has been involved with theatre sound for more than 20 years, designing sound for productions in the UK and around the world. London work includes Cyberjam, We Will Rock You, Blast!, Grease, Return to the Forbidden Planet, Five Guys Named Moe, Which Witch, Metropolis, Pete Townsend's The Iron Man, In the Midnight Hour, High Society, Time, A Saint She Ain't, The Best of Times, Soultrain, From a Jack to a King, Sweeney Todd, Bitter Sweet, Children of Eden, The Fix and Mamma Mia! UK regional work includes productions at Coventry Belgrade, Derby Playhouse, Sheffield Crucible, Manchester Royal Exchange, Watford Palace and Leicester Haymarket. RSC: The Beggar's Opera and Bartholomew Fair. Opera: for the past four years Bobby has been working to create techniques to deliver credible sound reinforcement for large scale, in-the-round opera production. Work has included Carmen, Madame Butterfly, Tosca, Aida and La Bohème at the Royal Albert Hall.
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