo M, Mark Mancina and Hans Zimmer.
The book was adapted by Roger Allers, who co-directed "The Lion King" animated feature, and Irene Mecchi, who co-wrote the film's screenplay. Other members of the creative team include Steve Canyon Kennedy (sound design), Michael Ward (hair and makeup design), John Stefaniuk (associate director), Marey Griffith (associate choreographer), Clement Ishmael (music supervisor).
Directed by Julie Taymor — who became the first woman to ever receive a Tony Award for Best Director of a Musical — The Lion King has become an international hit with productions playing all around the globe. In fact, the Elton John-Tim Rice musical has won over 30 major awards. Those include six Tony Awards, including one for Best Musical; eight Drama Desk Awards; six Outer Critics Circle Awards; two Sir Laurence Oliviers; the Evening Standard Award for Best Theatrical Event; and three Los Angeles Drama Critics Circle Awards.
Produced by Disney Theatrical Productions, The Lion King currently plays Broadway's Minskoff Theatre (200 West 45th Street). For tickets, show information and performance schedule, call Ticketmaster's Disney on Broadway hotline at (866) 870-2717 or visit LionKing.com.
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