By Robert Simonson
Blanche DuBois, A Streetcar Named Desire.
No female in the Williams cast of characters looms as large as Blanche DuBois. Nearly every lady the playwright created clings to illusions of untarnished reputation, a rosy future and the innate beauty of life, but none so tenaciously as Blanche, whose best years have long peeled away from her by the time she lands on the doorstep of her proletariat sister Stella and Stella's brutish husband Stanley. Battering her butterfly wings against age-disguising Chinese paper lanterns, she's broken by a world robbed of grace and gentility. "It's an incredible role," said Elizabeth Marvel, who played Blanche in Ivo van Hove's notorious 1999, avant garde interpretation of the play at New York Theatre Workshop. "It's hard to find a woman he wrote that isn't a fantasist. I think what's so striking for me about Blanche is it's so clear I needed to understand Tennessee to play the part. That was my research. I spent a lot of time reading his letters and such. He wrote himself into that role so totally, in a way that you don't find in other characters, like in The Glass Menagerie. There's that personal touch in it."
Shirley Knight — a noted Williams specialist (Williams wrote A Lovely Sunday for Creve Coeur for her) — played Blanche twice, once at the McCarter Theatre in Princeton, NJ, and once at the Annenberg Center in Philadelphia. "I felt it was a part I was born to play," she said, calling Blanche her favorite Williams role. "I think Blanche is his most poetic character, and, of course, his poetry is so remarkable. I did the role twice because I wasn't quite sure I had done my work on it. I loved her demeanor. And the humor." (Knight is currently starring in an Off-Broadway production of Williams' late-career play In Masks Outrageous and Austere at the Culture Project.)
06 Feb 2013
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Jessica Hecht as Blanche at the Williamstown Theatre Festival
Photo by T. Charles Erickson
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Playbill cover from the original 1947 Broadway production.
Hecht concurs. "They're deeply intelligent characters," she said. "They're not only steely, they're so resourceful in their desire to get out from under their circumstances. They're a product of a time when you couldn't get the life you wanted."
"It's wonderful for one's ego to play someone who is so victimized," observed Marvel of Blanche, "but I don't think there's an ounce of victim in her. And that's the trap many actresses fall into. Blanche is a tenacious bastard, and an alcoholic, and a manipulator, and a lot of things to poke a stick at."
Continued...

